25 Beautiful Homes

Into the light

Caroline Firth’s creative approach revitalise­d her family home, making it bright and beautiful

- FEATURE ANNABELLE GRUNDY | PHOTOGRAPH­Y AND STYLING COLIN POOLE

‘Pick paint colours last. It’s easier if you decide on the atmosphere you want to create and pull together furniture, artwork, blinds and so on first’

Viewing a period property proved to be an eye-opener for Caroline Firth, as she and her husband Ian searched for a new home. ‘I fell in love with the idea of living in an older house,’ she says. ‘There weren’t that many Victorian homes in the area we’d chosen, so when one did come on the market, I really wanted it!’

The property that caught her attention was an attractive, double-fronted semi with high ceilings, fireplaces and elegant proportion­s. Inside, the rooms were bland, painted cream and fitted out with uninspirin­g, budget floorings and fixtures. ‘It had been decorated to sell but I was desperate to add some character,’ recalls Caroline.

By giving her herself a few months to familiaris­e herself with her new surroundin­gs, Caroline soon discovered that parts of the house could feel a little dark at certain times of day, so opening up the space and boosting light would be important. At the same time, she was keen to introduce colour, interest and individual touches.

The tired kitchen was Caroline’s first project. Oak-effect cupboards were replaced with a single symmetrica­l run of units and a slim dresser opposite for extra storage. A local joiner made the Shaker-style cabinets, and having splashed out on beautiful quartz worksurfac­es, Caroline cleverly cut back when it came to the flooring.

‘We took up the existing wood-look laminate, relaid it horizontal­ly to accentuate the width of the room, and painted it,’ she says. ‘It was supposed to be a temporary measure, but we really like it, so it’s stayed.’

To help distribute light around the house, the small front living room and larger sitting room at the back have been knocked through. To further balance the two spaces, Caroline chose a dramatic dark grey and yellow scheme for the living room, contrastin­g it with the sitting room’s fresh offwhites and vibrant mid-greens.

‘The sitting room almost put us off the house because the heavy curtains made it so dark and uninviting,’ says Caroline. ‘The living room was also a bit of a “nothing” space to start with, but now the light is more even between the two areas, and the colours really lift everything.’

Stylish new wooden parquet now extends from the hallway into the dining room and living rooms, bringing a unified feel to the house. ‘I’d seen parquet in magazines and liked it,’ says Caroline. ‘Ours isn’t reclaimed, but all the edges were sanded, so it looks a bit battered. It was cost-effective and everyone thinks it’s an original floor.’

As she gradually redecorate­d the house, Caroline developed knowledge, skills and inventive ways to maximise her budget. She sourced vintage furniture and customised high-street buys for an individual look. The result is a bright, lively interior with a unique mix of styles (cheshirein­teriordesi­gn.com).

‘I’ve tried to work with the original building but still make it ours, so there are traditiona­l features next to modern pieces, and some unusual accessorie­s,’ she says. ‘I’m always adding and refreshing, too.’

Investing in their home for the long term has certainly proved to be the right decision for Caroline, Ian, and their children, Erin, now 13 and Sam, 18. ‘I wouldn’t want to move from here,’ says Caroline. ‘We’ve put our heart and soul into it.’

 ??  ?? SITTING ROOM The white and grey marble fireplace was already here and Caroline designed elegant cabinetry to fit on either side.
Tub chair, £445, Oliver Bonas; reupholste­red in Rothesay in Grass, £41m, Designers Guild
SITTING ROOM The white and grey marble fireplace was already here and Caroline designed elegant cabinetry to fit on either side. Tub chair, £445, Oliver Bonas; reupholste­red in Rothesay in Grass, £41m, Designers Guild
 ??  ?? SITTING ROOM
White walls maximise the natural light, while two hand-painted butterfly canvases add bursts of bright colour. ‘They pull the room together and bring it to life,’ says Caroline. Bespoke butterfly artwork, Gabrielle Dow. The Snowdrop sofa, from £1,010, Sofa.com, is similar. Cow hide rug, £249, City Cows
SITTING ROOM White walls maximise the natural light, while two hand-painted butterfly canvases add bursts of bright colour. ‘They pull the room together and bring it to life,’ says Caroline. Bespoke butterfly artwork, Gabrielle Dow. The Snowdrop sofa, from £1,010, Sofa.com, is similar. Cow hide rug, £249, City Cows
 ??  ??
 ??  ?? DINING AREA
A round table is a contrast to the room’s linear feel.
Floor in Dark Lead Colour intelligen­t floor paint, £74 for 2.5ltr, Little Greene. Dresser in Mole’s Breath estate eggshell, £67 for 2.5ltr, Farrow & Ball. The Contour oak dining chair, £299, John Lewis & Partners, is similar. Moooi Random pendant light, £557, Glassdomai­n
DINING AREA A round table is a contrast to the room’s linear feel. Floor in Dark Lead Colour intelligen­t floor paint, £74 for 2.5ltr, Little Greene. Dresser in Mole’s Breath estate eggshell, £67 for 2.5ltr, Farrow & Ball. The Contour oak dining chair, £299, John Lewis & Partners, is similar. Moooi Random pendant light, £557, Glassdomai­n
 ??  ?? KITCHEN
Timeless durable fixtures like the Shaker-style painted units and quartz worksurfac­es have been lifted with bright orange accessorie­s, which add punch to the scheme.
Units in Strong White estate eggshell, £67 for 2.5ltr, Farrow & Ball. For an alternativ­e pendant, try the Edit Truro, £46, Lighting Direct
KITCHEN Timeless durable fixtures like the Shaker-style painted units and quartz worksurfac­es have been lifted with bright orange accessorie­s, which add punch to the scheme. Units in Strong White estate eggshell, £67 for 2.5ltr, Farrow & Ball. For an alternativ­e pendant, try the Edit Truro, £46, Lighting Direct
 ??  ?? LIVING ROOM
This striking colour scheme was inspired by the yellow chair. Bookcases have been painted black to tone with the grey walls. Try Homebase’s occasional chair in Ochre, £60. Billy bookcases, £95 each, Ikea. Walls in Farrow & Ball’s Plummett estate emulsion, £49.50 for 2.5ltr. The Hound of the Baskervill­es print, £35, Spineless Classics
LIVING ROOM This striking colour scheme was inspired by the yellow chair. Bookcases have been painted black to tone with the grey walls. Try Homebase’s occasional chair in Ochre, £60. Billy bookcases, £95 each, Ikea. Walls in Farrow & Ball’s Plummett estate emulsion, £49.50 for 2.5ltr. The Hound of the Baskervill­es print, £35, Spineless Classics
 ??  ?? BATHROOM
The practical vinyl flooring echoes the wooden parquet on the ground floor and there is underfloor heating for added luxury. Karndean Blond Oak parquet, £61sq m, Flooring Supplies. For similar fittings, try the Milano double basin, £209.99, and Milano Legend double-ended roll-top bath, £529.99, both Big Bathroom Shop
BATHROOM The practical vinyl flooring echoes the wooden parquet on the ground floor and there is underfloor heating for added luxury. Karndean Blond Oak parquet, £61sq m, Flooring Supplies. For similar fittings, try the Milano double basin, £209.99, and Milano Legend double-ended roll-top bath, £529.99, both Big Bathroom Shop
 ??  ?? MAIN BEDROOM Made-to-measure shutters softened by simple white voile allow plenty of light to come in while still providing privacy. Curtains in Aina voile, £8m; Alvine Kvist bedlinen set, £35, both Ikea
MAIN BEDROOM Made-to-measure shutters softened by simple white voile allow plenty of light to come in while still providing privacy. Curtains in Aina voile, £8m; Alvine Kvist bedlinen set, £35, both Ikea

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