The sloping garden
Patience and a love of colour have come together to make Jane Giddins’ Somerset garden more than worthy of its spectacular backdrop, as explains Sue Bradley
BORROWED views don’t come much better than parkland created by the celebrated 18th Century landscaper Lancelot ‘Capability’ Brown, but Jane Giddins still had her work cut out when she and her husband Grey took on a near-derelict 18th century house and garden on the outskirts of Bath 25 years ago.
For while they could see the mature trees and rolling parkland of Newton Park in the distance, closer to home the ground was choked by ground elder and bindweed, with just an ash, a cherry tree, a stretch of beech hedge and three broken greenhouses to look out on.
South-westerly winds
At the same time it became clear that the gently sloping site in the village of Newton St Loe was at the mercy of unforgiving south-westerly winds that would whip through everything in their path.
Sensibly, the Giddins were prepared to play a long game when it came to the garden and took their time in reclaiming the soil before deciding what to plant.
“My husband had got a job at the hospital in Bath, and we were planning a family; we knew we were here for life,” says Jane.
“The garden was a sea of weed when we moved in, and the only gardening I had done previously was to look after a window box at my flat in London. We felt encouraged by the knowledge that people had been gardening here for 250 years, during which time they’d worked and improved the soil.
“The best advice I got was not to plant anything until we had dealt with the ground elder and other persistent weeds, and my mother encouraged me to get a plan done because it would be a big project.”
Protective belts of hedging
After that it was a case of transforming the walled space bit by bit over a period of five-ten years. They put in protective belts of hedging to quell the worst excesses of the wind, and trees and shrubs to provide year-round structure, but ensuring that the view of the 18th Century Newton Park – now part of Bath Spa University – was in no way diminished.
“The name of the house is The Hayes, which is a hunting term meaning a sloping piece of ground,” Jane explains.
“The whole site slopes and the main thing we had to think about when
“The garden was a sea of weed when we moved in”
deciding where things were going was to sort out the levels.”
Symphony of colour
Over time a garden emerged, with deep borders and island beds, springy lawns, a potager with geometrically shaped beds lined with low box hedges and a wide terrace, underpinned by a retaining wall. Early plantings included three wisteria against the back wall of the house, which are a symphony of colour and fragrance in late spring.
Other key features of the garden include a series of arches used to support climbers such as honeysuckle and Virginia creeper, a ‘wild area’ sectioned off using an archway and wall created from cut sections of a felled tree, and an elegant water wall that makes the most of the sound and reflective qualities of water without taking up a huge amount of space.
Repetition and coherence
Jane says she has learned a lot while developing the garden and increasingly grown in confidence with her use of colour, often repeating plants in different areas to give repetition and coherence.
And she says she can now spot ground elder at 50 paces.
“The garden has been built around a theme of purple, although the predominant colours vary depending on the time of year,” explains Jane.
“I adore seeing colour combinations come together, like the yellow euphorbia and purple tulips that just sing.
“Every year is different; usually the iris follow the alliums and foxgloves, but in 2021 they all came at the same time. I do as much as I can, but Mother Nature has a hand in it, too.”
Ultimately, the garden is a family space, and one that was appreciated by Jane and Grey’s now grown-up children during the lockdowns of 2020.
“The weather was particularly lovely, and come 6pm everybody would stop work and be outside,” says Jane, whose debut novel The Way from Here is published under her pen name Jane Turner by Orion Fiction in May.
She adds: “Over the years we’ve felt grateful that our family has this space.”
“The garden has been built around a theme of purple”