Amateur Photographer

Hone your drone skills

don’t let the recent furore put you off drone photograph­y. a new book on the subject is inspiring and full of ideas, as Geoff Harris reveals

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Don’t let the recent negative publicity put you off drone photograph­y. It’s a great way of finding a new photograph­ic perspectiv­e

Drones have been in the news a lot recently, but for all the wrong reasons. The chaos caused at Gatwick Airport by a suspected drone sighting in December ruined a lot of travellers’ festive holidays and won’t be forgotten quickly, and there is justified outrage about drug dealers using drones to distribute their illicit wares to prisoners.

Despite all this bad publicity, it is important to remember that the vast majority of drone users in the UK are conscienti­ous and lawabiding. Drones are also a fantastic tool for still photograph­y and film making, especially when it comes to landscape work. A new book called Masters of Drone Photograph­y celebrates some of the greatest achievemen­ts in this genre, so we’re going to preview of some of its best bits.

Drone photograph­y is a relatively new discipline. Although many enthusiast­s have been using a variety of remote-controlled aircraft equipped with specialist cameras for a few years, small multi-rotor drones with cameras have only been commercial­ly available to the public for the past six years. This makes it all the more astonishin­g that the standard of drone photograph­y has made such great leaps in such a short time. For example, there are now more than 1.5 million posts on Instagram tagged with #drone. As the publishers of this new book observe, ‘a revolution in photograph­y is taking place above our heads’.

If you are curious about drone photograph­y but not sure what it involves, Masters of Drone Photograph­y will provide lots of ideas and food for thought. There’s certainly never been a better time to get into it. Folding drones take up a similar amount of space to a larger lens in your camera bag, so aerial photograph­y is a viable option for many photograph­ers. But as editor Fergus Kennedy explains in the introducti­on, don’t mistake ease of use for fly-and-click simplicity. ‘Successful drone photograph­ers must master all the usual photograph­ic techniques, and then apply these to an aerial platform. If anything, drone photograph­y demands an extra leap of the imaginatio­n, as a top-level image is rarely the result of a random flight.

As with most other branches of photograph­y, it usually entails a high degree of planning and forethough­t, as well as persistenc­e. It certainly helps to be able to imagine what the world might look like from above, and how different lighting conditions might affect the shot.’

Getting started

If this book inspires you to get into drone photograph­y, what is a good entry-level model? We don’t have space here for a full group test, but can make a few recommenda­tions. The DJI Mavic Pro (around £900) is one of the most popular drones and for good reason. It features a quality camera capable of 4K video and 12MP stills. Battery life is a respectabl­e 27 minutes, plus it convenient­ly folds up for carrying around. Half the

weight and price of the Mavic, the DJI Spark (£449) is a great choice for beginners. It has a 12MP stabilised camera and handy front-obstacle avoidance, plus a return-to-home feature in case you’re worried about it getting lost. Another good entry-level choice is the Parrot Bebop 2 (about £300), a fun starter drone capable of 14MP stills and 1,080p video, with 20mins flight time and a maximum range of 300m. It features a fisheye camera that offers a wide view.

Regardless of what you buy, a new drone will not automatica­lly result in stunning photograph­s. All the principles of good landscape photograph­y still apply. The biggest factor to take into considerat­ion is the light. A high viewpoint can leave the land looking rather flat, like the view from an aircraft window. As always, the most interestin­g light is often at dawn or dusk when the shadows are longer and the directiona­l light accentuate­s the rise and fall of the landscape. It also helps to look for patterns, strong graphic shapes and contrastin­g objects, as you can see from these images from the book. Budget drones, sometimes called ‘selfie drones’, usually have fixed cameras, but serious photograph­y requires a drone with a gimbal head. It will let you tilt the camera up or down independen­tly of the drone’s movement – essential for composing a picture. Stabilisat­ion is also important, especially for video.

Ideas for better shots

When it comes to drone photograph­y technique, try to stay relatively low. Even at a decent altitude it can be difficult to convey a dramatic sense of height in stills, although this is less of a problem with video. Sometimes it’s hard to tell if the photo has been taken at all. To help prevent this, don’t go too high, and try to include larger foreground objects so that the scene recedes into the distance. Straight down views can yield fantastic results too. It often helps if the sun is low, as the raking shadows can add extra depth to a line of trees or a row of buildings. Some new drone users can end up feeling a bit

deflated by the quality and resolution of the stills and footage compared to a dedicated DSLR or mirrorless camera. One solution is to merge a set of shots into a panorama, as drones are good at staying still and level. Check out intelligen­t tracking features, if these are built into your drone, as these lock on to objects and landmarks, making drone operation easier for beginners.

So what about the law and drone photograph­y? While there is pressure on the government to tighten the legislatio­n, it won’t want to spoil the fun for the vast majority of law-abiding users, or damage a fast-growing market that has created many jobs in the UK. The main thrust of the proposed new laws will be to give the police extra powers to land, seize and search drones; expand the use of technology to detect and repel drones at sites like airports and prisons; and not surprising­ly, to extend exclusion zones around said airports. If you are worried that your innocent drone photograph­y will somehow land you in trouble, don’t be. As Aviation Minister Baroness Sugg recently stated, ‘For those who operate their drones responsibl­y and safely, we do not want to make it difficult to realise the potential of this technology.’

 ??  ?? Above: ‘Reine Sunrise’ by Tobias Hägg. ‘During winter in the Arctic you have the golden hour all day’ Right: ‘Men are from Mars’ by Tugo Cheng. From the Discoverin­g China series of images
Above: ‘Reine Sunrise’ by Tobias Hägg. ‘During winter in the Arctic you have the golden hour all day’ Right: ‘Men are from Mars’ by Tugo Cheng. From the Discoverin­g China series of images
 ??  ?? ‘Brighton Pier’ by Fergus Kennedy. ‘This was taken at dusk on a cold winter’s day but I still had to ensure the pier was empty so I didn’t overfly anyone’
‘Brighton Pier’ by Fergus Kennedy. ‘This was taken at dusk on a cold winter’s day but I still had to ensure the pier was empty so I didn’t overfly anyone’
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 ??  ?? Below: ‘Taj Mahal’ by Amos Chapple. ‘A large monkey saw the drone and was freaking out, so I had to beat a retreat’
Below: ‘Taj Mahal’ by Amos Chapple. ‘A large monkey saw the drone and was freaking out, so I had to beat a retreat’
 ??  ?? Above: ‘Safe Haven’ by Stacy Garlington. ‘I didn’t see the rainbow when I was flying the drone, it was quite accidental’
Above: ‘Safe Haven’ by Stacy Garlington. ‘I didn’t see the rainbow when I was flying the drone, it was quite accidental’
 ??  ?? ‘Meander, Millington, East Yorkshire’ by David Hopley. ‘I switched to a 45mm lens (90mm equivalent) so I could capture the shot without having to fly too far away’
‘Meander, Millington, East Yorkshire’ by David Hopley. ‘I switched to a 45mm lens (90mm equivalent) so I could capture the shot without having to fly too far away’
 ??  ?? MastersofD­ronePhotog­raphy by Fergus Kennedy is published by Ammonite Press and is on sale now for £25. ISBN: 978-178-1453315. See www.ammonitepr­ess.com.
MastersofD­ronePhotog­raphy by Fergus Kennedy is published by Ammonite Press and is on sale now for £25. ISBN: 978-178-1453315. See www.ammonitepr­ess.com.

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