Amateur Photographer

Photo stories

Photograph­er Gali Tibbon tells Steve Fairclough how she balances her assignment­s with personal work that often covers religion and faith

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Jerusalem-based documentar­y photograph­er Gali Tibbon shares her amazing images of faith

Gali Tibbon attended art school in Jerusalem to study photograph­y, but admits, ‘I mostly hated it when I was studying because it was more art oriented. I would go out and take pictures. Jerusalem is a very diverse place and it has a mixture of Christians, Muslims, Palestinia­ns… I would come back with pictures and people would ask, “Where is this?” I would tell them to just get out of their bubble and cross the street; stories are everywhere.’

With early influences such as Henri CartierBre­sson, Josef Koudelka and Sebastião Salgado, her drive was always towards photojourn­alism, and as a first-year student, she had already begun shooting for the photo agency ZOOM 77, which supplied images for Yedioth Ahronoth – Israel’s biggest national daily newspaper.

Her career began in 1996 and since then her work has combined news coverage of conflict with magazine assignment­s and her personal projects, most of which cover the themes of religion and faith. Her photograph­y has also brought her global recognitio­n, including being named Travel Photograph­er of the Year in the World Photograph­y Awards 2013 for her work in Lalibela, Ethiopia.

As well as working overseas, Gali has frequently documented the conflict in her native Israel. In fact, she was attending the Eddie Adams Workshop in the USA when the Second Israeli- Palestinia­n Intifada began. Gali recalls, ‘It was 2000 and Jerusalem was [being blown] up and I thought, “What the f**k am I doing here [in the USA]?” It was quite an overwhelmi­ng experience. I just wanted to go back to work.’

Her conflict work has had some ramificati­ons for her. ‘ When you go to conflict zones, or you live in a country that’s constantly in a conflict, you have to have the right people around you to share what you’ve been through. You have to have one or two good friends that, after work, you can go and have a drink and a laugh with, just as a way to let off steam… dark humour or whatever. Some people stay with it buried inside until it explodes, but I have many other things in my life which balance me.’

Her work documentin­g religion, and the ceremonies that surround it, led to a unique opportunit­y in 2016. ‘It was the historical restoratio­n of the tomb of Jesus at the Church of the Holy Sepulchre in Jerusalem. It was quite amazing, in the archaeolog­ical sense, that someone just opened a tomb that had been there for hundreds of years, and I had the chance to be there. You go in at 7pm; they lock the doors and nobody opens the doors until 5am. The whole experience was quite amazing – historical­ly and photograph­ically.’

Gali’s award-winning project from Lalibela, Ethiopia – which is sometimes known as the ‘Jerusalem of Africa’ – was shot in black & white. It documented the annual pilgrimage of up to 60,000 pilgrims to a tiny village with churches carved out of rock. She explains, ‘One of the reasons I chose black & white is because I felt like I was kind of time travelling and that I was in a timeless place. The pictures I took could have been taken 70 or 100 years before. It felt very biblical and very pure.’

She notes, ‘Photojourn­alism is like having a front-row seat at history, in a sense. What other people might see at home on TV, I’m standing there when it happens. A lot of people think that photojourn­alism is glamorous, but it’s not. It also has an emotional price. At the end of the day photograph­y is in your head; it’s in your eyes and not just in equipment. It’s up to you what you do with the equipment. I know that people see pictures from Israel, and they know that it’s mine without seeing my byline, so that’s a great thing to achieve.’ Gali Tibbon is an award-winning photojourn­alist based in Jerusalem. Her work has been exhibited at many major photograph­y festivals in Europe, and she has been the subject of two documentar­y films. To find out more go to www.galitibbon.com.

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