Amateur Photographer

CUPOTY: See the world anew

Award winners of Close-up Photograph­er of the Year 02, share the techniques behind their pictures with co-founder

- Tracy Calder

Curator and historian Beaumont Newhall once said, ‘We are not interested in the unusual, but in the usual seen unusually.’ It’s a quote that seems particular­ly relevant at the moment with so many of us staying close to home and turning to familiar scenes and subjects for inspiratio­n. If you adopt a childlike curiosity, pretty much anything can become a subject for close-up photograph­y. Among the 6,500 entries to this year’s competitio­n we saw pictures of bubbles resembling planets, sheets of metal painted with mountain ranges made of rust and weeds celebrated as though they were gold medal winners at the Chelsea Flower Show. Of course, there were also more unusual subjects: the swim bladders of transparen­t larvae, egg cases lined up as though they were an army of Stormtroop­ers in Star Wars, and molten lava reminding us that the planet we live on is a living, breathing, fragile thing.

This year there were six categories: Animals, Insects, Plants & fungi, Intimate landscape, Manmade and Micro, as well as Young CUPOTY. Galice Hoarau took the overall title for his beautifull­y minimal shot of an eel larva, while Tamás Koncz-Bisztricz was named Young Close-up Photograph­er of the Year 02 for his magical picture of a yellow globular springtail, taken close to his home in Hungary. Whether you travel a hundred miles or a hundred yards, if you arrive at your destinatio­n with fresh eyes and a beginner’s mind you will be rewarded with images that bring joy to both yourself and others.

To see all the winners and awarded entries from CUPOTY 02, visit www. cupoty.com.

Winner: Plants & Fungi Elizabeth Kazda Mandala with Miniature Tulips

Category Plants & Fungi Occupation Artist, City Council member Further informatio­n Facebook: beth.kazda ‘My goal here was to create art that challenges the viewer to look at the natural world with fresh eyes. I collected miniature tulips from my garden and placed them on a lightbox. The vivid yellow centres were so striking that I decided to create a compositio­n that would show both a side view and a centre view of the plants. The tulips were photograph­ed and rotated at eight equidistan­t positions to complete a full rotation; it’s a technique that I call Precise Incrementa­l Rotation. An in-camera multiple exposure of eight frames was used to create the effect. The characteri­stics of the tulips are really emphasised when rendered within the rotational symmetry of the mandala form. The curved green leaves make a great frame for the flower, while the centre of the design highlights the tulip’s anthers.’

ELIZABETH’S TOP TIPS

1 Become proficient with manual mode and manual focusing.

2 Experiment and invent a unique technique. 3 Accept that some experiment­s might not work but you still learn something of value from them.

Overall Winner: Close-up

Photograph­er of the Year 02

Galice Hoarau

Eel Larvae

Category Animals Occupation Professor in marine molecular ecology Further informatio­n Website: galice.no, Facebook: GaliceUWP ‘I spotted this eel larva off the island of Lembeh (Indonesia) during a blackwater dive. Blackwater diving is essentiall­y diving at night in the open ocean, over deep water with only a lit downline as a visual reference. Peering through the darkness with your torch can be stressful the first time you do it, but it gets fascinatin­g very quickly. What makes blackwater diving so magical is the abundance of rarely seen planktonic creatures you spot as they take part in one of the largest daily migrations of any animal on Earth. After sunset, small pelagic animals (like this larva) rise close to the surface to feed where the sunlight has allowed planktonic algae to grow. At sunrise, they dive into the depths and stay down there during the day to escape predators.’

GALICE’S TOP TIPS

1 Dive, dive dive!

2 Embrace the darkness – try blackwater diving.

3 Use a good spotting light – it allows you to appreciate colour and life underwater.

Finalist: Intimate Landscape

Mike Curry

Liquid Silk

Category Intimate Landscape Occupation Photograph­er

Further informatio­n Website: mikecurryp­hotography.com, Facebook: mike curry photograph­er, Ins tag ram: mike curry photograph­y ‘The sense of energy at Canary Wharf in London is palpable. It’s not a place that is often associated with quiet contemplat­ion, yet pausing for a moment reveals beauty and softness alongside the corporate architectu­re. The patterns and colours can be mesmerisin­g as they change with the light and weather. With so much activity around, capturing these images requires a focus that isn’t immediatel­y obvious to passers-by – I spend hours examining a small body of water, waiting for something out of the ordinary. The more I stand and watch, the more I see, and yet the more I look the more I notice that “looking” is futile; it’s more about feeling and anticipati­ng. This image was inspired by my childhood fascinatio­n with kaleidosco­pes and spirograph­s, and the endless variation of colours and shapes they create.’

MIKE’S TOP TIPS

1 Spend as much time as possible with your subject. The longer you spend with it, the more likely you are to capture something unexpected and interestin­g.

2 Look beyond photograph­y for inspiratio­n – I admire the work of artists such as Rothko and Klimt, for example.

3 Keep returning to the same location to see how it changes throughout the year.

Finalist: Insects

Jacky Parker

Lady in Red

Category Insects Occupation Photograph­er Further informatio­n Website: www.jackyparke­r.com, Facebook: Jacky Parker Flower Photograph­y, Ins tag ram: jacky parker photograph­y ‘I’m always on the hunt for ladybirds in my garden, so I was thrilled when I came across this seven-spot variety climbing over the bud of an oriental poppy. I grabbed my camera and set it to continuous shooting mode. After taking several shots as the insect moved along the petal I finally got what I was looking for.’

JACKY’S TOP TIPS

1 Make the most of continuous shooting mode when capturing moving insects.

2 Be patient when hunting for insects as they can appear when you least expect them to.

3 Always have your camera to hand when gardening as you will often find insects hidden amongst the foliage.

Finalist: Animals

Bence Mate

Beaks

Category Animals Occupation Photograph­er

Further informatio­n Website: www.matebence.hu, Facebook: BenceMates­Photograph­y, Instagram: bence_mate_photograph­y ‘In many parts of the world humans have persecuted animals relentless­ly, making some species very wary. The fishermen on Lake Kerkini in Greece, however, are an exception. The fish they can’t sell are offered as a treat to the pelicans who, as a result, have become exceptiona­lly confiding. Having witnessed this first hand, I was inspired to design a floating device that would allow me to take extreme close-ups of the birds. A year later, I went back with a homemade water purificati­on system, which filtered clear water into a pool we constructe­d in the middle of the lake. After 22 hours there were 15 cubic metres of clean water in which I could shoot for 15 minutes before the pelicans muddied the waters again.’

BENCE’S TOP TIPS

1 Play the long game – to capture the image shown here I had to return to the lake with a floating device and a homemade water purificati­on system!

2 Photoshop can be used to enhance an image, but the sole goal of post-production should be to reflect reality in the most accurate way possible.

3 You don’t have to go to exotic places to take unique shots.

Winner: Micro

Name: Andrei Savitsky

Title: Glass Worm

Category Micro Occupation Electricia­n Further informatio­n Instagram: andrei.savitsky ‘Glass worms can vary in length from about half an inch to two inches. On the right side of this particular image you can see the large tracheal bubbles that serve as hydrostati­c organs (or swim bladders). These bubbles allow the larvae to keep its horizontal position in the water column, while also helping to regulate the depth of its immersion. The bubbles are covered with dark pigment cells that can resize – if the cells expand due to absorption of light, the tracheal bubbles heat up and increase in volume, reducing the weight of the larvae and causing it to float up. To create the picture here I made a panorama of eight frames, each of which was focus stacked. To make the image as detailed (and aesthetica­lly pleasing) as possible I used darkfield and polarisati­on techniques.’

ANDREI’S TOP TIPS

1 To create an image like this you need a microscope and experience of darkfield and polarisati­on techniques.

2 Microscopy needn’t be expensive – this picture was taken with a smartphone, through a basic microscope.

3 Experiment with focus stackingin order to maximise detail.

Winner: Insects

Mike Curry

Fragile

Category Insects Occupation Photograph­er Further informatio­n Website: mikecurryp­hotography.com, Instagram: mikecurryp­hotograph, Facebook: mikecurryp­hotographe­r ‘I was visiting Goole, the town where I was born, in November 2018 as my dad was very ill in hospital. To take my mind off things I went for a walk with my wife Justine. There had been no time to pack really so all I had with me was my iPhone XS. We were walking towards the docks when I saw some beautiful peeling paint on an abandoned building site. I went over to photograph it when Justine asked if I had noticed the butterfly too. I hadn’t as I was miles away, but had already captured this image serendipit­ously. It felt a surreal moment as my dad particular­ly liked butterflie­s and always commented that they represente­d relatives who had passed away, making it even more poignant. Unfortunat­ely he passed away shortly after, so this is a special photograph for me.’

MIKE’S TOP TIPS

1 Look for shapes and patterns in urban environmen­ts – there is so much beauty that can be found in ordinary, overlooked objects.

2 Sometimes an image can be captured serendipit­ously, so remain relaxed and open to receive it.

3 Spend time refining and perfecting your technique.

Shortliste­d: Plants & Fungi

Cathryn Baldock

Autumn Beeches

Category Plants & Fungi Occupation Administra­tor for head gardener Further informatio­n Website: cathrynbal­dockphotog­raphy.com, Instagram: cathrynbal­dock ‘This image was taken in the New Forest on a dull day in October. I spent some time photograph­ing a rather splendid beech tree that had caught my eye in the car park. I used in-camera multiple exposures to experiment with different textures. First I took some shots of the bark up close and then I captured an overlaying exposure looking up into the branches so that the leaves were superimpos­ed in outline.’

CATHRYN’S TOP TIPS

1 Experiment using in-camera blend modes for multiple exposures.

2 .Always have your camera ready. This image was created in a car park, so you never know when an opportunit­y will arise.

3 Look for abstract images that reflect your connection to the environmen­t.

Finalist: Insects

Juan Jesús González Ahumada

Water Scorpions

Category Insects Occupation Official Further informatio­n Website: jjgahumada.com, Instagram: jjgahumada ‘When night falls, water scorpions rise to the surface of the pond and begin to interact with fellow waterdwell­ing creatures. While they might have a sinister appearance, these insects belong to the genus of bed bugs, and aren’t actually dangerous. The caudal tube that helps them to breathe (and resembles a tail) is harmless. The pincers, however, help them to grab their prey, which they then kill with their beak. To show their wonderful outlines, and reduce them to silhouette­s, I placed two flashlight­s under two water scorpions in the pond.’

JUAN’S TOP TIPS

1 Do your research and get to know the species you plan to photograph.

2 One of the best tools at your disposal is patience. 3 No matter how much planning you do, there will always be an element of luck required.

Finalist: Micro

Marek Miś

Recrystall­ized Callus Remover 3

Category Micro Occupation Biologist / Photograph­er

Further informatio­n Websites: mismicroph­oto.com and marekmis.pl, Instagram: marekmisph­otography, Facebook: Marek Mi – Mikrofotog­rafia ‘Callus remover (used to remove areas of thickened skin) is one of my favourite substances for crystallis­ation. I’ve been taking photograph­s of this substance for a long time now and almost always find something new to capture. On this occasion the crystals had formed into structures that reminded me of a Native American village with tents pitched all over the hills. Using polarised light offered me an unlimited variety of colours and shapes, which changed when I rotated the polariser. I looked for colours that helped define the shapes I wanted to emphasise. I rotated the camera until the compositio­n felt balanced. Photograph­ing crystals is relatively simple compared to living objects. The main challenge lies in showing crystals of the same substance in a different way.’

MAREK’S TOP TIPS

1 When viewed through the microscope, even the most common substance can appear beautiful.

2 By using polarised light you can create unlimited shapes and colours.

3 Always look for something new.

Finalist: Intimate Landscape

Don Komarechka

Frost Lantern

Category Intimate Landscape Occupation Photograph­er

Further informatio­n Websites: www. donkom.ca and skycrystal­s.ca, Instagram: donkomphot­o, Facebook: donkom ‘What if you could make a freezing soap bubble in to its own light source? By combining invisible ink that fluoresces blue with dish soap and white corn syrup (glucose syrup), you can create a bubble that freezes beautifull­y. Add in a custom-built ultraviole­t flash and you will see it illuminate from within, glowing like a lantern of frost. This image was made on a cold winter’s night in Ontario, Canada. It was the result of a crazy “what if?” experiment.’

DON’S TOP TIPS

1 This image was the result of many failed attempts that came before it. Treat your mistakes as stepping stones towards eventual success.

2 Always ask yourself ‘what if?’ 3 Be inventive and share your unique view with others via your camera.

Winner: Young Close-up Photograph­er of the Year 02

Tamás Koncz-Bisztricz

Little Ball

Category Young Close-up Photograph­er of the Year

Age 16 Further informatio­n Website: kbtamas.blogspot.com, Instagram: kbtamas, Facebook: Koncz-Bisztricz Tamás ‘I regularly visit a meadow near my hometown of Csongrád-Bokros, Hungary, observing the site in all seasons. The meadow is grazed by Hungarian grey cattle, which keeps the place in relatively good condition. One frosty winter’s morning I headed out to take some extreme macro shots at the surface of some frozen water that had pooled in the tracks left by a tractor. Crouching down, I spotted some yellow globular springtail­s (Sminthurus maculatus) which feed in the sunrays reflected from the ice. I used LED torches to illuminate one of them, and came away with a picture that celebrates this tiny creature.

TAMÁS’S TOP TIPS

1 Yellow globular springtail­s are often active in winter you can get some really interestin­g shots of them on icy surfaces.

2 Pick a local site, and get to know it in all seasons. 3 Get down to an animal’s eye level.

 ??  ?? Nikon D850, Lensbaby Velvet 85mm, 1/15sec at f/8, ISO 64. Post processing: Basic adjustment­s in Lightroom and Photoshop
Nikon D850, Lensbaby Velvet 85mm, 1/15sec at f/8, ISO 64. Post processing: Basic adjustment­s in Lightroom and Photoshop
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 ??  ?? Olympus E-M1 Mk II, Olympus 30mm Macro 1/320sec at f/16, ISO 400 Accessorie­s: Nauticam underwater housing, 2x Inon Z-330 strobes, 2x Sola lights Post processing: Basic adjustment­s in Lightroom
Olympus E-M1 Mk II, Olympus 30mm Macro 1/320sec at f/16, ISO 400 Accessorie­s: Nauticam underwater housing, 2x Inon Z-330 strobes, 2x Sola lights Post processing: Basic adjustment­s in Lightroom
 ??  ?? Nikon D500, Nikkor 70-200mm, 1/1600sec at f/18, ISO 4500 Post processing: This image was a triple in-camera multiple exposure. ‘I took 999 sets (dark blending mode) to get this one image (so 2,997 exposures in total!) which took nearly three hours!’
Nikon D500, Nikkor 70-200mm, 1/1600sec at f/18, ISO 4500 Post processing: This image was a triple in-camera multiple exposure. ‘I took 999 sets (dark blending mode) to get this one image (so 2,997 exposures in total!) which took nearly three hours!’
 ??  ?? Nikon D300, Nikkor 105mm 1/500sec at f/5.6, ISO 200 Post processing: Basic adjustment­s in Camera Raw
Nikon D300, Nikkor 105mm 1/500sec at f/5.6, ISO 200 Post processing: Basic adjustment­s in Camera Raw
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 ??  ?? Nikon D300S (in underwater housing),Tokina 10-17mm Fisheye 1/160sec at f/16, ISO 500 Post processing: Basics adjustment­s in Photoshop
Nikon D300S (in underwater housing),Tokina 10-17mm Fisheye 1/160sec at f/16, ISO 500 Post processing: Basics adjustment­s in Photoshop
 ??  ?? Samsung J700, Biolam R-11 microscope f/1.9 at ISO 100 Post processing: Focus stacking and panorama stitching, plus basic adjustment­s in Photoshop
Samsung J700, Biolam R-11 microscope f/1.9 at ISO 100 Post processing: Focus stacking and panorama stitching, plus basic adjustment­s in Photoshop
 ??  ?? Apple iPhone XS, 52mm (35mm equivalent) 1/705sec at f/2.4, ISO 16 Post processing: Basic adjustment­s in Photoshop
Apple iPhone XS, 52mm (35mm equivalent) 1/705sec at f/2.4, ISO 16 Post processing: Basic adjustment­s in Photoshop
 ??  ?? Canon EOS 6D, Canon 100mm Macro 4 seconds at f/4, ISO 100 Accessorie­s: Tripod, two flashlight­s Post processing: Basic adjustment­s in Lightroom
Canon EOS 6D, Canon 100mm Macro 4 seconds at f/4, ISO 100 Accessorie­s: Tripod, two flashlight­s Post processing: Basic adjustment­s in Lightroom
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 ??  ?? Canon EOS 5D Mk III, Canon 24-70mm 1/250sec at f/10, ISO 100 Post processing: Processed in Lightroom to enhance the contrast. Layer (texture and colour to produce the golden tones enhancing the autumn feel) added in Photoshop
Canon EOS 5D Mk III, Canon 24-70mm 1/250sec at f/10, ISO 100 Post processing: Processed in Lightroom to enhance the contrast. Layer (texture and colour to produce the golden tones enhancing the autumn feel) added in Photoshop
 ??  ?? Pentax K-1, Microscope: Olympus BH-2 (magnificat­ion 100x)
1/40 sec at ISO 100
Pentax K-1, Microscope: Olympus BH-2 (magnificat­ion 100x) 1/40 sec at ISO 100
 ??  ?? Canon EOS-1D X, Canon MP-E 65mm Macro 1/250sec at f/16, ISO 250 Accessorie­s: Custom-modified flash that only emits ultraviole­t light. Post processing: Basic adjustment­s in Photoshop
Canon EOS-1D X, Canon MP-E 65mm Macro 1/250sec at f/16, ISO 250 Accessorie­s: Custom-modified flash that only emits ultraviole­t light. Post processing: Basic adjustment­s in Photoshop
 ??  ?? Canon EOS 7D Mk II, Canon MP-E 65mm Macro 1/250sec at f/4.5, ISO 800 Accessorie­s: LED torches
Post processing: Basic adjustment­s in Lightroom
Canon EOS 7D Mk II, Canon MP-E 65mm Macro 1/250sec at f/4.5, ISO 800 Accessorie­s: LED torches Post processing: Basic adjustment­s in Lightroom
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