Amateur Photographer

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Based in the Peak District National Park, this club has access to lovely local scenery

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When was the club founded?

Bakewell Photograph­ic Circle, whose name subsequent­ly changed to Bakewell Photo Club, was founded in September 1941 by John Marchant Brooks, a local estate agent. He formed the club with a small group of fellow enthusiast­s. The blackout regime during World War II facilitate­d indoor practical work and lm processing. And of great help to many in the town, the new club photograph­ed small family groups free of charge for the photos to be sent via the British Legion to their menfolk serving overseas.

What does your club offer to new members?

We have a reputation locally as a very friendly club and prospectiv­e new members are always very welcome, irrespecti­ve of age or experience. Our programme is available on our website and we offer the opportunit­y to come to a couple of meetings at a small charge, which will be credited against a rst subscripti­on. Except for visitors we don’t charge additional meeting fees so that overall costs to members are kept low. And we have an extensive range of lecture topics and workshops appealing to a range of interests.

Describe a typical club meeting

In normal times we start at about 7.30pm, with a cuppa at about 8.45pm. Meetings usually nish at 9.45-10.00pm. Every season we have a range of specialist external speakers on a variety of photograph­ic topics. Based on feedback, we have recently included more interactiv­e meetings where members brie y cover topics of their own choice – such as images requesting ideas for improvemen­t, or a speci c photograph­ic topic of interest to others, or discussion about equipment or techniques. These have been very popular, providing unexpected opportunit­ies to understand more about each

other and our interests, and to chat more informally about our photograph­y. We also have a series of competitio­ns through the season; this year, again on the ‘interactiv­e’ theme, we have tried some member-judged rounds as well as the traditiona­l externally judged ones. The logistics were initially challengin­g but the rewards and enjoyment have been tremendous. The coronaviru­s lockdown didn’t stop us from running our recent annual best image competitio­n in electronic format; the judge, David Gibbins, recorded his comments synchronis­ed with viewing the images, which worked amazingly well. The resulting les were made available to members as .mp4 les on Google Drive for viewing at their leisure.

Do you invite guest speakers?

Yes. Our programme secretary identi es renowned external speakers and we cover a wide variety of photograph­ic topics designed to improve our skills in traditiona­l subjects and to extend our comfort zones. We are very successful in attracting speakers from afar who come to the Peak District for their own photograph­y.

Do members compete in regional or national competitio­ns?

Yes they do, and some have developed an enviable reputation. However, our key objective is that members enjoy their photograph­y and the club, and we don’t put pressure on members to engage in competitio­ns if it isn’t what they want.

How many members do you have?

Approximat­ely 25, which we would like to grow. We have initiative­s to involve local schools in joint projects, and would be interested in hearing from any local schools who may have a photograph­y club as we suspect we could learn a lot from each other!

 ??  ?? 1 Bishop Rock by Tim Reynolds A dramatic sky and excellent monochrome conversion really makes this landscape stand out. 1
1 Bishop Rock by Tim Reynolds A dramatic sky and excellent monochrome conversion really makes this landscape stand out. 1
 ??  ?? 5 Jubilee 5690 Passes Ferrybridg­e by Derek Phillips A classic industrial landscape with some good drama in the frame courtesy of the power station. 5
5 Jubilee 5690 Passes Ferrybridg­e by Derek Phillips A classic industrial landscape with some good drama in the frame courtesy of the power station. 5
 ??  ?? 6 Scarlet Lily by Pat Thacker A simple yet bold compositio­n – the vibrant red of the flower really pops from the black background. 6
6 Scarlet Lily by Pat Thacker A simple yet bold compositio­n – the vibrant red of the flower really pops from the black background. 6
 ??  ?? 2 Orange Tip by Vaughan Williams Nicely captured and classicall­y composed, this study of a butterfly is impressive­ly detailed. 2
2 Orange Tip by Vaughan Williams Nicely captured and classicall­y composed, this study of a butterfly is impressive­ly detailed. 2
 ??  ?? 7 7 Heavy Metal by John Thorpe By blurring the action, John has created an almost abstract effect that works very well with the subject.
7 7 Heavy Metal by John Thorpe By blurring the action, John has created an almost abstract effect that works very well with the subject.
 ??  ?? 3 Leaving the Bush by Hilary Tann This carefully crafted composite image wouldn’t look out of place on a gallery wall.
3 Leaving the Bush by Hilary Tann This carefully crafted composite image wouldn’t look out of place on a gallery wall.
 ??  ?? 4 4 Mystical Moment by Les Nixon This is an ethereal scene which was the perfect candidate for black & white. Beautiful.
4 4 Mystical Moment by Les Nixon This is an ethereal scene which was the perfect candidate for black & white. Beautiful.

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