Amateur Photographer

This week’s cover image

Photograph­ing wildlife in action can be challengin­g, but with some patience and perseveran­ce the results can be both dramatic and mesmerisin­g. Ben Hall is your guide

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The stunning photo of a king sher gracing our cover was taken by Ben Hall.

You don’t have to travel to far-flung, exotic places, as opportunit­ies for action photograph­y are all around us – from birds in our back garden and your local park, to the sea cliffs up and down the coastline. As with any type of wildlife photograph­y, researchin­g and observing your subjects is paramount, and will

ultimately help to get you into the right place at the right time. There are other important techniques, however, which will help you on your way to capturing spectacula­r action images of wildlife.

Birds in ight

Mastering the capture of birds in flight is difficult. Success demands plenty of perseveran­ce, not to mention the tolerance of many failures, but practice some simple techniques and you will soon find yourself taking successful action shots of flying birds. Ideally, you will need to shoot in relatively bright light, since this will allow you to use a fast shutter speed – which is paramount if you hope to freeze the movement of a fast-flying bird. However,

you should avoid harsh, midday sunlight, as the resulting images will be spoilt by harsh shadows and bleached highlights. Shooting during the first and last hours of sunlight will give the best results, as the low sun will light up the underside of the bird, revealing important detail that would otherwise be lost in deep shadow.

Aim for a shutter speed of at least

1/1000sec and select the predictive auto focus setting. Expanding your focus points to a group is a handy way of increasing your margin for error when it comes to tracking your subject. You will lose some accuracy, however, so you may need to stop down to a smaller aperture to increase depth of field in case the focus point picks out the wing instead of the head. A good panning technique will result in a greater number of sharp images, and obtaining critical sharpness is perhaps the trickiest aspect of flight photograph­y. The key to successful panning lies in smoothness and anticipati­on. To adopt the correct posture, stand with your feet shoulder-width apart and tuck your elbows in to your side to increase stability. As your subject passes, swivel your upper body smoothly, matching the speed of the bird. Wing position can make or break a shot, so fire a burst of frames using the high-speed drive mode to give you a sequence to choose from.

Courtship action/behaviour

Images that depict wildlife behaviour, such as a breeding pair of birds performing a courtship display, bonding, or passing food to each other connect with the viewer on an emotional level. They tell a story and offer a glimpse into the subject’s life cycle. When tackling a project like this, you will need to be prepared to put some time in. Researchin­g and observing your subject’s behaviour will be the key to success. Pick somewhere local, ideally offering easy access, such as a city or country park. This will allow you to make numerous visits over a period of time. Start by simply observing potential subjects, noting

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 ??  ?? A fast shutter speed was used to freeze the motion of this osprey as it dived for its prey. Timing was critical in order to see the eye through the moving wings Canon EOS-1D Mark IV, 300mm, 1/1000sec at f/4, ISO 2500
A fast shutter speed was used to freeze the motion of this osprey as it dived for its prey. Timing was critical in order to see the eye through the moving wings Canon EOS-1D Mark IV, 300mm, 1/1000sec at f/4, ISO 2500
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 ??  ?? Bright but soft light worked wonders here. It provided enough speed to freeze the moving bullfinch and chaffinch but kept shadows at a minimum, which has helped to reveal plenty of detail Canon EOS-1D X Mark II, 100-400mm, 1/1750sec at f/8, ISO 1600
Bright but soft light worked wonders here. It provided enough speed to freeze the moving bullfinch and chaffinch but kept shadows at a minimum, which has helped to reveal plenty of detail Canon EOS-1D X Mark II, 100-400mm, 1/1750sec at f/8, ISO 1600

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