Amateur Photographer

Hyperlong exposures

Garry Pycro explains how he combines past and present in a single exposure that spans 100 years

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Living in the French Alps I have an abundance of stunning scenery on my doorstep; however, this isn’t what I’m passionate about. Photograph­y for me is being able to tell a story. It wasn’t until I received a photograph from a friend showing the past and present of a street scene in San Francisco that something ignited inside me. This approach to capturing the essence of time totally resonated with me. I saw so many stories and the opportunit­y to include people and how they go about their daily lives, and how this has changed over time.

I chose to refer to this technique as ‘Hyperlong exposure’ photograph­y. Traditiona­lly long-exposure photograph­y is where we maintain the shutter open for several seconds or minutes; here however, the end result is the culminatio­n of the original photograph­ers’ initial photos and my photo taken typically 100 years apart, so I would consider that ‘hyperlong’!

Getting started

For this technique you will need a sophistica­ted photo-editing software such as Photoshop as you will be using and manipulati­ng layers. It goes without saying that a good understand­ing of how layers work is required. Everything of course starts with the original image, and this is maybe the most important step in the entire process. Without a good foundation to work from, the chances of achieving a great end result are going to be challengin­g. I look for images that show the people and life as it was at the time. Avoid images that purely show the landscape; it’s highly unlikely this will lead to the story you want to create in your final image. To find your source image my first approach is the town’s archive department. You will often find these online, and if not, a visit to your local museum may be required. The benefit here, compared post card retailers, for example, is the quality of the image.

Another aspect that is very important is noting the photograph­er or editor of the original image. Recognisin­g copyright obligation­s is something I strongly adhere to and all images I use I go through the process to determine the rights. I would suggest having several images available of your chosen location, as you will find matters have changed at the original location, such as trees being planted in the middle of the scene and of course new constructi­on. These are common issues I face when sourcing images.

When it comes to visiting your chosen location to capture the present day, check for street names or any info supplied with the past photograph­s. I then suggest spending some time on Google Maps

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