A zeal for film photography
Photographer, writer and YouTube sensation Kai Wong explains the ethos behind his brand new book, celebrating all things analogue
Ibecame obsessed with lm photography when I was in university, although the feelings for the funkysmelling stuff go back way longer than that, having grown up seeing my parents take all the family photos with lm cameras. My choice to learn with a lm camera was more of a pragmatic choice than one born out of passion, because, at that time, digital was still kinda new and kinda expensive for a poor student.
The process of lm photography is still something that I love as much now as I did back then. Finding a decent lab might not be as easy a task as it once was, but it’s just a simple pleasure to load up a roll of your favourite emulsion and concentrate on the shooting process, without worrying about white balance or automatically chimping at the LCD screen after every photo you’ve taken. There’s little in the way of tech coming in between you and the scene, so you therefore feel more connected to whatever you’re photographing – you’re not having to fumble your way around a rather incomprehensibly laid-out menu system.
The joy of lm photography doesn’t end there – every time you’ve got your lm back from the lab, it feels like a little Christmas (without the drunken uncles making obscene jokes) treat. Unless you’re taking photos with instant lm, the results aren’t instantly viewable, and it’s always a fantastic surprise to check them out for the rst time. But, also, I felt like I was more driven to try to improve my photography when I was shooting lm – it wasn’t cheap to develop lm back then, either, and I certainly didn’t want to keep wasting money on wasted frames.
The learning process
My photography teacher never bothered turning up to his own lessons; there were no online tutorials at that time and a lot of books that taught photography were so dry. Two things I did enjoy were reading photography magazines – like Amateur Photographer – and buying photo books.
Learning and improving photography is about being inspired to create, which can be done by looking at some amazing photos. Of course, it does require some kind of knowledge of how to use a camera, but knowing how to twiddle a few knobs and understanding what depth of eld is doesn’t guarantee great images.
What I always wished I could buy when I was learning lm photography, was a book about how to take photos that kept all the dry, geeky stuff to a minimum and just spoke in a language that didn’t make it feel like you’re learning a completely new language. Old School Photography is the book that I wanted: it’s a collection of quick tips combined with cool photos from the lm photography community for inspiration. It’s a book made for a new generation of photographers who are curious about lm and for all those who are curious about dabbling with lm again. Old School Photography: 100 Things You Must Know to Take Fantastic Film Photos