Amateur Photographer

Perdita Petzl

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Perdita is an award-winning photograph­er, author, and judge. She specialise­s in photograph­ing the small world and runs her own workshops and webinars. See more at www.perditapet­zl.at, @perdita_petzl on Insta, @Naturfotog­rafiePetzl on Facebook.

Worm’s eye view

When photograph­ing plants and animals, working with low camera angles is often best. Try to capture your subject at eye level. It’s this low angle of view that makes your subject the main focal point, while distractin­g elements in the foreground and background disappear into an attractive blur. For the best results keep trying new perspectiv­es and experiment moving the camera a few inches to the left or right. Small changes often have a surprising­ly big impact and can transform a good photo into a great one!

Best time of day

For the most harmonious results and to get the best natural light, photograph your subjects in the morning or late in the afternoon – this applies to both wildlife and plants. At this time of day, the sun is low and the light is soft, so you don’t have to worry about harsh contrasts. If you want to photograph early bloomers, you have to know your subjects for choosing the perfect time of day: some plants close their petals overnight and therefore they are not equally photogenic at all times of the day. Liverworts, for example, open their blossoms around 8am – depending on the temperatur­es and cloudiness.

Colours and mood

Try to shoot when the sunlight is not directly hitting your subject. Create some shade with a small folding diffuser and photograph your subject against a sunlit background and expose to the right – that will lead to soft pastel colours. For more vibrant results you can play around with contrastin­g colours. To create a dreamy feel, photograph against the light. Be sure to keep an eye on the optimal exposure and be careful not to overexpose bright parts of the image.

Create a blurred effect

Shoot your subject through plants growing in the foreground and use a wide aperture – the wider, the better. This will result in your subject being sharp whilst the rest of the frame is completely out of focus. The blurry plants in the foreground will entwine attractive­ly around the subject. This can also create leading lines which all helps with the compositio­n. Working with a smaller magnificat­ion scale can help you to put your subject in relation to the environmen­t or depict a habitat. Work with the camera’s live view to get a good impression of what the photograph will look like before pressing the shutter.

Understand­ing your subject

Knowing the optimal time to photograph your subject will help you get great results. For example, when nights are cold, insects are lethargic first thing in the morning and need to warm up before they are ready to fly. This is the perfect time to set up your gear, compose, and focus your photo. But be careful, since as soon as insects are exposed to the sun, it doesn’t take long until they become more active. If you are not an early riser, you can also photograph butterflie­s in the late afternoon or early evening when they are already roosting. Try to look for insects in shady areas – they cool down faster and stay calmer! Try to approach very carefully, so as not to startle the butterflie­s.

Eye focus

When photograph­ing wildlife, always stay focused so you don’t risk missing the perfect moment. When you want to be more spontaneou­s with your compositio­n, make use of your camera’s AF modes – Canon has an Eye Detection AF, which is great. But watch out when you’re shooting with backlight as it may not be as accurate, in which case it is better to set the focus point manually to achieve great results.

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