Apollo Magazine (UK)

Gallery highlights

Fairs in focus

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Philip Sutton RA:

His 21st Century Colours

Until 28 January

Philip Sutton Gallery, Bridport

Philip Sutton has spent much of lockdown, in his own words, ‘working away quietly like a monk’, but it was with no small fanfare that the -year-old artist opened his eponymous gallery last month in Bridport, near his home in Dorset. The inaugural display includes some of his oil paintings, spanning the early

s to the present and reflecting the joy that Sutton has always found in vivid colour.

Grey Matters

25 January–27 February

Nicholas Hall, New York

At the heart of this exhibition is a group of grisaille paintings by Jacopo Carucci, better known as Pontormo, including several museum loans (Fig. ). By displaying these sculptural renderings of figures on canvas alongside other grisailles by Pontormo’s contempora­ries across Europe, as well as sculptures, stained glass and enamels, the exhibition considers them within the context of Renaissanc­e paragone debates over the superiorit­y of painting or sculpture.

Hudinilson Jr.

Until 31 January

Galeria Jaqueline Martins, Brussels

Since Jaqueline Martins opened her first gallery in São Paulo in , she has focused on bringing th-century Brazilian art to the world’s attention – a mission that has now led to the opening of a new outpost in Brussels. First up in its exhibition schedule is a look at Hudinilson Jr. ( – ), one of the key figures in Brazil’s cultural scene from the s on; this display focuses on the materially innovative photocopie­s he began making in .

Alioune Diouf: Ubeku

Until 27 January

Selebe Yoon, Dakar

Selebe Yoon – meaning ‘intersecti­on’ in Wolof – opened its new gallery in central Dakar last November with a display of works by Senegalese artist Alioune Diouf (b. ). As well as recent paintings on fabric (Fig. ), the show includes a large-scale site-specific commission that combines textiles and figurative murals; terracotta-hued, but incorporat­ing cosmic symbols, they continue Diouf’s exploratio­n of the gaps between the earthly and the spiritual.

Master Drawings New York

23–30 January

Various venues, New York, and online

For the th edition of the pre-eminent US event dedicated to works on paper, galleries and dealers from New York, the UK and mainland Europe present displays online and in gallery spaces across New York’s Upper East Side. There will be talks and events organised with institutio­nal partners including the Met and the Loeb library – and with stalwart dealers such as Stephen Ongpin and Jill Newhouse returning, expect museum-quality drawings.

The Palm Beach Show

11–16 February

Palm Beach County Convention Center

The last art fair to take place in the US before the pandemic becomes the first to which visitors and galleries will return in person this year. Exhibitors at this th edition offer a typically broad range of works, spanning fine art, contempora­ry and historical jewellery, textiles and more; pictured is a Viennese tazza from c. , carved from rock crystal in the form of a crane and studded with cabochons, brought by M.S. Rau from New Orleans (Fig. ).

 ??  ?? 2. Apollo and Daphne, 1513, Pontormo (1494–1557), oil on canvas, 61.9 × 48.9cm. Bowdoin College Museum of Art, Brunswick, on loan to Nicholas Hall, New York
2. Apollo and Daphne, 1513, Pontormo (1494–1557), oil on canvas, 61.9 × 48.9cm. Bowdoin College Museum of Art, Brunswick, on loan to Nicholas Hall, New York
 ??  ?? 3. De génération en génération, 2020, Alioune Diouf (b. 1964), acrylic and embroidery on fabric, 169 × 290cm. Selebe Yoon, Dakar
3. De génération en génération, 2020, Alioune Diouf (b. 1964), acrylic and embroidery on fabric, 169 × 290cm. Selebe Yoon, Dakar
 ??  ?? 4. Tazza, c. 1880, Vienna, rock crystal, gilded silver and cabochons, ht 30.5cm. M.S. Rau at the Palm Beach Show
4. Tazza, c. 1880, Vienna, rock crystal, gilded silver and cabochons, ht 30.5cm. M.S. Rau at the Palm Beach Show

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