Artists & Illustrators - 2022-01-01

• PLEASE MR. POSTMAN
• Write to us!
• ROSSETTI’S PORTRAITS
• CELEBRATIN­G JOAN EARDLEY
• THE COURTAULD COLLECTION
• SIRENS: SOPHIE VON HELLERMANN AND ANNE RYAN
• HOCKNEY TO HIMID: 60 YEARS OF BRITISH PRINTMAKIN­G
• New Year's resolution­s
• NEW HUES PERYLENE GREEN
• EXPERT TIP
• Why not try…
• THINGS WE LOVE…
• PALETTE CLEANSING!
• BOOK OF THE MONTH
• Fresh Paint
• PORTFOLIO PLUS
• 1 Build in layers
• 2 DRAW FIRST
• 3 CLOSE YOUR TONES
• 4 PAINT FROM the tube
• 5 MAKE OBJECTS glow
• 6 PAINT contre-jour
• 7 DRAW outdoors
• 8 LIMIT YOUR palette
• 9 PAINT TO music
• 10 PAINT IT twice
• 11 REWORK AN old canvas
• 12 SKETCH evening light
• 13 PAINT YOUR space
• SHARE YOUR ART!
• The Working Artist
• A YEAR’S WORTH OF EXPERT ART TUITION
• Walter Sickert
• Jennifer Anderson
• Matt's materials
• 2 Apply washes
• 3 Add textures
• 1 Sketch the compositio­n
• 4 Look for colour
• 6 Work wet-in-wet
• 7 Add bolder colours
• 5 Build up layers
• 8 Develop the face
• 10 Review your progress
• 11 Refine the edges
• 9 Remove the masking fluid
• 12 Highlight to finish
• Flesh TONES
• FOLLOW your instincts
• 1 Shape the animal
• 2 Add the tentacles
• Jean's Materials
• 8 Apply patterns
• 7 Pick out details
• HOW TO PAINT... STORM CLOUDS
• HOW TO PAINT... LIGHT CLOUDS
• 5. Atmospheri­c Perspectiv­e
• Tip 3: Change focus
• Tip 2: Control temperatur­e
• Tip 4: Single subject
• Drawing 2: Pull
• Drawing 1: Push
• Phili a STANTON

Artists & Illustrators - 2022-02-01