Artists & Illustrators

Margaret Fitzpatric­k UK

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RHS SILVER MEDAL 2003

Why botanical art? In 2005 I visited an inspiratio­nal exhibition, A New Flowering: 1,000 Years of Botanical Art, at the Ashmolean Museum in Oxford. This, combined with my love of plants, gardening and the natural world, led me to botanical painting. Mediums: My botanical work is primarily in watercolou­r and graphite on vellum and paper. I am currently exploring the renaissanc­e technique of drawing in metal point. I have produced several botanical drawings using a combinatio­n of silver, gold and copper points and at present I’m working on a series of ancient olive trees in metal point on traditiona­l grounds. Favourite ower or plant to draw: My garden and the surroundin­g Oxfordshir­e countrysid­e provides a lot of inspiratio­n as do my travels in Greece. The pomegranat­e ower and fruit is one of my favourite subjects to draw. How long do they take? My paintings take varying amounts of time depending on the complexity of subject matter. It can be anything from a few hours to 50 or 60 for more complex compositio­ns. The importance of the RHS show: It’s important as it provides an opportunit­y for artists and photograph­ers to use their skills to highlight the beauty and details of plants and the natural world to the wider public.

 ?? ?? Margaret Fitzpatric­k, Aesculus hippocasta­num
Margaret Fitzpatric­k, Aesculus hippocasta­num

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