ArtReview Asia

The Fugitive of Gezi Park

- by Deniz Goran Ortac Press, £11.99 (softcover)

Deniz Goran is the pseudonym of Selin Tamtekin, a Turkish-british novelist and art writer. This, her second novel (the first was 2007’s The Turkish Diplomat’s Daughter), focuses on two tales of alienation and the moment they become intertwine­d. One concerns a young gallery assistant who has fled Istanbul, running from an upcoming trial and a past life that culminated in her being arrested and abused; the other concerns an art dealer who is so intoxicate­d by the excessive lifestyle of an artmarket ‘player’ that he’s become addicted to abusing himself and has lost track of the world around him. The traumatise­d pair cross paths at an art fair; sex follows. But while the novel is set in the context of the internatio­nal artworld, it isn’t about that world; here it’s merely a cypher for wealth, privilege and a disassocia­tion from reality, populated by ‘socialites dressed in skimpy, weird designer outfits’, dealers ‘looking out for their next prey’, tedious academic art teachers and plenty of alcoholics. Which, by and large, is a pretty good descriptio­n of how the artworld (or at least the bit of it that deals with the accumulati­on of money) operates. Similarly, while it’s about the Gezi Park protests – to which the arrest is connected – in Istanbul (the book is published to coincide with their tenth anniversar­y), it doesn’t offer any sustained account or examinatio­n of them. The result of all this is mixed. At times,

The Fugitive of Gezi Park lacks any kind of subtlety: ‘I considered the subtle tension in the air at the start of the Fair, as VIP collectors competed with each other, discretely negotiatin­g with dealers in a multitude of languages over ludicrousl­y priced artworks, while across the world queues of people were desperatel­y waiting to be led through the barren Turkish–syrian border’. At other times it’s a sensitive account of how our lives are shaped, on both individual and societal levels, by accident as much as willpower, and by how we deal with the consequent moments of trauma: fight, flight or, most often, neither. At those points, the book is an intriguing exploratio­n of the fugitive condition. Nirmala Devi

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