ArtReview - 2022-03-09

• On refuse…
• Martin Herbert explores whether or not the critic’s ‘I’ has fundamenta­lly altered the nature of art criticism
• The ‘queer gaze’ is nothing new, says Hortense Belhôte, it’s been present in art for centuries
• Desires refracted through window displays and vernacular art catch Stephanie Bailey’s eye in Tallinn
• Nairy Baghramian
• Auriea Harvey
• Norma Xelda Jara
• Sarah Friend
• Mario Klingemann
• Basic Income for Artists
• Every Ocean Hughes One Big Bag
• Teresa Gierzyn´ ska Women Live for Love
• Francis Bacon Man and Beast
• Haig Aivazian All of your Stars are but Dust on my Shoes
• Candice Lin Seeping, Rotting, Resting, Weeping
• This Must Be the Place: Latin American Artists in New York, 1965–1975 (Part II)
• Hannah Quinlan & Rosie Hastings Disgrace
• Paul Fägerskiöl­d 2100
• Danielle Brathwaite-shirley She Keeps Me Damn Alive
• A New Public Art
• Where Jellyfish Come From
• Hugh Hayden Boogey Men
• Pas Besoin d’un Dessin (Draw Your Own Conclusion)
• Nikesha Breeze Four Sites of Return: Ritual, Remembranc­e, Reparation & Reclamatio­n
• Koenraad Dedobbelee­r 1b
• Vogliamo tutto. An exhibition about labor: can we still want it all?
• Future Generation Art Prize
• Our Silver City, 2094
• Leelee Chan’s Art Journey: Tokens from Time
• Posthuman Feminism
• Diplomatic Gifts: A History in Fifty Presents
• Run and Hide
• André Butzer
• On the Gargle

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