SEX, DRUGS & A SHOCKING GOAL
After acclaimed studies of Amy Winehouse and Ayrton Senna, filmmaker Asif Kapadia has focussed on enigmatic football genius Diego Maradona’s tumultuous late 1980s. GEORGIA HUMPHREYS asked him about his time with the controversial star
ASIF KAPADIA is treading new territory in his latest piece of work. The London-born director, 47, has previously found success with Amy, the Oscar-winning documentary about British singer-songwriter Amy Winehouse, and Senna, which centres around Brazilian Formula One star Ayrton Senna.
But while they were “sad and tragic stories of two brilliant people dying very young”, new feature Diego Maradona “became an idea of, what happens if you get old and you’ve got this amazing gift?”.
Incorporating never-seen-before footage and interviews with Maradona himself, it explores the career of one of the greatest footballers of all time, while also looking into the Argentinian’s “crazy” personal life.
As a big football fan, it was an idea that had been in the back of Asif’s head since he was a student.
“I didn’t know what the story was going to be,” he confides. “I didn’t know whether or not I’d like him, even. It’s actually happened along the way.
“I didn’t love Senna going in, I didn’t really necessarily love Amy going in; it was during the process I kind of fell in love with them.”
When the Maradona project first started, back in 2015/2016, the filmmaker viewed the documentary as the final instalment of a “trilogy” (Senna and Amy were parts one and two).
“I thought, ‘Well, this might be the last chance I get to make a feature film like this again’,” he elaborates.
“I really enjoyed watching Amy and
Senna on a big screen
with an audience – quite collective emotions and experiences.
“I thought, ‘I’d love to see this [Diego Maradona] in Argentina with a crowd, or Naples with a crowd, or even in England’.” Asif, who’s married to writer and director Victoria Harwood, admits it was daunting to think about meeting the notorious sportsman, who is now aged 58 and lives in Dubai.
After all, as Asif says, he’s not “necessarily very lovable and likeable when you think about him”. Then, there’s the challenge of the language barrier – Maradona doesn’t speak English, and Kapadia doesn’t speak Spanish or Italian.
The story focuses primarily on the protagonist’s time at Italian club Napoli. They were struggling and run down, but the footballer, who had won the World Cup with Argentina in 1986, ended up leading them to win two national league titles in 1987 and 1990.
During that time, Maradona’s cocaine addiction was spiralling out of control, and he was also beginning to associate
with members of the region’s notorious organised crime underworld.
Getting him to talk about such situations, and his memories of it, was tough at times. So, how did Asif win over Maradona’s trust in the end?
“I don’t know if I ever won over his trust,” he says, adding, “We needed his image rights to make this film, we needed access to that behind-thescenes private footage, and part of the deal was I’d get to talk to him three times, for three-hour interviews.”
But, Asif explains, nine hours isn’t actually a huge amount of time, especially when you compare it to the access he had for Senna and Amy.
“And in the end, actually, his attention span was probably 90 minutes. So it’s not a long time. And it’s not easy.
“You could see actually once he got engaged, his eyes lit up and he started smiling and he’s actually really charming, he’s really charismatic. When he’s in the right frame of mind, you’re thinking, actually, I like this guy.”
In the end, Asif points out Maradona does talk about several “challenging” things, including relationships with the underworld, women, and “his kid that he didn’t recognise”.
He also discusses arguably the most iconic moment in football history: the Hand of God. During the quarter-final game against England in the 1986 World Cup in Mexico, Maradona scored a goal in which he seemed to use his left fist, not his head. It came amid high tensions four years after the Falklands War between the UK and Argentina ended, and is one of the reasons Maradona has divided opinions. Asked whether he thinks there has ever been another footballer as good as Maradona, or if there ever will be, Asif notes: “I’m that sort of generation of football fan where football then was just violent. The fouls that you could do then – for obvious reasons – you aren’t allowed to do anymore. “Now, you just touch someone and they roll around and they get a penalty. So, it’s really hard to compare eras. He won the World Cup, and everyone says it’s the greatest single player’s achievement in a tournament; no-one has done anything since like that,” Asif adds. “It’s a team game, it’s not really meant to be about individuals. But he made the team better.” Clearly full of admiration for the sporting legend, he follows: “And his body shape – I mean, he doesn’t even really look an athlete! I look at him and go, how can he be?
“He just doesn’t look like someone who should be able to run or do anything. But he was amazing.”
■ Diego Maradona is in cinemas now