Bass Player

Pigtronix Philosophe­r Bass Compressor Micro Price £149

We meat Pigtronix’s ham-pressive new compressor. Does it hog your tone or bring home the bacon, asks Joel McIver

- JHS www.jhs.co.uk

The editor steps on this dynamic little compressor. Squeal like a pig, boy…

have a tweak of the controls of Pigtronix’s new fun-sized bass compressor and all is as it should be, until you start messing with the Grit control – and a mighty overdrive tone springs from your speakers. It’s very satisfying to hear such a giant effect emanating from a pedal the size of the lump of cheese that you probably shouldn’t have had for lunch. What’s more, you can modulate the drive tone effortless­ly, moving from a smooth, synth-like fuzz to a doomy wail straight from the drawer marked ‘Lemmy’.

In fact, although this unit is primarily marketed as a compressor – and indeed, it does compress your sound usefully – its most prominent use will, I predict, be as an affordable overdrive. Not that Pigtronix have stinted when it comes to the compressio­n features; the Sustain control does a great job of varying the effect threshold and limiting (or delimiting) the peaks and spikes caused by your playing, simultaneo­usly ensuring that the bottom end of your sound isn’t diminished.

The Grit control is the distortion, tuned (it says here) “especially for low-frequency domination”, and there’s a Volume control for that epic 128-bar solo in the middle of ‘Freebird’. The key control, though, is Blend, which determines the balance of clean-versus-effected tones. Personally I found a touch of uneffected signal added some punch to the overall sound, although that will obviously depend on a given bassist’s individual goals.

On a practical note, the true-bypass switching ensures that the unit doesn’t muddy up your tone when you’re going straight through it, and there’s an internal voltage-doubling circuit that gives you and your active bass 18 volts of DC. All this for a US-made pedal that doesn’t cost a crippling amount if your intoxicate­d guitarist accidental­ly kicks it into the moshpit. Thumbs up from us.

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