DARKGLASS ADAM
Bob Brinkman gets in over his head with the Darkglass ADAM, a true tone monster
Step on and stand clear, says Bob Brinkman of this ferocious drive pedal.
If you had asked me five years ago to play through any sort of modelling gear, I would have laughed and walked away – but that was before discovering Darkglass. I’ve been consistently impressed by the build and sound quality of their products, which led me to buy the ADAM – and after spending some time with it, I can tell you that the Aggressively Distorting Advanced Machine lives up to its name.
I ran it through a Darkglass Microtubes 900 head and an Aguilar 412DB cab, and started by doing what I would normally do with any new toy, pressing all the buttons and spinning the five dials – Compression, Drive, Blend, Character and Level – to see the range of extremes which the unit could produce. This turned out to be a terrible idea, because the ADAM allows you to tweak and retweak the tones so much that you could spend hours on it and still fail to dial in the exact sound that you have in your head. Instead, I went back to basics and worked through the three A, B and C presets that come as standard. This is where the ADAM started to live up to its hype and its price.
Preset one provides the perfect amount of brightness, for me, without any of the sizzle or crackle often associated with the high end. Preset two is quite different from that first, brighter distortion: if you like scooping your midrange, you’re in for a treat. The third preset is reminiscent of the late Metallica bassist Cliff Burton’s sound on his famous solo, ‘Anesthesia (Pulling Teeth)’, but even more fuzzed out. My clean signal remained completely unaffected by any of these, so much so that I had to roll back the low end on my Microtubes head
– I have become accustomed to compensating for the low-end loss I get from my usual distortion pedal by cranking the bass on the head itself.
When it comes to refining the presets, this pedal offers a lot of options – perhaps too many for the average bass player. Most of us will, like me, find a preset that we favour, adjust the Blend control slightly and forget about the rest of the dials. Conversely, if you’re a professional studio bassist, and you have the ear and time for it, you’ll enjoy exploring the ADAM’s virtually limitless possibilities.
If you’re a professional studio bassist, and you have the ear and time for it, you’ll enjoy exploring the ADAM’s virtually limitless possibilities...