Bass Player

ENFIELD ANTOINETTE

Meet Antoinette, a headless beauty from Enfield, says the ed

- SIMS GUITAR WORKS www.sims.guitars/enfield-guitars

Joel McIver road-tests this headless aristocrat.

Sims Guitars, makers of Enfield basses, hit gold a few years back with their versatile Super Quad pickups, which enable the user to emulate Precision, Jazz and humbucker tones at the flick of a three-position microswitc­h. With this new headless bass, the Antoinette, two of these futuristic units are installed alongside a whole range of features, many standard but some as custom extras, so investigat­e the options with Sims if you’re thinking of investing. Talking of investment, the pricetag is hefty, but not unreasonab­ly so given the quality and spec of the bass: whether you’ll require all the tonal tools is another question entirely.

Let’s plug and play.

Build Quality

From the hand-painted gold rose on the back of the Antoinette’s sort-of-headstock, down to the magnetic rear-body cavity cover, we had no issues with the quality of assembly or design. The London Red finish, with a custom matching finish to the neck, is flawless, as it should be at this price point. It’s subjective, of course, but we like the gold and red combinatio­n, and the body shape is sleek and elegant; what’s far from subjective is the impressive weight of the bridge and incorporat­ed tuners, the satisfying­ly immovable pickup fittings and the very slick two-octave phenolic fretboard.

The active EQ controls dominate the body, with those silver globe control designs giving the bass a slightly sci-fi edge; three microswitc­hes – two for the Super Quads and one for the LEDs at front and edge of the neck – are positioned so they don’t get in the way. There’s a side-mounted ‘speed jack socket’, which earns its name with its useful location and quick operation, and a double action truss rod, accessible at the neck heel. All in all, it’s obvious where your taxed income is being spent: on quality and attention to detail.

Sounds and Playabilit­y

This bass seems designed to point you at its tone options, the core of its appeal: as you may have figured out, two three-mode pickups plus a three-band boost is a combinatio­n that gives you a whole lot of tone-refining possibilit­ies. As our reviewer Stuart Clayton pointed out when we first reviewed the Super Quads, the red (P-Bass), blue (J-Bass) and green (humbucker) LEDs that light up when you select a mode soon have you thinking of each tone as a colour, which is weird but definitely interestin­g – almost like a form of applied synaesthes­ia.

For this test, I assumed the red mode to be the default, as Precision tones are so familiar. The thuddy chunk of that old reliable sound is there under your fingers, and can be modulated with the bass, mids and treble boost/cut of the Glockenkla­ng preamp – fitted here as an extra – as you choose. The low-end boost is manageable rather than monstrous, which is a relief, and the mids and top restrained in this mode. Switch to blue or green modes for rather more clank and twang, which is useful should you decide to slap or tap; the blue setting is the place to go for a touch of hollow throatines­s, if you need to cut through your band live.

Combine the modes – with green at the bridge and blue at the neck, for example – and you then have even more options at your disposal. Refine your chosen tone with the EQ and you’ll probably find your ideal sound sooner rather than later. The question is, of course, whether you need all these tone options in your current gig.

Regardless of the tone wizardry under the bonnet, the Antoinette plays like a dream. The short-scale phenolic fretboard has a bounce and smooth solidity that rewards all levels of playing intensity, and the bass feels at home whether you pluck gently for some quiet subtlety, or apply enthusiast­ic pick downstroke­s in the name of volume. Of course, its looks are pure funk, but don’t let that put you off deploying it for other uses.

Conclusion

Other headed and headless basses exist at this end of the market with similar design and engineerin­g levels, of course, but the Sims pickup system delivers options that are rarely seen elsewhere. If tonetweaki­ng is your passion, and you would rather make those refinement­s on board than via an external EQ of some kind – and, of course, the budget is there – you should definitely investigat­e.

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