Bath Chronicle

Notes from the brighter side

- Gabriel Spreckelse­n Brown

Iwrite this in a state of anticipati­on. Shops have been scheduled to reopen this month. This can be read as meaning: We are once again allowed into Bath city centre. As if with family and friends, we will be allowed to visit good old Bath for non-essential reasons.

Bath city centre through lockdown has been somewhat of a ghost town.

No Bath Festival meant that the streets were music-less and unbustling. The lack of tourists arriving by coach-load underlined the emptiness. Bath, our beautiful city, looked sparse and lonely.

The lifting of lockdown won’t rectify this: festivals will remain cancelled and tourism much reduced. But that does not mean our city must be unloved.

My advice to anyone wishing to enjoy the city is always: look at the buildings.

This may seem obvious: Bath architectu­re is globally renowned.

But, as with most things, the beauty is in the details – details very easy to miss when we, as locals, move purposeful­ly through the city, not stopping to look at the masonry.

It’s a can’t-see-the-trees-for-thewood kinda thing.

Last summer was the first time I noticed the golden Greek lettering above the entrances to the Roman Baths and the Pump Rooms – relics from Regency, still blindingly bright.

As a child I would count the motifs on the tier above the front doors on the Circus – like snowflakes, I did not see a single motif repeated exactly.

I am still amused by the marble sign above Loch Fyne restaurant’s entrance, announcing it as the BANK.

And circling the exterior walls of the Guildhall, see the vast congregati­on of Romans in togas, seeming to whisper to each other (perhaps about what on earth these four-wheeled, horseless metal boxes are).

These are just a few of the quirks and curiositie­s that make Bath’s aged face truly beautiful. Whilst the tourists are gone, pretend to Bath that you are one.

Take lazy (socially-distanced) strolls through the city to marvel at the grand architectu­re and witty details left by the architects.

Seek out the areas so Italianate that you can pretend you’re in Positano (my grandmothe­r does!)

Visit and maybe discover all the independen­t retailers – Topping’s, The Silver Shop, Rosario’s, The Bath Retro Store, The Mission Theatre – because they bring the essence of Bath to being, and they will desperatel­y need our custom in this economic downturn.

As comparativ­ely bare and touristfre­e Bath will be this year, we at least have the opportunit­y to be guests in our own home, explorers in our own city. After such a break, it’s hard to remember what Bath is to us – but soon we will be able to find out.

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