Pasta master
Food writer Rachel Roddy tells Ella Walker why she adores all shapes and sizes of her favourite dish
Rachel RODDY is very aware that pasta is a deliciously sprawling, emotionally rich, historical labyrinth of a topic. Trying to distil that down into words on a page is not to be considered lightly.
“I never dreamed I’d write a book about pasta, because, I mean, that would be crazy,” says food writer Rachel, incredulous on the phone from Rome, where she has lived since 2008.
And yet, she has. her new yolkyellow cookbook, An A-Z of Pasta, comprises 50 stories about 50 pasta shapes – a mere fraction of the 1,300 shapes identified by one of Rachel’s inspirations, oretta Zanini De Vita, author of the encyclopedia of Pasta.
Fifty shapes is still a gargantuan project when you consider that chronicling pasta is, in a sense, a chronicling of Italy.
“every day, I would panic at the immensity of this task,” recalls Rachel. “And then every day, I would remember that I was only doing a little jigsaw of the shapes, and that it was alright.”
She traces the ancient importance of macaroni and vermicelli, and includes the “greatest hits”, the corners of her jigsaw: penne, spaghetti, tagliatelle, fusilli.
Fortunately, Rachel already eats pasta pretty much every day – “I would happily not,” she muses, but, “Vincenzo [her partner] would like it every day, without making him into a comedy Italian!” So lunch happily doubled as research.
When it comes to her favourite pasta shapes, understandably, she has a lot (“I mean, it’s a bit ridiculous”) with rigatoni – the tubes – sidling slightly ahead of the pack.
If she could only eat one pasta dish every single day forever more though, after much deliberation, the British-born columnist says it’d be a tangle of seafood pasta.
Although pasta with boiled-until-tender veg that’s then “squished around a pan” with oil and chilli, or anchovies, maybe cheese, comes a very close second. “We eat that all the time,” she says.
Rachel doesn’t wage war on any particular shapes though. She has come to appreciate the very thin strands of capelli d’angelo or tagliolini and admits to preferring the bigger versions of fusilli and penne – fusilloni and pennoni – to the classic small versions, which, served sauce-less, have blighted many a childhood.
She does, however, very much understand the suspicion and mistrust around farfalle – the bows that never cook evenly, their hard core seemingly resistant to boiling water.
While there are many beautiful photos and pasta shape doodles in An A-Z of Pasta, there are also recipes that don’t feature an accompanying image at all.
“I think some books have so many images, we stop reading. That’s why I like cookery books without pictures,” says Rachel, “because actually, you have to be transported by the words and you do paint your own picture, and then you enter a different realm, don’t you?”
Rachel’s aim, also, is to give us meaningful, truly helpful advice, not just step-by-step instructions. “You want someone to say, ‘Look, really dice the tomato small, be really generous with the oil, plenty of salt and then really toss it, you just add a tiny bit of pasta cooking water so it’s a bit swishy’ – those bits of advice where you think, ‘Ahh, ok’,” she explains.
That playful approach, finding the joy and taking pasta seriously and reverently, but not too seriously and reverently, underpins Rachel’s work.
As such, when it comes to fresh versus dried, she is not dogmatic. Besides, “all pasta starts off fresh”.
She does like making her own every now and then, tortellini for instance, and occasionally ravioli, but is in no way “a pasta-making fanatic”. Instead, like most of us, she tends to buy it.
Texturally speaking, she admits that if “you pay a pound more for a packet [than usual], you just get something completely different”– and arguably better – but she applies no pressure to do so.
Pasta is singular, she explains. It is then “manifested in 1000s of different forms” – there’s “no differentiating between the fancy handmade shapes and the dried ones, because they’re all good”.
She calls the myriad shapes “domestic works of art” in the book. “They are, aren’t they?” she says, slightly bashfully. “It’s little acts of creation. And that isn’t to say that a lot of the time, I don’t cook when I’m furious or tired or don’t want to cook – and also, I’m very aware it’s my job.
“Despite that, I do find cooking a creative process every day. I like that it can be beautiful and ugly and it’s everything, isn’t it? It’s life, really, cooking. And I mean that whether you’re eating a bag of Monster Munch or a plate of cappellacci.”
Take making lasagne, which Rachel describes as akin to “a summer storm” hitting her kitchen. “I feel like a tornado, whatever I touch,” she says. “So you can imagine me with lasagne. But then, isn’t it the most satisfying thing?”
What she really hopes her jigsaw of pasta offers is for people to “have little eureka moments with very straightforward recipes. If people have two or three favourites that they make again and again and make their own, I will be the happiest food writer ever.
“I hope it’s a useful book,” she continues, “because when I have a plate of pasta in front of me, for that minute, everything’s all right with the world.”
An A-Z of Pasta: Stories, Shapes, Sauces, Recipes by Rachel Roddy is published by Fig Tree, priced £25