BBC History Magazine

How Agincourt became a propaganda triumph

As we approach the 600th anniversar­y of Henry V’s famous victory over the French, Anne Curry considers whether it really deserves its iconic status

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“We few, we happy few, we band of brothers.” These nine words from Shakespear­e’s Henry V are among the best known in the great playwright’s canon. Yet they are also seriously misleading. For, as King Henry prepared to do battle with his French foes at Agincourt 600 years ago, he did so not with a hopelessly outnumbere­d force – as Shakespear­e’s descriptio­n of the battle would have us believe – but with an army of around 8,500 men.

That army had numbered close to 12,000 when Henry led it across the Channel in mid-August, making it the largest sent to France since Edward III’s invasion 70 years earlier. The English king was hellbent on conquering Normandy – and he was not about to fail through a lack of numbers.

But despite the size of his army – and the subsequent acclaim for his victory at Agincourt as a high-water mark in medieval English history – Henry’s campaign in Normandy started badly. After more than a month, his army had seized just one target – the port of Harfleur on the Channel coast – and at a terrible cost. As the author of the contempora­ry chronicle Gesta Henrici Quinti observed: “Dysentery carried off more of our men than the sword, and had so direly afflicted and disabled many of the rest that they could not journey on with him further.”

Muster rolls of the sick show that at least 1,500 were sent home, while Henry’s heavy bombardmen­t had weakened Harfleur’s walls so much that he was forced to leave a huge garrison of 1,200 men to defend it. Hardly surprising, then, that he decided to abort his campaign and attempt to return home quickly via Calais. There is no evidence that he sought a battle with the French.

So how did the battle at Agincourt come about? The answer is that the French were determined to catch and crush the English king. When Henry reached the river Somme (see the map on page 44) he was dissuaded from attempting to cross by rumours that the French were waiting for him on the northern bank. Even as Henry moved eastwards, he knew his pursuers would try to intercept him. Prisoners had divulged that the French planned to override the English archers, prompting Henry to “proclaim throughout the army that every archer was to prepare for himself a stake, square or round, six feet

long… and sharpened at both ends. Whenever the French army drew near to do battle and to break the English ranks… the archers should drive in their stakes in front of them.” This was a wise precaution, and one that shows Henry’s awareness of the dangers facing himself and his army.

Once Henry had managed to cross the Somme, the French sent heralds summoning him to battle. Agincourt was a pre-arranged battle, and it was the French who wanted to fight it.

On the face of it, all advantages lay with the French. They chose the location and, as they arrived first, we must assume they chose their position. They also enjoyed a numerical advantage. Contempora­ry chronicler­s’ claims that the French army numbered anything up to 100,000 men are wildly unrealisti­c – the figure was probably nearer 12,000 – yet, for all that, they undoubtedl­y took to the field with more men than their English rivals.

So why were they unable to make these advantages count? The answer lies in rudderless leadership, lack of cohesion and the withering power of Henry’s archers.

Archer enemies

The most senior member of the French royal family present at Agincourt on the morning of the battle was the 21-year-old, militarily inexperien­ced Duke of Orléans. Chronicles place a great deal of blame on France’s callow young leaders, who ignored the warnings of the older, more seasoned commanders and predicted that Henry’s men would be afraid of the larger French army. Instead, as the author of the Religieux of St Denis remarked: “The English marched in resolute fashion on the French, determined to hazard the chances of combat, and exhorting each other to fight valiantly to the death.”

The many weeks of living and fighting together in enemy territory had served to strengthen rather than undermine English confidence: they knew that they could rely on each other in a way that the French, beset by political divisions and a lack of royal leadership, could not.

Yet the real ace in Henry’s hand was his corps of more than 7,000 archers. These were

“French men-atarms had to push forward across sodden, muddy ground in the face of a storm of arrows”

not only far more numerous than their French counterpar­ts (most of whom were armed with slow-reloading crossbows) but also far more effective – and it wasn’t long before they were raining down hell on their enemies.

The French army’s opening move of the battle to was to launch a cavalry charge against Henry’s archers in an attempt to knock them out of the fight. This was an entirely sensible tactic, yet it seems that too few Frenchmen volunteere­d to take part in the charge, and it failed to make any impact. “God and our archers caused them soon to stumble, for our archers did not shoot a single arrow that day which did not kill and bring to the ground man or horse.” This observatio­n in a version of the Brut chronicle is an exaggerati­on – not all of Henry’s 7,000 or so archers were up to Robin Hood standards – but the cumulative effect of their arrow storm, as well as their determinat­ion and discipline, proved devastatin­g.

The failure of the cavalry charge dealt a serious blow to French prospects of victory. But the real key to understand­ing the scale of their defeat lies in what happened when they then attempted a mass advance on foot.

Up to 5,000 men moved forward, intending to engage in hand-to-hand combat with the English men-at-arms – troops of similar martial training, armour and equipment. Some did reach the English lines – which explains the death of the Duke of York in the subsequent fighting – but the majority failed miserably, falling beneath what one French chronicle described as a “terrifying hail of arrow shot”.

Imagine what it must have been like, having no choice but to try to push forward slowly across sodden, muddy ground in the face of a storm of arrows. The fact that the arrows rained down in spurts rather than a continuous bombardmen­t made it all the more terrifying: the French didn’t know when they were next going to face the barrage.

The result was a funnelling effect, forcing men to crowd in on each other, packed so close that they could no longer raise their weapon arms. As men fell over, others piled on top of them, and many died from suffocatio­n without ever actually engaging in the fight.

Those French men-at-arms who did survive to reach the English line were so disabled that even the lightly armed English archers were able to enter the melee, “throwing down their bows and arrows and taking up their swords, hatchets, mallets, axes, falcon beaks and other weapons”, as the Burgundian soldier Jean de Wavrin put it.

In this scenario, in which hand-to-hand fighting between the men-at-arms of both

“Readers were regaled with stories of derring-do – some starring men who had not even been at the battle”

sides was limited, it is hardly surprising that English fatalities were relatively low; we don’t know the exact figure but it’s unlikely to have exceeded a few hundred. The number of French deaths was much higher, though to date it has only been possible to identify around 500 dead. And when you factor in that these men met their deaths in just a couple of hours – many of them hailing from the same noble families in Upper Normandy and Picardy – there’s little doubt that the impact of the defeat on the area was considerab­le. At least 320 prisoners can be identified.

So the English were the conclusive victors at Agincourt. But does that make the battle medieval England’s finest hour? When considerin­g this question, it’s important to remember that Agincourt was not a decisive battle. Charles VI may have been known as the ‘mad’ king but he was astute enough not to join the French army at Agincourt, nor to send his son, the dauphin. Therefore, though the English took some high-ranking Frenchmen prisoner, these were not politicall­y significan­t enough to force the French to the negotiatin­g table. However, the battle did enhance Henry’s position at home and gave him leverage to raise money and troops for further expedition­s, culminatin­g in the conquest of Normandy between 1417 and 1419. Not surprising­ly, the French chose not to engage Henry in battle again.

Spurious claims

Soon, however, other developmen­ts were more significan­t than Agincourt, especially Charles VI’s recognitio­n of Henry as his heir and regent of France in the treaty of Troyes of May 1420. And this event had as much to do with political divisions in France as Henry’s military prowess.

Though Henry made efforts late in 1416 to have his victory remembered through the saints on whose day it fell (Crispin and Crispinian, though he also credited St John of Beverley with help in the battle), there is no evidence that Agincourt achieved ‘cult status’ in any modern sense. Once Henry was dead, parliament petitioned for campaign wages that had not yet been paid to be recalled, and there was never any major income from the ransoms of the leading prisoners.

By the middle of the 15th century (when England faced defeat in the Hundred Years’ War), English military losses in France made Agincourt a distant memory. However, in November 1449, when most of Normandy was already lost, the House of Commons made a significan­t gesture by choosing as their speaker Sir John Popham – the only MP who was a veteran of Agincourt.

Edward IV visited the field during his French campaign of 1475, and the author of The First English Life of Henry V (1513–14) hoped to stir Henry VIII to action in France by recalling his namesake’s successes.

For all this, it wasn’t until the late 16th century that Agincourt began to attain its iconic status. This was linked to a growing interest in late medieval history, genealogy and aspiration­s to gentility. In order to acquire coats of arms in the visitation­s of the heralds, it was useful to claim that your ancestors had fought at Agincourt.

As a result, many spurious claims were advanced and tales improved in the telling. One particular­ly egregious example came from the Waller family of Groombridg­e in Kent, who added the escutcheon (heraldic shield) of Charles of Orléans to their arms between 1592 and 1619 on the false grounds that Richard Waller had captured the duke at the battle and housed him at Groombridg­e, making so much money out of the ransom that he could rebuild his house and church. In fact, Waller had the duke’s younger brother in his custody, and not as a result of the battle but through a hostage arrangemen­t of 1412.

French skulls

From the late 16th century onwards, many minor gentry families created Agincourt myths for themselves. Michael Drayton’s poem The Battaile of Agincourt (1627) regaled its readers with stories of derring-do – some of which starred men who had not even been at the battle. An example was John Woodhouse. He was credited with hitting French soldiers on the head with a large club, which found its way onto the Woodhouse coat of arms, along with the motto Frappe fort (‘ hit hard’ – the expression allegedly used by Woodhouse when wielding his club against French skulls).

Shakespear­e’s Henry V (1599) is a manifestat­ion of the huge interest in the medieval past that blossomed in late 16th-century England. Its portrayal of Agincourt dominates modern

views of the battle, to the extent that many people believe that Henry V actually uttered the words attributed to him by Shakespear­e.

The play all but disappeare­d from theatres during the 17th century but enjoyed a renaissanc­e in the mid-18th century when its invocation of a triumphant victory over the French made it a powerful piece of propaganda amid renewed and regular outbreaks of conflict with France. Indeed, when The Times first noted the anniversar­y of the battle on 25 October 1757, it was Shakespear­e’s words that it chose to employ.

The Bard’s battle

A study of newspapers reveals how useful Agincourt, and especially Shakespear­e’s version of Agincourt, was as a means of conjuring past successes against the French and encouragin­g contempora­ry politician­s and soldiers to try to emulate their predecesso­rs on the battlefiel­d. The French Revolution­ary and Napoleonic wars provided a major impetus: the first HMS Agincourt was launched in 1796 and a horse called Agincourt ran at Newmarket in 1805, the same year that punters could pay a shilling to view Robert Ker Porter’s picture of the battle – a panorama covering 261 square metres.

Within this scenario, the notion developed that the English had won because of their democratic tradition. Charles Dickens, in his Child’s History of England (1853), contrasted the good stout archers with the proud and wicked French nobility who dragged their country to destructio­n. A lecture script sent out to accompany the showing in schools and factories of Laurence Olivier’s film of Henry V in 1944 brought to mind a kind of ‘Tommy Atkins’ of the 15th century, depicting the archer who broke the charge of the French knights at the battle.

Colonial and pioneer societies have routinely invoked Agincourt, too, as the epitome of a heroic spirit in challengin­g circumstan­ces. At the 50th anniversar­y of the foundation of the town of Agincourt in Fennimore County, Iowa in 1907, John Philip Sousa was commission­ed to compose his March to Agincourt. Another anniversar­y, the silver jubilee of King George V in 1935, prompted the BBC to commission the Agincourt overture from Walter Leigh.

The first known tour for those with an interest in inspecting the scenes of Henry V’s triumph was organised by Thomas Cook in 1886. That Agincourt held a place at the head of the long list of British military achievemen­ts was confirmed by its inclusion in the Army Pageant held at Fulham Palace in 1910. Since its director was the well-known Shakespear­ean FR Benson, it is hardly surprising that the dialogue used was largely penned by the Bard.

By the time of the 500th anniversar­y of the battle in 1915, Britain and France were allies in the First World War, engaged in a mortal conflict against a common enemy. The French battalion stationed near Agincourt invited British officers to share the day with them as a “joint celebratio­n of an ancient battle day of honourable memory to both”, reported the Illustrate­d London News. That same spirit underlies the collaborat­ions planned for the 600th anniversar­y (see box, above right).

Stripping away the myths and legends of later centuries, what have we left? For me, Agincourt is a battle that, above all else, demonstrat­es the significan­ce of good leadership. Its lessons are perennial: the size of an army matters less than the skills of its commander and the cohesion of its troops.

“During the Napoleonic Wars, Agincourt was invoked to inspire Britons to defeat the French again”

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 ??  ?? ABOVE: A 15th- century depiction of the battle of Agincourt. Anne Curry says that the English victory was soon forgotten, only for its importance to be revived in later centuries thanks to Shakespear­e and further conflict with France
ABOVE: A 15th- century depiction of the battle of Agincourt. Anne Curry says that the English victory was soon forgotten, only for its importance to be revived in later centuries thanks to Shakespear­e and further conflict with France
 ??  ?? A painting of French king Charles VI. “He may have been known as the ‘mad’ king but hewas astute enough not to join the French army at Agincourt,” says Anne Curry
A painting of French king Charles VI. “He may have been known as the ‘mad’ king but hewas astute enough not to join the French army at Agincourt,” says Anne Curry
 ??  ?? Laurence Olivier in Henry V. Shakespear­e’s depiction still dominates views of Agincourt
Laurence Olivier in Henry V. Shakespear­e’s depiction still dominates views of Agincourt

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