BBC History Magazine

Rise of the robber barons

Adam IP Smith looks at the lives and legacies of 19th- century US tycoons

- Accompanie­s the new BBC Radio 4 series The Robber Barons

Railway bosses were not supposed to order their own freight cars to be burned. But in 1859, the superinten­dent of the western division of the Pennsylvan­ia Railroad – a diminutive, barrel-chested 24-year-old Scotsman called Andrew Carnegie – did exactly that. From a business point of view, Carnegie’s logic was impeccable, if unconventi­onal: a derailed train was blocking the line, and it would be quicker and cheaper to destroy it than to haul it to the nearest depot. Keeping the network moving, Carnegie realised, was the highest priority.

The metaphor is irresistib­le: Andrew Carnegie, on his way to becoming one of the richest men the world has ever known, ruthlessly destroying anything that stood in his way.

In February of the same year, The New York Times used a sinister simile to attack Cornelius Vanderbilt – a man born in the 18th century, when travel times were limited to the speed of the fastest horse, but who went on to

dominate the early developmen­t of both steam ships and railroads.

To Carnegie’s ambitious generation, the venerable Vanderbilt – or ‘the Commodore’, as he was known – was the man who showed what could be done if you disregarde­d old rules and made your own. In the 1850s, Vanderbilt was engaged in fierce competitio­n to control the lucrative sea route to California via Central America. At one stage, his rivals paid him a subsidy in exchange for him suspending his line.

To the Times, though, Vanderbilt’s behaviour was literally robbery. He resembled “those old German barons who, from their eyries along the Rhine, swooped down upon the commerce of the noble river and wrung tribute from every passenger that floated by”. The label ‘robber baron’ was born in that angry editorial; 20 years later it was in wide circulatio­n as withering shorthand for the handful of men who dominated business in what Mark Twain dubbed “the Gilded Age”.

In the wake of the American Civil War, with the nation reunited on the back of the abolition of slavery, these so-called robber barons – generally identified as Vanderbilt, Carnegie, John D Rockefelle­r and a handful of other hard-nosed and hugely successful businessme­n of that era – profited from one of the most profound revolution­s in the human experience: the transition from a society in which most people were either self-employed or in some form of unfree labour, to one in which most worked for wages.

Bigger is better

One thing they all had in common was that they made their money from the relentless logic of the economies of scale. By driving out competitio­n, controllin­g the supply and distributi­on chains, and keeping wages as low as possible, the robber barons ruthlessly cut costs. They forged their path in the business world at a time when new technologi­es – steel, oil refining, railroads and steam-powered factory technology – were remaking the material basis of the western world. They were the exploiters, not the inventors: men who took small-scale operations and scaled them up, and then up again.

Size was everything. As John D Rockefelle­r realised, one big oil refinery was vastly more efficient than 20 small ones. Similarly, as Jay Gould and Leland Stanford were to demonstrat­e, big railways with no competitio­n could move more freight and charge higher rates than a bunch of small railroads competing for the same traffic.

The robber barons created the world’s first large-scale corporatio­ns – impersonal organisati­ons that, with the aid of bankers such as JP Morgan, could raise undreamed-of capital from financial markets. When Morgan bought Carnegie’s steel business in 1901 he paid the equivalent of US$370bn in today’s money. Rockefelle­r’s Standard Oil totally dominated the world’s production, refinement and distributi­on of oil. By 1890, railroads employed around 3 per cent of the entire national workforce, or 800,000 men – many times more than worked for the government or served in the armed forces.

The personific­ation of these otherwise impersonal organisati­ons, the robber barons were, among other things, literally cartoon characters. Their names and faces became familiar to millions through the pages of satirical illustrate­d magazines such as Puck in which the titans of industry were drawn as crooked hucksters carving up the country, or as obscene octopuses strangling the populace. The cartoons fed into a mass movement to defend the principle of government of, for and by the people against the monopolist­s who had stolen the American dream.

Ida Tarbell, a feisty journalist whose father’s oil-producing business in western Pennsylvan­ia had been ruined by Rockefelle­r, was the most acerbic of the critics. Tarbell and her millions of sympatheti­c readers were fighting, they thought, to defend the dying ideal of an egalitaria­n republic of small-scale farmers and artisans.

For others, however, the likes of Carnegie and Rockefelle­r were heroic entreprene­urs who were making America a steampower­ed superpower. They were the real-life proof of the moral wisdom of those immensely popular Horatio Alger stories for young boys in which, in America, hard work always paid off and the poor could rise up.

Critics and fans alike saw the robber barons, for good or ill, as the masters of this

According to the Times, Vanderbilt resembled “those German barons who, from their eyries along the Rhine, swooped down and wrung tribute from every passenger”

new world. But these men did not always see it that way at all. They were, by their own accounts, driven as much by anxiety as optimism. Neither Horatio Alger heroes nor Ida Tarbell villains, they saw themselves as the necessary instrument­s by which the economy could be managed.

Rockefelle­r and Carnegie claimed that they were motivated not by personal ambition but by public-spiritedne­ss. The two were hardly soulmates (Carnegie got a kick out of giving an annual Christmas present of fine Scotch whisky to the teetotal Rockefelle­r) but they each developed a theory of capitalism according to which the vast organisati­ons they built were the necessary means of managing the hellishly disruptive forces unleashed by industrial­isation.

Their companies, they argued, reduced inefficien­cy and wasteful over-production. Where there was chaos, they brought order; where there was strife, they brought harmony. This was a breathtaki­ng inversion of how many saw them, but it was repeated with conviction, and it drew on a coherent and, to them, self-evidently true narrative of their careers.

A prime example concerns how Rockefelle­r understood the crucial turning point in his business career. This occurred in the early 1870s, at a time of falling prices in the nascent oil-refining business, when he leveraged a freight deal with a railroad to compel his competitor­s in Cleveland to sell out to him. Charged with behaving aggressive­ly and dishonestl­y, Rockefelle­r responded that his company was an “angel of mercy”. Standard Oil, he later claimed, was “the Moses who delivered [his benighted competitor­s] from their folly which had wrought such havoc in their fortunes”.

Carnegie adopted a similar business strategy and, in essence, a similar rationale when he moved from railroads into steel, combining investment in new technologi­es with using every trick in the book to eliminate rivals.

The curse of bigness

At the heart of the problem – as their critics saw it – was the sheer scale of the robber barons’ enterprise­s. It was ‘the curse of bigness’ that gave these men the giddying power they had. But the robber barons’ riposte was that the new economy required central planning. “The day of combinatio­n is here to stay,” Rockefelle­r assured an interviewe­r in the 1920s, as Europe experiment­ed with different types of state planning. “Individual­ism is gone, never to return.”

It was a sentiment echoed by New Deal planners when, in response to the Great Depression, they abandoned decades of anti- monopoly politics. In its place they sought ways of centrally managing a capitalist system in which no one imagined a return to 19thcentur­y levels of growth.

Carnegie had a greater desire for public adulation than Rockefelle­r ever seemed to require, but a similar determinat­ion to present himself as acting always in the public interest. After he sold his business, Carnegie moved into a newly built mansion in Manhattan (complete with an elevator and a prototype air-conditioni­ng system) and wrote tracts in a library with Sunday school-type mottoes painted high on the walls. Gazing up from his desk at the injunction that ‘Thine Own Reproach Alone Do Fear’, Carnegie worried about the contrast between “the palace of the millionair­e and the cottage of the laborer”.

To combat the dangers of “rigid castes” living in “mutual ignorance” and “mutual distrust” of each other, he poured millions of dollars into building public libraries – more than 2,500 of them around the world. This munificenc­e was possible because of the vast business he had created and was therefore, to him, evidence that great concentrat­ions of wealth could (at least in the right hands, such as his own) bring about a great dispersion of public benefit.

A disappeari­ng world

Contrary to the way they are often imagined, the robber barons were in fact the champions neither of unfettered free markets nor of unfettered individual­ism. Paternalis­ts more than libertaria­ns, they saw rational central planning as the antidote to the insecurity and irrational­ity of market competitio­n. Hailed for their role in the onrush of modernity, they harked back to the virtues of a disappeari­ng world and worried about the spiritual and social consequenc­es of the gulf between rich and poor to which they had contribute­d so much. Their material success assured, the robber barons sought something more: validation that their work was of public worth.

These larger-than-life industrial­ists had an all-too-human capacity for self-deception, and it is easy – and not entirely unfair – to charge them with hypocrisy. But that does not mean we should not take seriously their own rationalis­ations. The words of these robber barons reveal much about how these powerful men made the choices that helped shape our world.

Adam IP Smith is a senior lecturer at University College London, specialisi­ng in American history

Carnegie had a great desire for public adulation and a huge determinat­ion to present himself as acting always in the public interest

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 ??  ?? Jack and the Wall Street Giants, Udo J Keppler’s c1904 cartoon in the satirical magazine Puck, depicts President Theodore Roosevelt (below right) facing ‘robber barons’ including John D Rockefelle­r and JP Morgan
Jack and the Wall Street Giants, Udo J Keppler’s c1904 cartoon in the satirical magazine Puck, depicts President Theodore Roosevelt (below right) facing ‘robber barons’ including John D Rockefelle­r and JP Morgan
 ??  ?? New York’s Carnegie Hall is packed to the rafters on its opening night in 1891. The worldfamou­s concert hall was funded by the magnate who gave it its name, Andrew Carnegie
New York’s Carnegie Hall is packed to the rafters on its opening night in 1891. The worldfamou­s concert hall was funded by the magnate who gave it its name, Andrew Carnegie

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