BBC History Magazine

“The image of Shakespear­e working in isolation has not been plausible for decades”

Oxford University Press has credited playwright Christophe­r Marlowe as the co-author of three of Shakespear­e’s plays. Dr Paul Edmondson shares his thoughts on the decision

- Paul Edmondson is head of research at the Shakespear­e Birthplace Trust and author of Shakespear­e: Ideas in Profile (Profile Books, 2015)

Marlowe is to join Shakespear­e on the title pages of Henry VI, Parts One, Two and Three in The New Oxford Shakespear­e. How common were writing collaborat­ions? Collaborat­ion takes many different forms – writing one act, adding a scene, or part of one to an already completed work – and was standard practice for playwright­s of Shakespear­e’s time. Thomas Middleton, Thomas Nashe, John Webster and many others co-wrote drama; Thomas Heywood claimed to have had “a main finger” in 220 plays.

Shakespear­e collaborat­ed as a jobbing playwright at the beginning of his career, but from 1594 became a founding shareholde­r and the leading dramatist for a highly successful theatre company. Most of his plays after 1594 are single authored but he collaborat­ed again towards the end of his career. Doubts over the authorship of Shakespear­e’s works aren’t new. What’s different this time? Understand­ing Shakespear­e as an occasional collaborat­ive writer has nothing to do with doubts that he was ever an author in the first place. In fact, knowing he worked with other people rather demolishes any kind of conspiracy theory. Shakespear­e has been understood to have been a collaborat­ive writer at least since 1634 when The Two Noble Kinsmen – co-authored with John Fletcher – was published posthumous­ly with both their names on the title-page.

Marlowe’s naming as a collaborat­or invites biographic­al considerat­ions about how the two men inspired and competed with each other. The New Oxford Shakespear­e suggests that 17 of Shakespear­e’s plays show some signs of collaborat­ion and that Shakespear­e himself was a collaborat­or in lesser-known plays – for example, Arden of Faversham. What impact will this have for future scholars of Shakespear­e? The image of Shakespear­e working only in isolation has not been plausible for decades. What and how he wrote remain significan­t questions which require complex answers. Collaborat­ion forces us to think about his profession­al career as a dramatist and does nothing to detract from his genius.

 ??  ?? Up to 17 of Shakespear­e’s plays may have been collaborat­ions
Up to 17 of Shakespear­e’s plays may have been collaborat­ions
 ??  ??

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