BBC History Magazine

FICTION Raising the curtain

NICK RENNISON applauds a new novel that imagines the adventures of Shakespear­e’s brother

- Nick Rennison is the author of Carver’s Truth (Corvus, 2016)

Fools and Mortals by Bernard Cornwell Harper Collins, 384 pages, £20

Richard Shakespear­e is a young actor working in the theatre company for which his older brother William is the principal dramatist. The year is 1595 and the Lord Chamberlai­n’s Men, under the protection of their patron, Lord Hunsdon, are growing ever more ambitious in their production­s. They want to leave behind tired old melodramas and stage fresh works by William Shakespear­e. The wedding of Lord Hunsdon’s granddaugh­ter offers them the chance to perform the newly written A Midsummer Night’s Dream.

But all is not well in the company. Richard and his brother have little liking for one another. The younger man is playing women on stage. He longs to take on more manly, heroic roles but all William offers him in A Midsummer Night’s Dreamis the part of Francis Flute, one of the “rude mechanical­s”.

As the Lord Chamberlai­n’s Men re- hearse, a new company is being formed and an impressive theatre is being constructe­d in Southwark to house it. These rivals are looking for actors and scripts and they are unscrupulo­us in pursuit of them. When William’s scripts for A Midsummer Night’s Dreamand Romeo and Juliet go missing, Richard is briefly suspected of their theft. Keen to clear his name, he offers to recover them. In his search for the stolen masterpiec­es, he faces danger from Puritans all too eager to condemn him as a papist, falls in love with one of Lady Hunsdon’s maids and effects a kind of reconcilia­tion with his brilliant, difficult brother.

Bernard Cornwell is best known for the ‘Sharpe’ novels, set in the Napoleonic Wars, and for tales of war and politics in Anglo-Saxon England. The Elizabetha­n theatre may seem an unusual subject for him but Fools and Mortals is a delight. Witty and knowledgea­ble in its evocation of Shakespear­ean London, it also becomes a highly enjoyable tribute to the perils and pleasures, at any time in history, of putting on a play.

 ??  ?? Playwright­s, puritans and backstage politics: a new novel by Bernard Cornwell goes behind the scenes of Shakespear­e’s stage company
Playwright­s, puritans and backstage politics: a new novel by Bernard Cornwell goes behind the scenes of Shakespear­e’s stage company
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