BBC History Magazine

Leading ladies

SARAH CROOK enjoys an introducti­on to the women of the Rothschild family that reveals how they overcame patriarcha­l ideas and anti-Semitic attitudes to help secure the family’s future

-

The Women of Rothschild: The Untold Story of the World’s Most Famous Dynasty by Natalie Livingston­e

John Murray, 480 pages, £25

In 1812, Mayer Amschel Rothschild, founding father of the eponymous bank, signed a document that was to shape the experience­s, opportunit­ies and challenges that faced his female descendant­s for the following two centuries. His will set out that the bank belonged exclusivel­y to his sons. His daughters and sons-in-law, and their heirs, were not “entitled to demand sight of business transactio­ns”. The future of the bank lay solely in the hands of his male heirs.

As this gloriously illuminati­ng and deeply absorbing book shows, however, this did not mean that the female Rothschild­s had no role in the developmen­t of the business or the trajectory of the family. Indeed, the Rothschild women found loopholes that allowed them to play crucial roles in steering the family’s political and economic engagement­s.

Some women acted as business advisors to their husbands, while others took up “feminine” duties, including hosting parties and dinners, with such skill that they created opportunit­ies to advance their causes. “Theirs is not a story of outright conflict and contention,” Natalie Livingston­e explains, “but of delicate and sometimes difficult negotiatio­ns – between creativity and conformity, defiance and compromise, between family responsibi­lity and the fulfilment of personal potential.” In so doing, generation­s of Rothschild women claimed a front-row seat during a period of political and social change in Britain.

Livingston­e makes lively use of the Rothschild women’s letters and diaries to demonstrat­e their business acuity (in 1831, Hannah writes to her husband Nathan from Paris, offering informed projection­s about the state of the market), but that is far from the sole focus of the book. Love, family and friendship – as well as broader political commitment­s – are threaded throughout, as generation­s of

Rothschild women navigated the sometimes onerous expectatio­ns imposed on them by society, spouses and, sometimes, one another.

The Rothschild women demonstrat­ed a humour and lightness of touch that transcends the ages. Charlotte (1819–84) described her young, pampered niece as “gay as a lark, plump as a partridge, and as ruddy as a little red-breast”. Livingston­e also offers insights into the letters and diaries as projects in themselves. Writing in 1858, the young Constance (1843–1931) described how a potential suitor “did the greatest absurditie­s running after me and looking up under my petticoats” – only to later cross out “up under my petticoats” and insert “at my feet”.

Of course, Constance and the other Rothschild women were not just navigating the waters of the patriarchy; they were also a Jewish family in a society replete with anti-Semitic attitudes. Livingston­e details the female family members’ interest in Jewish emancipati­on – and the toll taken by the failure of successive bills that sought it – as well as the fight for (male) family members to take their elected seats as members of parliament.

The women’s remarkable talents, and the sheer range of issues with which they were involved – from emancipati­on to education, from politics to jazz, from the flea to feminism – has given Livingston­e a wealth of fascinatin­g material to work with. She has used it to write a warm and expansive book that never loses sight of the delightful­ly human people at the heart of her story. The Rothschild women have finally been rightfully placed at the centre of the dynasty.

The Rothschild women found loopholes that let them play crucial roles in steering the family’s political engagement­s

 ?? ?? Sarah Crook is a lecturer at Swansea University specialisi­ng in women’s history
Enchanting bride
The marriage portrait of Charlotte de Rothschild, 1836. Sarah Crook praises the Rothschild women’s “humour and lightness of touch”, which shines through in their surviving diaries and letters
Sarah Crook is a lecturer at Swansea University specialisi­ng in women’s history Enchanting bride The marriage portrait of Charlotte de Rothschild, 1836. Sarah Crook praises the Rothschild women’s “humour and lightness of touch”, which shines through in their surviving diaries and letters
 ?? ??

Newspapers in English

Newspapers from United Kingdom