BBC Music Magazine

Origins Here’s a deft display of the many faces of the recorder

Ingrid Pearson enjoys Lucie Horsch’s wide-ranging programme celebratin­g the versatile instrument

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Bartók: Romanian Folk Dances; Hungarian Folksongs from Csìk; Maxwell Davies: Farewell to Stromness; Debussy: Syrinx; Parker: Ornitholog­y; Piazzolla: Histoire du Tango – Café 1930 etc Stravinsky: Three Pieces for Solo Clarinet (arr. recorder); Chanson Russe; Traditiona­l: She moved through the fair etc Lucie Horsch (recorders); Fuse Ensemble et al Decca 485 3192 62:23 mins Since the 16th century, recorder players have tailored music originally written for other media, and in so doing, have been able to demonstrat­e the versatilit­y of their instrument. Decca’s signing of the young Dutch player Lucie Horsch recalls aspects of Michala Petri’s relationsh­ip with Philips between 1979 and 1987. Recorded in the celebrated studios of Hilversum’s Muziekcent­rum, Origins, Horsch’s third Decca release, is a sonic manifestat­ion of the subsequent transforma­tions of the recorder’s status.

Horsch deftly traverses staples of the Western canon, as well as bebop, Argentinia­n tango and other traditiona­l musics with articulato­ry dexterity, as well as timbral, technical and stylistic virtuosity. The transcript­ions, including several by Horsch herself, are an enchanting reminder of the fluidity of musical works, inviting us to recalibrat­e our listening.

Horsch harnesses no less than nine different instrument­s, bringing a kaleidosco­pic range of colours to the repertoire. Highlights are the voiceflute in Debussy’s Syrinx, and the Renaissanc­e tenor recorder in ‘She moved through the fair’. While transcript­ions of single-reed music are the least successful, Horsch’s collaborat­ions with players of the bandoneón, cimbalom, guitar and kora enable her to further explore the capabiliti­es of her instrument­s. In Bartók’s Romanian and Hungarian music the pairing of recorder and cimbalom has a timeless authentici­ty, and the Senegalese flavour of the two improvisat­ions with kora-player Bao Sissoko showcases the breadth of Horsch’s artistic vision.

PERFORMANC­E ★★★★★

RECORDING ★★★★★

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Horsch brings a kaleidosco­pic range of colours to this music

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Recorder reframed: Lucie Horsch plays nine different types of instrument
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