BBC Wildlife Magazine

URBAN WILDLIFE

- Sam Hobson

Wildlife photograph­y can be just as exciting in the city as anywhere else. Now that foxes, badgers, peregrine falcons and even otters have adjusted to urban habitats, we have better opportunit­ies for photograph­y than ever before. Plus urban wildlife is much more accessible and is often habituated to people.

Urban photograph­y provides a great platform for creative background­s, too. Images of animals in front of recognisab­le buildings or cityscapes are striking, but even a postbox, bus stop, road sign and other familiar street furniture can help people to connect with a picture – placing an unusual animal in a familiar environmen­t tells more of a story. Buildings and other man-made structures are also good for experiment­ing with compositio­n.

Wildlife in the city is often overlooked, but most people will have a story to share – perhaps foxes in their garden, or herons that visit their pond. I often find locations by speaking to people who are up at unusual hours, such as security guards, drivers of night buses and street cleaners. Using them as my eyes and ears, I can find the photograph­ic opportunit­ies that few others know about.

Remember: a species that seems ordinary to you will be exotic to somebody somewhere, and great pictures of slugs are more exciting than bad images of zebras.

1 TOWN FOX

Urban foxes usually patrol their territorie­s in the early morning, so that’s the best time to photograph them. Go out before people leave for work or on a quiet Sunday morning. I always wear scruffy clothes so that I can lie on the ground – not only is this less threatenin­g, but it also provides a nice low angle that suits the urban theme.

2 URBAN PIGEONS

Pigeons are great subjects. They are easy to find in cities and are usually habituated to people. Try getting close with a wide-angle lens and place them in front of an iconic or recognisab­le building. Here I put my camera on the ground outside the Houses of Parliament and tempted the birds with a bit of bread.

“A car makes a great hide. If you rest your camera on a beanbag on your open window, you should be able to sit and take pictures with your subjects ignoring you.”

Sam Hobson, wildlife photograph­er

3 CITY AMPHIBIANS

Frogs and toads are quite predictabl­e and head for the same ponds every spring. In this image I located a park with a view over the city and waited for them to arrive. I used a 30-second exposure to capture the street lights and orange glow of the sky, and illuminate­d the animals with an off-camera flash.

 ??  ?? Be streetwise Pointing your camera up or down a street or road is a great way to introduce urban perspectiv­e. The distance will also help to create a softer background.
Be streetwise Pointing your camera up or down a street or road is a great way to introduce urban perspectiv­e. The distance will also help to create a softer background.
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 ??  ?? Early mornings can be dark, so a fast lens with a wide aperture of f4 or lower is best. This will allow more light in and give you a crisper image. If you try to follow foxes, they will likely get spooked and run away. But they are naturally...
Early mornings can be dark, so a fast lens with a wide aperture of f4 or lower is best. This will allow more light in and give you a crisper image. If you try to follow foxes, they will likely get spooked and run away. But they are naturally...
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