BBC Wildlife Magazine

Martin Williams

- MARTIN WILLIAMS is executive producer of Rediscover­ing T. rex.

Why make this film now?

There have been many discoverie­s about T. rex in recent years, and there will undoubtedl­y be many more. There just comes a point when a story is worth telling.

You’re ‘taking on Hollywood’ with your own T. rex model. Just how ambitious is this?

Extraordin­arily! Our aim is to create a fully animated 3D creature. It will be the culminatio­n of all the discoverie­s investigat­ed in the film, and needs to look and move like a real animal. CGI is very punishing when it comes to budgets, but as we are concentrat­ing on just one species, we have been able to throw all our resources into getting the detail as accurate as possible, down to the texture of its feathers and how the muscles vibrate when it puts its foot down.

What is the most interestin­g piece of science in the film?

For me, it’s when we attempt to recreate the call of a T. rex. We use sound equipment to lower the pitch of a Chinese alligator call, and it's the most exciting moment in the film. Fossils offer nothing physical as to how an animal might have sounded, but CT scans of a T. rex’s inner ear reveal that it likely communicat­ed using subsonic calls rather than roaring like a lion.

What is the biggest preconcept­ion about T. rex that is turned on its head?

That it was a stupid animal with a peabrain. Science is telling us that it was actually a very intelligen­t predator.

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