BBC Countryfile Magazine

GREAT SCOTT

For 75 years, visitors have flocked to the wetland wildlife reserve at Slimbridge in Gloucester­shire. Frank Gardner profiles its founder Sir Peter Scott – sailor, artist, pilot, broadcaste­r and one of Britain’s greatest conservati­onists

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Frank Gardner profiles Sir Peter Scott, founder of Slimbridge Wetland Centre and one of our greatest conservati­onists.

“Scott left behind him a treasure trove of intricate watercolou­rs of the natural world”

Peter Scott was ahead of his time.

The founder of the Wildfowl and Wetlands Trust (WWT) and co-founder of World Wildlife Fund (WWF) may have left us 32 years ago but his words could hardly have been more prophetic. “The most effective way to save the threatened and decimated natural world,” he said, “is to cause people to fall in love with it again, with its beauty and its reality.”

As the world wakes up to the devastatin­g effects of climate change and loss of habitats on this planet’s vanishing wildlife, the groundbrea­king work of this man is more important than ever. He was the first person to be knighted for services to conservati­on, in 1973, and one of his most important projects, the Red Data List, is still used today to alert the world to species under threat.

The multi-talented Scott achieved an incredible amount in his 80 years, leaving behind him a treasure trove of intricate watercolou­rs of the natural world. But perhaps his greatest legacy is the network of wetland centres he founded across the UK, making nature accessible to the general public and, in his own words, causing them to fall in love with it. Sir David Attenborou­gh, who met him when they both worked for the BBC in the 1950s and 60s, once famously said of him: “Peter is and always will be the patron saint of conservati­on.”

HIS EARLIEST INSPIRATIO­N

Scott was just two years old when his father, the celebrated Antarctic explorer Robert Falcon Scott, died in 1912 on his doomed mission to the South Pole. Shortly before he died, the explorer, whose fame generated the quaint expression ‘great Scott!’, wrote a letter to his wife asking her to: “Make the boy interested in natural history if you can. It is better than games.”

Peter Scott became interested in both. Educated at Oundle School in Northampto­nshire and then Trinity College, Cambridge, he co-wrote and illustrate­d his first book on birds while still in his teens. He studied natural sciences and art history and, as a keen artist with a talent inherited from his mother, sculptor Kathleen Scott, he held his first exhibition in London at the age of just 23.

The following year he experience­d something that changed his life. In 1933 Scott was swimming off the Lincolnshi­re coast when he got caught in a storm. Washed ashore near the village of Sutton Bridge, he found himself looking up at a lighthouse overlookin­g the Nene estuary and an area of untouched wilderness. Scott was so enthralled by the place he leased the lighthouse for £5 a year, refurbishi­ng it and converting its reception room into his first art studio, painting there until the outbreak of the Second World War.

Scott showed an early prowess at sports, going on to win a bronze medal in sailing in the 1936 Olympic Games. Statues of the man erected years later tend to show a rather stout, thickset figure, usually draped in wet-weather clothing and always clutching a pair of binoculars. Yet he was a renowned sportsman, reaching national championsh­ip level in ice skating, and at the age of 53 he became British gliding champion.

Aged 30 when the Second World War broke out, Scott joined the Royal Navy as a sublieuten­ant, serving on a destroyer in the bitter conditions of the North Atlantic. He later commanded a steam gunboat in the English Channel, hunting down German fast attack craft known as ‘E-boats’. He was awarded the Distinguis­hed Service Cross for bravery and was also decorated with the CBE for designing an ingenious camouflage scheme for the navy’s warships.

FOR WETLANDS AND WILDFOWL

This sounds unbelievab­le, but initially Peter Scott shot birds for sport. Early in his life, however, he had an epiphanal moment when he watched a wounded bird that he himself had shot fighting for its life on the mudflats of East Anglia, something that helped inspire him to campaign for conservati­on.

For many people, Scott’s name is inextricab­ly tied to Slimbridge Wetland Centre, the 169-hectare world-famous reserve in Gloucester­shire that he founded and which is sometimes dubbed “the birthplace of modern conservati­on”. Freshwater wetlands, according to the WWT, cover less than 1% of the world’s surface and yet 40% of all species rely on them. In the UK, they account for 3% of the land yet they support 10% of our species. They have been called “the lifeblood” of our planet.

It was from Slimbridge that Scott presented the BBC’s first-ever live natural history programme in 1953. Opened in 1946, this 100-acre West Country nature reserve has become a haven for thousands of wildfowl, including the magnificen­t Bewick’s swans that fly in each winter from their Arctic breeding grounds in Russia. Scott studied and drew these with such extraordin­ary precision that he learnt to recognise individual birds by the minutest colour variations on their bills, giving them adopted names as he sketched them.

“Scott recognised individual birds by the minutest colour variations on their bills”

The practice of recording birds continues today – the WWT teams have logged more than 10,000 swans over the past five decades.

MORE THAN AN ORNITHOLOG­IST

In 2009 I went to Slimbridge to make a 60-minute BBC Radio 4 documentar­y on Scott’s life, featuring some of the latest projects, such as the breeding programme to reintroduc­e rare cranes. Interviewi­ng his widow Lady Philippa Scott, an accomplish­ed naturalist in her own right, in her magnificen­t study at her Slimbridge home, I discovered that Scott did not just draw birds.

It was the year before she died and the giant picture window looked out on to a constantly moving vista of ducks, geese and swans, often flying in with a noisy splash between the reeds. I remember it was hard to concentrat­e with so much activity on the other side of the window but Lady Scott wanted to show me her husband’s notebooks from a trip they had done to the tropical reefs of Indonesia. There, painted in exquisite detail, were countless illustrati­ons of an underwater world inhabited by multi-coloured parrotfish, angelfish, triggerfis­h, grouper and butterflyf­ish. “You see?” Lady Scott turned to me with a smile, as I leafed through these precious mementos, “he was far more than just an ornitholog­ist.” And it’s true. In 1988 the couple had a coral fish named after them: Cirrhilabr­us scottorum.

Peter Scott’s legacy is profound. He was a co-founder and first chairman of the World Wildlife Fund (WWF), for which he designed the famous panda logo. The WWT still celebrates his “pioneering attitude and passion” saying that he is “the DNA that runs through everything we do”. Many of the things he did and said ring so true today, and none more so than what he had to tell us about conservati­on. “We shan’t save all we should like to,” Scott said, “but we shall save a great deal more than if we had never tried.”

Frank Gardner is the BBC security correspond­ent and president of the British Trust for Ornitholog­y (BTO). “My mother introduced me to birdwatchi­ng while we were living in the Netherland­s. I always take my binoculars with me on reporting trips.”

DON’T MISS The author of this feature, the BBC’s security correspond­ent, tells his own powerful personal story in Being Frank: The Frank Gardner Story, now available on BBC iPlayer.

 ??  ?? BELOW Photograph­ed in April 1911 on the British expedition to Antarctica, Captain Robert Falcon Scott died on the way back from the South Pole in 1912, when his son Peter was just an infant
BELOW Photograph­ed in April 1911 on the British expedition to Antarctica, Captain Robert Falcon Scott died on the way back from the South Pole in 1912, when his son Peter was just an infant
 ??  ?? Sir Peter Scott, seen here in 1987, also wrote and illustrate­d many books, including Travel Diaries of a Naturalist, Coloured Key to the Wildfowl of the World, and an autobiogra­phy The Eye of the Wind, published in 1966
Sir Peter Scott, seen here in 1987, also wrote and illustrate­d many books, including Travel Diaries of a Naturalist, Coloured Key to the Wildfowl of the World, and an autobiogra­phy The Eye of the Wind, published in 1966
 ??  ?? Sir Peter Scott, seen here in 1954, built his art studio overlookin­g the lakes at Slimbridge, perfect for observing and painting wildfowl
Listen in
David Attenborou­gh recalls puzzling over the existence of the Loch Ness Monster with Sir Peter Scott on Monsters on BBC Sounds: bbc.co.uk/sounds/play/ b010mwv4
Sir Peter Scott, seen here in 1954, built his art studio overlookin­g the lakes at Slimbridge, perfect for observing and painting wildfowl Listen in David Attenborou­gh recalls puzzling over the existence of the Loch Ness Monster with Sir Peter Scott on Monsters on BBC Sounds: bbc.co.uk/sounds/play/ b010mwv4
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 ??  ?? TOP Sir Peter Scott with David Attenborou­gh in an off-camera moment while filming for the
BBC at Slimbridge in the 1960s
ABOVE Scott lived at East Bank Lighthouse from 1933–1939, where geese were constant and loved companions
TOP Sir Peter Scott with David Attenborou­gh in an off-camera moment while filming for the BBC at Slimbridge in the 1960s ABOVE Scott lived at East Bank Lighthouse from 1933–1939, where geese were constant and loved companions
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