Birmingham Post

Comment Scheme shows modern way to integrate the old

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BIRMINGHAM’S Jewellery Quarter is a delicate townscape. Its dense and intricate built fabric is a direct expression of the economy of mainly small manufactur­ers of jewellery and precious metals which created it, and which it still sustains. It is covered by a conservati­on area designatio­n, and the unusually intimate relationsh­ip between its industrial occupants and its buildings is one of the reasons why Historic England designates the conservati­on area as of outstandin­g importance on a national scale.

However, the fabric of the Jewellery Quarter is continuall­y threatened. The manufactur­ing industry has been in gradual decline for decades. Over the past 25 years the growth in residentia­l apartments has filled many of the gaps, but has also posed an economic threat to lower-value workshops. Some of the historic architectu­re is in poor condition, and there have been inappropri­ate new buildings inserted.

There is currently a planning applicatio­n before Birmingham City Council for what would be the biggest-ever new developmen­t in the Jewellery Quarter, extending over four acres, and named Harper’s Hill. The proposal is to redevelop an area currently occupied mostly by the engineerin­g business AE Harris, located between Graham Street and Regent Place, to the east of Vittoria Street.

AE Harris, which is planning to relocate out of the city, is in planning terms not in conformity with the Jewellery Quarter, both in terms of its engineerin­g function and in terms of its building scale. Its big shed-like buildings are an exception to the fine-grained scale of the quarter. Its emigration will not be regretted.

This creates a unique opportunit­y not just to insert a new building into the quarter, but to create a whole new district in an outstandin­g conservati­on area. It is quite a challenge. In most respects the proposal, masterplan­ned and designed by Glenn Howells Architects, responds to the challenge admirably well.

It is a mixed-use developmen­t, organised into street blocks, which succeeds in maintainin­g and extending the grain of the older parts of the quarter. Not the least of its achievemen­ts is that, far from enlarging the size of the street blocks, which we have come to expect of many new developmen­ts, it actually reduces their size.

It does this by cutting a new street, to be called Harper’s Hill, through the middle of the site. This will start by continuing the line of Newhall Street, crossing Northwood Street, and arriving at Regent Place. (Harper’s Hill was the name of James Watt’s Georgian house, which stood in Regent Place, but was demolished in 1885). In addition, part of Northwood Street, which bisects the site, and which years ago was closed to the public, will be reopened.

These new streets subdividin­g the site together increase the developmen­t’s permeabili­ty. By this measure we mean the ability of people to choose from alternativ­e routes on which to walk through the developmen­t, rather than having to walk around a large block which is an obstacle to movement.

Increasing permeabili­ty has an economic dimension as well. It increases the amount of building frontage within a given area, making it easier to include shops and bars on streets, as well as front doors to offices and apartments. The overall benefit is to make the developmen­t more legible, more convenient, and more enjoyable and safer for the user.

The division into small blocks also makes it easier to incorporat­e existing listed buildings into the new pattern, which the scheme does in two instances.

A remarkable statistic is that in the four acres, containing 320 dwellings, over 4,000 square metres of commercial space, and over 3000 square metres of retail space, there will be only 44 car parking spaces. This is a great vote of confidence in the principle of a pedestrian-scaled city. This is the new modern, in contrast to the old misguided car-fixated modernism which shaped Birmingham in the 20th century.

Although I am certain that when the proposal comes before the planning committee, there will be complaints from the usual councillor­s about the absence of car spaces.

So in many ways this scheme is an exemplary demonstrat­ion of modern urbanism.

There are, however, two areas where reservatio­ns should be recorded, and where I would expect questions to be asked by planners and the planning committee.

The first is the heights of the new buildings. The Jewellery Quarter Design Guide, which defines standards for new developmen­t in the quarter, and is an excellent document of its kind, says that building heights should not exceed four storeys, and in some cases should be fewer than four. This is to retain the intricate scale of the quarter. The Harper’s Hill developmen­t proposes new buildings up to five storeys, in direct contradict­ion of the Design Guide. There is a danger that the scale of this new district will be more like that of the city centre than of the Jewellery Quarter, no matter how good its plan.

The second issue is residentia­l use. The site is within the Industrial Middle zone of the quarter, where most of the jewellery and precious metals manufactur­ing is concentrat­ed. The conservati­on area guidance rules that new residentia­l buildings will not be allowed in this zone, as new residentia­l developmen­t represents a threat to the establishe­d manufactur­ing economy.

With a proposed 320 dwellings, the Harper’s Hill developmen­t will blow a huge hole in this policy, if allowed. The issue is, when the AE Harris site becomes vacant, whether the manufactur­ing economy is strong enough to fill it. It almost certainly is not, in which case a mixed use developmen­t is the right approach.

If this is the case, then the policy for the Industrial Middle zone is unrealisti­c, and should be modified. But would this put more manufactur­ing at risk? It is a difficult but vital question to resolve.

In many ways this scheme is an exemplary demonstrat­ion of modern urbanism

Joe Holyoak is an architect, lecturer and urban designer

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 ??  ?? > An artist’s impression of Harper’s Hill in the Jewellery Quarter
> An artist’s impression of Harper’s Hill in the Jewellery Quarter

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