Birmingham Post

2022 festival was £100m winner for local economy

- TAMLYN JONES Business Correspond­ent

A£12 million arts and cultural festival which ran alongside last year’s Birmingham Commonweal­th Games added £100 million to the region’s economy during its run, according to new research published this week,

Birmingham 2022 Festival started in March and lasted for six months, featuring a host of different events and was claimed to be the biggest celebratio­n of creativity ever in the region and the largest cultural programme in the games’ history.

No fewer than nine independen­t reports have now been published by consultanc­ies which assessed the economic and cultural impact of the festival and what can be learnt.

Among its key findings are that it reached an audience of more than 2.46 million people, featured more than 41,000 participan­ts, worked with 993 different organisati­ons, had a workforce of 4,954 creative staff and freelancer­s and 1,315 volunteers.

It added £100 million in direct economic impact and also attracted £87 million in GVA, including £47 million from tourists, and positively enhanced more than eight out of ten residents’ and non-residents’ perception­s of Birmingham and the wider West Midlands.

Among the events were public art installati­ons, dance workshops, street performanc­es and pop-up sites which hosted live music and other performanc­es.

Funding was provided by a range of partners including Arts Council England, National Lottery Heritage Fund, Birmingham City Council and national trusts and foundation­s.

Birmingham-based consultanc­y Indigo was appointed to lead on the evaluation of the festival and has worked with organisati­ons including

The Audience Agency and Punch Records to publish the new findings.

Indigo’s chief executive Katy Raines said: “These reports are the result of 12 months’ work collaborat­ing with the organising committee, with the support of all the projects and individual­s who took part.

“The collective effort in gathering these findings has allowed us to tell a story of how a large-scale cultural festival can resonate with local people, illuminate untold stories of the region for a wider audience and build capacity and resilience in the sector. I’m now excited to see how the region builds on these outcomes for the future.”

Among the other findings were that Birmingham 2022 Festival engaged almost 42,000 residents in active arts or cultural activities and £1.7 million was distribute­d through the Creative City Grants programme in order to bring together artists and local communitie­s to create work.

Alongside that was a series of projects that attracted a further 689,000 attendees and 33,000 participan­ts.

Nine out of ten of participan­ts said they felt more connected to people in their community and eight out of ten said they had learned new skills because they had taken part, according to the reports.

Both the games and the cultural festival were not without controvers­y as some of Birmingham’s ethnically diverse communitie­s claimed there had not been enough meaningful engagement with them and they felt “largely ignored”, according to a report published last year by Birmingham Race Impact Group.

Organisers also came under fire over their pledge to recruit and offer contracts to diverse communitie­s, in particular after it emerged that 19 out of the 20 members of the senior leadership team were white – something that was later addressed following media reports.

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