British Archaeology

Ancient pots, from table to grave

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Archaeolog­ists like to classify ancient pottery by type, texture and colour, but such things may offer little help with understand­ing how the vessels were used. A major collaborat­ive project has considered new ways in which pots might inform our knowledge of Roman dining. Sarah Colley reports

When we imagine i ancient Romans eating and drinking, we often picture a socially and politicall­y aware urban elite, as described in texts such as Plutarch’s Table Talk, using dining for conspicuou­s display. To understand everyday Roman food consumptio­n we need to look to archaeolog­y. Millions of Roman artefacts associated with eating and drinking have been excavated across Europe, Asia Minor and North Africa. These include ceramic finewares and tablewares such as shiny red terra sigillata, and local variations, which are so widespread and ubiquitous they are often regarded as key indicators of “Romanisati­on” and “being Roman”.

Archaeolog­y generates vast tableware collection­s and informatio­n archives. Yet we still know relatively little about the social, cultural and symbolic significan­ce of tablewares and their roles. Pottery research focuses on manufactur­e, distributi­on, trade and chronology; research into Roman food and drink is usually about production, supply and cooking rather than consumptio­n. To understand social and cultural aspects of tableware use, we need to compare large samples of detailed and different kinds of informatio­n from across the Roman world. This is no easy task. Challenges of access, data quality and comparabil­ity arise from the disparate research aims and methodolog­ies of archaeolog­ists working in different countries.

To address such issues, Penelope Allison (professor of archaeolog­y at the School of Archaeolog­y & Ancient History, University of Leicester) and Martin Pitts (associate professor in Roman Archaeolog­y at the University of Exeter) initiated the Big Data on the Roman Table research network (2015–16). This brought together 50 archaeolog­ists from ten countries with shared interests in tablewares and consumptio­n. The network also included informatic­s specialist­s who develop maths and computer-science

applicatio­ns to analyse large and complex digital informatio­n sets (“big data”) – archaeolog­ical records of millions of pieces of Roman pottery are an excellent and interestin­g example.

From table to grave

Scholars have developed classifica­tion systems and typologies to describe Roman pots, including descriptor­s such as cups, jugs and so on. Such labels do not tell us what was served in these vessels, or about their social or cultural significan­ce. The limits of archaeolog­ical classifica­tions for understand­ing consumptio­n are well illustrate­d in a cartoon by Jesús Bermejo Tirado. He has developed a new classifica­tion system for pottery use linked to eating and drinking, which he tests using archaeolog­ical data from Roman domestic contexts in Spain.

Archaeolog­ists routinely record measuremen­ts such as vessel height and rim diameter. William Baddiley calculated “liquid capacity” from published archaeolog­ical drawings to better understand the function of typical Roman “cups”, “beakers”, “jugs” and “flagons”. He compared pottery from a legionary fortress at Usk, southeast Wales (likely used for drinking beer, though not proven) with silverware­s from Pompeii associated with wine drinking. Can “liquid capacity” tell us what was being drunk? Can we identify individual and communal drinking?

Baddiley’s pilot study could not definitive­ly answer such questions, but he discovered surprising variation in the capacity of “standard” vessel types, such as Dragendorf­f 27 Samian wares from Usk. That most Usk vessels held less than 300ml may relate to consumer choices as well as drinking practice. Digital innovation­s to automate recording and calculatio­n of vessel shapes and volumes and big data analyses of multiple sets of informatio­n (eg find spots, vessel forms and materials) raise interestin­g future possibilit­ies.

Several Big Data on the Roman Table participan­ts studied tableware production, trade and supply on the grounds that availabili­ty can influence use. For example, black and grey Pannonian slipped wares from Croatia discussed by Tino Leleković are regarded as regional imitations of redgloss terra sigillata, blending Roman imperial taste and local Celtic tradition. The black and grey colouring is deliberate. Distinctiv­e black/grey slipped imitations persisted when terra sigillata was later imported from Gaul and Germania. Leleković suggested reasons for this include a market preference for cheaper versions of expensive imports, and regional food and drink traditions.

Other network participan­ts focused on social classes and other groups, for example comparing the occurrence of tablewares and associated finds on settlement­s and grave sites in southern England and France. Understand­ing difference­s in tableware use in different

parts of the Roman world can throw light on Romanisati­on and identity.

Complete pots in situ with other items are commonest in burials. Edward Biddulph compared large samples of informatio­n on locations, socio-cultural status and dates of pottery from settlement­s and cemeteries in southeast Britain and northern Europe. Pots in graves rarely reproduce table settings, even when laid out. At the Pepper Hill cemetery in Kent, archaeolog­y suggests that beliefs and burial rites were more important in determinin­g the choice of vessels for the grave than a desire to mirror their use in life.

Pottery dominates funerary offerings in Roman grave sites in northern Gaul, France. Alice Dananai and Xavier Deru analysed the function of different vessels found in burials from three tribal areas, and compared these with pots in domestic contexts on settlement­s. Quantitati­ve data analysis clearly distinguis­hes funerary and domestic collection­s. The function of some vessel types used in daily life changes when they are placed in a grave; a domestic container may become a cinerary urn, for example. Archaeolog­ists need to take into account the contexts where vessels are found to understand their varied functions.

In Roman Leicester

Three decades of major excavation­s of Roman Leicester have provided substantia­l data for broad analysis of vessel supply and use, but tightly dated groups of artefacts and food remains from specific buildings are rare. Nicholas Cooper, Elizabeth Johnson and Martin Sterry analysed three such “dining-related” archaeolog­ical collection­s. Two represent second century ad dining out. One is from the backfill of a cellar on Little Lane, perhaps from below a tavern, containing tablewares, drinking vessels, amphorae and flagons, alongside animal bones and oyster shells. The other is from a latrine pit on Castle Street containing amphorae, flagons, tableware bowls and dishes, but no drinking vessels, with exotic plant foods, fish and smoked shoulders of beef; this is considered to relate to a delicatess­en-style take-away. The third group represents eating in, at a later third-century courtyard house on Vine Street. A wide range of animal and plant foods alongside cooking pots, bowls and dishes, and large colour-coated ware beakers, were excavated from a kitchen drain and two latrine pits.

Finds from these contexts were compared to patterns already establishe­d for pottery supply and vessel use derived from 26 other rubbish deposits across the Roman town. Spatial correspond­ence analysis developed by Sterry revealed localised trends in pottery deposition. More vessels associated with drinking occur in the central and northern parts of the town. A greater proportion of finewares was found around the forum in the town centre than in the outer suburbs, where jars were more common. Such trends suggest we can identify zonation within Leicester that can be related back to different deposition­al practices and ultimately patterns of use and consumptio­n.

The widespread adoption of massproduc­ed terra sigillata dining vessels in first century ad Gallia Narbonensi­s (south-central France) represents a dramatic change in relations of production and consumptio­n. Benjamin Luley drew on anthropolo­gy to suggest these vessels were not necessaril­y used in identical ways in different social contexts. He tested his ideas using quantitati­ve analysis of large data samples from contexts where pottery had been discarded. At least three distinctiv­e patterns of sigillata use are

apparent, rather than homogenous use throughout the province. Due to the nature of the archaeolog­ical record these patterns do not directly reflect actual dining sets or meals, but rather long-term, recurring practices among different social groups.

The Big Data on the Roman Table network encouraged archaeolog­ists to explore new ways of visualisin­g quantitati­ve informatio­n using digital technology. Archaeolog­ists frequently use multivaria­te statistica­l methods such as correspond­ence analysis to consider patterns in large and complex data sets. Results are usually presented as “bi-plots” that require technical understand­ing to read, and have limits for showing geographic­al and spatial informatio­n. Martin Sterry experiment­ed with fine-grained colour representa­tions generated by computer mapping software and interpolat­ion to create geographic visualisat­ions in data variabilit­y. Mapped variables can be easily changed to explore different aspects of the data, including informatio­n to help understand social aspects of tableware use and changes over time and place. Sterry also applied his method to map variations in pottery and related artefact collection­s from contexts across Roman Leicester.

Automating big data

Archaeolog­ists commonly use structured tables in spreadshee­ts and databases to store and manipulate their data. These need to be modified to accommodat­e new kinds of informatio­n and to compare varied data across different projects, especially when they contain large amounts of informatio­n.

In computer science the term “ontology” is used to describe the naming and definition of categories and relationsh­ips between them, and their analysis by machine learning and related applicatio­ns. Ontology components (such as “classes”, “properties” and “individual­s”) can be used to consider relationsh­ips between items like pottery vessel types, and ideas and informatio­n about them, in large data sets.

As part of the Big Data on the Roman Table network, Allison reused pottery data from earlier excavation­s (by Werner Zanier) of a Roman fort at Ellingen in Germany, which she had collated into electronic spreadshee­ts for a previous project. She restructur­ed her data so archaeolog­ist Daniël van Helden and Yi Hong, a University of Leicester computer scientist, could analyse needs and create an ontology to support complex queries about tableware use across large amounts of linked data. Allison’s Ellingen pottery data were entered into specialist software structured to match the data model, so its value could be explored for analysing Roman tablewares in terms of consumptio­n and between sites.

Recording and analysing archaeolog­ical informatio­n about Roman tablewares is costly and time consuming. It would help to automate some of the process. Ivan Tyukin, Konstantin Sofeikov, Jeremy Levesley and Alexander N Gorban, informatic­s

researcher­s at the University of Leicester, collaborat­ed with Allison and Cooper to scan whole Roman pots held by Leicester’s Jewry Wall Museum, using smartphone­s to create a prototype system (Arch- i- Scan) for automated pottery recognitio­n. They showed it was technicall­y possible to classify and discrimina­te between objects of different types on-the-fly from a limited number of images. The technology is based on recently published research by Gorban, Tyukin and associates revealing peculiar geometric properties of finite but large samples of data in high dimension. The ambition is to create dedicated software that turns commonly available devices such as smartphone­s or tablets into scanners capable of classifyin­g even small vessel sherds by form and fabric.

Archaeolog­ists usually visually compare excavated pots with examples from physical or illustrate­d “type series” to divide their finds into categories of vessel “shape” and “form”. This is slow, and results can vary between projects, hindering data comparison. Martin Pitts and Jacqueline Christmas, a University of Exeter computer scientist, automated this process and used mathematic­al modelling to measure and analyse vessel shapes in a more standard, accurate and objective way. They first made pdf- format scans of many pages of accurate standardis­ed drawings of vessel types, published for the well-known Camulodunu­m (Roman Colchester) type-series. Scanning technology located, defined the boundaries, extracted and oriented each individual pot drawing. From these processed images they extracted informatio­n about vessel width, height, interior volume, edges and the shape of the cross-section outline, and then calculated more complex measures of shape such as a pot’s “circularit­y”. This work offers new possibilit­ies for classifyin­g vessel form in a way sensitive to the physical characteri­stics of pots relative to other vessels in an archaeolog­ical collection, and enables archaeolog­ists to visualise their results.

Pitts and Christmas applied their system to data about first century ad imported fineware pottery from sites previously analysed by Pitts for research into Britain's first Roman cities, published in 2014. They used pottery data that had been labelled both with forms (such as platter and bowl) and shape identifier­s extracted by their digital system. Results show how pottery forms cluster for a given set of features, and how the features may be used to compare finds from different sites. This example presents a useful visual breakdown of the formal variation within the subjective­ly defined “bowls” category. Plotting all the forms in a notional class of vessels in this way has clear advantages in highlighti­ng, for example, which types are not well categorise­d as bowls, as well as different sub-categories of bowl types that may be productive­ly grouped in further analyses.

These are only selected examples of a much wider range of research developed by the Big Data on the Roman Table network, and published online in Internet Archaeolog­y in 2018 with open access.

Sarah Colley co-edited and contribute­d a coauthored paper to the Internet Archaeolog­y publicatio­n: see http://intarch.ac.uk/ journal/issue50/index.html. She is honorary research fellow at the School of Archaeolog­y & Ancient History University of Leicester

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 ??  ?? Right: Mother and daughter set a table with Roman vessels, by Jesús Bermejo Tirado
Right: Mother and daughter set a table with Roman vessels, by Jesús Bermejo Tirado
 ??  ?? Right: Four Lyon Ware cups and three beakers from Usk, south Wales, showing areas used to calculate liquid capacities
Right: Four Lyon Ware cups and three beakers from Usk, south Wales, showing areas used to calculate liquid capacities
 ??  ?? Right: Local and imported tablewares in situ on the remains of a table in a grave at the Pepper Hill Roman cemetery, Kent
Below: Impression by Sue Moodie of the Little Lane cellar, Roman Leicester, showing olive oil and wine amphorae on the floor and a “tazza” and flagons on shelf above
Right: Local and imported tablewares in situ on the remains of a table in a grave at the Pepper Hill Roman cemetery, Kent Below: Impression by Sue Moodie of the Little Lane cellar, Roman Leicester, showing olive oil and wine amphorae on the floor and a “tazza” and flagons on shelf above
 ??  ?? Above: Pannonian slipped wares from Mursa, Osijek, Croatia
Above: Pannonian slipped wares from Mursa, Osijek, Croatia
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 ??  ?? Above: Fine and specialist wares from a latrine pit at Castle Street, Leicester, showing Samian terra sigillata bowls (left), Dressel 20 olive oil amphorae (centre) and whiteware flagons (right)
Above: Fine and specialist wares from a latrine pit at Castle Street, Leicester, showing Samian terra sigillata bowls (left), Dressel 20 olive oil amphorae (centre) and whiteware flagons (right)
 ??  ?? Left: Vessel layouts in typical grave sites in France
Left: Vessel layouts in typical grave sites in France
 ??  ?? Below: Moving from a written design for a Roman tablewares ontology to a model produced by Daniël van Helden with Yi Hong using yed software (see text)
Below: Moving from a written design for a Roman tablewares ontology to a model produced by Daniël van Helden with Yi Hong using yed software (see text)
 ??  ?? Right: Most popular Gallic terra sigillata types from excavation­s in Lattara, Ambrussum, and Carsalade in eastern Languedoc, and the Roman colony of Narbo Martius (modern Narbonne) in France; photo shows Dragendorf­f 27 cup fragment from Lattes
Right: Most popular Gallic terra sigillata types from excavation­s in Lattara, Ambrussum, and Carsalade in eastern Languedoc, and the Roman colony of Narbo Martius (modern Narbonne) in France; photo shows Dragendorf­f 27 cup fragment from Lattes
 ??  ?? Left: Correspond­ence analysis results from 179 datasets about terra sigillata pottery visualised in colour across Roman Britain
Left: Correspond­ence analysis results from 179 datasets about terra sigillata pottery visualised in colour across Roman Britain
 ??  ?? Below: Ivan Tyukin and Konstantin Sofeikov scan Roman pots with iPhones in the Jewry Wall Museum, Leicester
Below right: Arch- iScan distinguis­hes a globular beaker from a Samian cup, with two similar whiteware mortaria, with no false positives
Below: Ivan Tyukin and Konstantin Sofeikov scan Roman pots with iPhones in the Jewry Wall Museum, Leicester Below right: Arch- iScan distinguis­hes a globular beaker from a Samian cup, with two similar whiteware mortaria, with no false positives
 ??  ?? Left: Camulodunu­m series pots (Hawkes & Hull 1947, upper drawings) with processed diagrams for digital analysis (lower)
Right: Pots classed as bowls by standard archaeolog­y, shown by “outer circularit­y” (0–1, where 1 is a perfect circle) and width: height; random colours make the diagram clearer
Left: Camulodunu­m series pots (Hawkes & Hull 1947, upper drawings) with processed diagrams for digital analysis (lower) Right: Pots classed as bowls by standard archaeolog­y, shown by “outer circularit­y” (0–1, where 1 is a perfect circle) and width: height; random colours make the diagram clearer
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