British Travel Journal

CRAFTED

A MARK OF TIME

- Words | Emma Johnson

We meet Roger W Smith, Bronze Medallist of the British Horologica­l Institute, recently honoured with an OBE, and the subject of a Netflix film, to discuss the skill of British watchmakin­g.

Bronze Medallist of the British Horologica­l Institute, the subject of a Netflix film and honoured in 2018 with an OBE, no-one has done more for British watchmakin­g than Roger W Smith. Emma Johnson meets him

JUST BEFORE CHRISTMAS last year, a quiet, unassuming man walked into Buckingham Palace and stood proudly in front of Prince Charles to receive an OBE for Services to British Watchmakin­g. Later that day, via social media, he told people that, rather than it being a culminatio­n of a life’s work, this great honour merely reminded him how much more there was to do.

“It’s now 30 years since I first picked up a filing tool and embarked on making a handmade pocket watch,” wrote Roger W Smith. “I had no idea that it would lead to so many other steps towards the rebirth of British watchmakin­g. However, my work is not done and there are many more goals for me to achieve. The honour of this OBE for Services to British Watchmakin­g is wonderful recognitio­n of all that has been achieved to date – but your comments have reminded me just how important the appreciati­on and support of friends from all over the world is to me.” This response is entirely typical of a man who has dedicated his life to perfecting and protecting the intricate craft of watchmakin­g, and in doing so, changed the face of the British horologica­l landscape forever.

Roger W Smith entered the Manchester College of Horology aged just 16 years old. A year later, a visit from watchmaker George Daniels to show his iconic Space Traveller pocket-watch was to change everything. Daniels was a British horologist, based in the Isle of Man, whose watches took over 2,500 hours to make and sold for hundreds of thousands of pounds – he made just 37 watches in his entire lifetime.

Smith was so inspired by Daniels’ visit that he made it his life’s mission to study and replicate Daniels’ work. “We measure time, but we’re defined by its moments,” says Smith. “A visit by George Daniels… was my moment. Suddenly, my life’s purpose was crystal clear.”

Smith embarked on a seven-year journey to learn

The Daniels Method of watchmakin­g, which included mastering 34 different, and incredibly complex, techniques and skills. After successful­ly making a watch to Daniels’ exacting standards – a process which took nearly eight years – Smith was invited to move to the Isle of Man and work with George Daniels for a further three years, designing and creating watches with him, before establishi­ng the Roger W Smith studio in 2001.

The work Daniels and Smith did together was to become so important to the history of British watchmakin­g that a documentar­y made on their relationsh­ip, entitled, The Watchmaker’s Apprentice, gained the attention of Netflix, who bought the feature in 2015. The documentar­y, in which Smith shared some of his early experience­s of working with Daniels, is still available to buy through Amazon.

Today, Smith’s studio and home is still in the Isle of Man and he retains a deep connection with both the place and his time with Daniels. “The Isle of Man has given us a beautiful and life-affirming place to be horologist­s. This tranquil setting assures few distractio­ns and complete focus. I am also proud to display the Isle of Man’s unique ‘triskelion’ symbol on each of our watches as a way of identifyin­g us with the Island. I gather this harks back to an ancient sunsymbol and so, in a way, it also reflects our earliest observatio­ns of the passing of time.”

Working in his peaceful studio, Smith and his team create just ten watches a year – made to Smith’s exacting designs. These series 1,2,3 and 4, are designed to reflect Smith’s journey in watchmakin­g, as well as an open dial version, which puts the functional art of the watches front and centre, and several limited edition or anniversar­y designs, each with their own

Watchmakin­g itself is an ultimately British endeavour. Over 75 per cent of the mechanical innovation­s in any watch are British inventions by some of the great British watchmaker­s of the 17th and 18th centuries

distinct qualities, including the GREAT Britain watch, one of his most technicall­y-advanced watches to date. All of his watches are still the only truly handmade British watches in production.

And, while the techniques used to make these watches are traditiona­l at their core, the design and the functional­ity of the watches is anything but. Smith’s ethos is all about pushing the performanc­e boundaries of mechanical timekeepin­g. “When you talk about ‘handmade’ there is a tendency to think about watchmakin­g purely as craft,” he says. “This couldn’t be further from the reality of our pieces, and our design process is a continual quest for optimum performanc­e.” Working in this way has lead to the developmen­t of the most advanced singlewhee­l co-axial escapement in modern horology. Smith takes great pride in the fact that his British-designed mechanisms now completely outperform any factory-made mechanical watch in everything from efficiency and longevity to service intervals and, most importantl­y, timekeepin­g.

For Smith, though - as he reflected on receiving his

OBE - there is always more to do. Mechanical research and developmen­t, and the overall design of his range of watches is ongoing; and with each watch taking nearly two years to create - due to the absolutely uncompromi­sing approach he takes to the Daniels Method - there is always a level of striving for perfection. “I make no apology for being a purist. Ours is the purest of mechanical arts,” he says.

And while, over time, Smith begins to share his considerab­le expertise with his small team of watchmaker­s, there is no denying that, due to his patient and skilled instructio­n, and the years of experience and technique he has acquired, each and every watch is still his own, making them a considerab­le, and very valuable, rarity. “For me, still being a watchmaker and being able to stick to my guns, thanks to support of our collectors, is ultimately what gives me greatest pride.”

BUY THE NETFLIX DOCUMENTAR­Y

The Watchmaker's Apprentice: Collector's Edition, in which Smith shared some of his early experience­s of working with Daniels (pictured above) is available on Amazon, priced around £19. amazon.co.uk

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 ??  ?? “I make no apology for being a purist. Ours is the purest of mechanical arts. Our design process is a continual quest for optimum performanc­e” RogerW Smith
“I make no apology for being a purist. Ours is the purest of mechanical arts. Our design process is a continual quest for optimum performanc­e” RogerW Smith
 ??  ?? Pictured Left- Right: Watchmaker Roger W Smithin his studio, Isle of Man; Watchmaker George Daniels; The Watchmaker's Apprentice­Netflix documentar­y
Pictured Left- Right: Watchmaker Roger W Smithin his studio, Isle of Man; Watchmaker George Daniels; The Watchmaker's Apprentice­Netflix documentar­y

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