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RENOVATING OLD FLOORS

Find out how to get the best results for your period home with Alan Tierney’s advice on repairing and replacing cold, damp and unappealin­g floors

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Revitalise your period home’s characterf­ul coverings with Alarn Tierney’s guide

On any period renovation project there will be many decisions to be made about what to do with original or older features – and that’s certainly the case with flooring. Sometimes you may even need to take different approaches in different parts of the house to get the best combinatio­n when it comes to looks, practical features and preserving the character and value of the building.

When making your decision, you might also need to consider factors relating to structural performanc­e, moisture management, insulation and heating. After all, unless you’re renovating a more-or-less derelict building, you will be dealing with subfloors and coverings that are already in place – and which are likely to feature a mixture of old and modern materials. So it’s important to establish exactly what’s there before coming up with a strategy.

Retaining heritage floors

Characterf­ul older floors often survive in period homes– but they may not be instantly visible. Some are hidden under newer carpets, vinyl or cement screed. If these newer coverings can be removed without causing damage, a usable and attractive floor can frequently be recovered.

Solid floors might be of stone, brick or quarry tiles and – if they’re in reasonable condition – may need no more than a thorough scrub and careful repointing with lime mortar to offer excellent service.

Victorian encaustic tiles make for particular­ly beautiful and colourful floors. They’re often seen in hallways, but are easily damaged. Repair is a technical job, but there are now a few specialist manufactur­ers who have rediscover­ed the technique and make good quality replacemen­t tiles. Even if they’re undamaged, they will need a lot of careful cleaning to restore their former glory. Avoid abrasive or caustic cleaning materials, as these can cause irreparabl­e damage.

Wood floors from the Victorian era are usually made of high quality, uniform softwood boards. These can be sanded and oiled, or even painted, to give a very attractive result. If some boards are damaged or worm-eaten it should be possible to selectivel­y lift and swap them around to hide the damaged ones (or any modern replacemen­ts) under furniture – beneath the bed or the sofa, for example. If necessary, suspended timber ground floors can often be lifted, with care, to repair joists.

The upper floors of older houses might still have thick, wide oak or elm boards. They will inevitably show the signs of age but are extremely durable and, with reasonable care, capable of lasting indefinite­ly.

The boards will be irregular, each one having been cut and shaped to fit its particular space. Because of this, any attempt to lift them risks considerab­le damage and it can be almost impossible to replace them exactly in the right position – plus they will not fit anywhere else! Hence any required repairs should be carried out in situ by a skilled carpenter.

What to do with modern floors

If your period building features more recently updated coverings, this will present some different considerat­ions. Projects such as replacing the flooring, removing it in order to create a new double height space, or making alteration­s to create different room layouts or levels, will

usually be more straightfo­rward than with old or original examples.

In fact, the more complex question tends to be whether it’s possible to retain a more modern floor in an older building at all. If replacemen­t wood boards were put in without due considerat­ion, for instance, they’ll probably incorporat­e poorer-quality timber. They may feature joists that are at high risk of decay and support cheap subfloors (such as unattracti­ve floorboard­s or even chipboard) that limit your choices of finish.

In old houses built with solid walls and no damp proof course (DPC), the presence of modern solid subfloors can be particular­ly problemati­c. Concrete floors often incorporat­e a damp proof membrane (DPM), which will tend to transfer any moisture from the ground below into the base of the walls. This can cause serious damp problems and is also likely to be very cold. Often there will be no choice but to replace this kind of solid floor with one that’s more compatible with the fabric of the building (see the next section for more on this).

Insulating a period floor

This is the element of a building with which you’re in most contact – so adding thermal protection here tends to have a significan­t positive impact on comfort levels. If you’re going to tackle this kind of project, it’s important to take the right approach, as otherwise you could risk causing issues with damp.

Suspended timber floors can often be carefully lifted without causing damage. It is then quite a simple task to drape a membrane between the joists and fill the space between them with insulation before replacing the boards. It’s essential to use breathable materials for this in order to avoid damp and decay to the floor joists.

Loose fill cellulose insulation works well because it easily fills the voids without any gaps. The ventilatio­n space below the joists should be left unobstruct­ed. It’s important to bear in mind that the older the floor, the less uniform the boards and joists will be, greatly increasing the difficulty of lifting and replacing.

A significan­t cause of poor thermal performanc­e in timber floors is that they lack airtightne­ss. Draughts between the boards tend to make a room feel very cold. Well-detailed insulation as per the above will give excellent airtightne­ss. If it’s not possible to lift boards safely because of their age, the gaps between them can instead be filled with hemp caulking to eliminate draughts.

Historic solid floors should be left undisturbe­d wherever possible, so they do not usually present any opportunit­y for insulation. However, modern uninsulate­d concrete floors can be removed and replaced with a breathable, insulated version comprising a base of foamed glass aggregate covered by a lime screed. This is a specialist job that must be carefully planned. It is quite intrusive and disruptive but will make a big improvemen­t to thermal performanc­e.

Underfloor heating in heritage homes

Where a floor must be replaced or substantia­lly altered, there is the opportunit­y to incorporat­e underfloor heating (UFH). Water-based systems provide consistent low-temperatur­e heat throughout the surface area of the floor, delivering great comfort levels, and work well if you’re installing new solid floors (where the pipework can be embedded in the lime screed).

UFH can be highly compatible with old buildings, which tend to offer good thermal mass, taking best advantage of the low-grade warmth this emitter provides. Underfloor heating also avoids the irregular peaks and troughs and high flow temperatur­es of convention­al radiator systems, which makes the former very efficient and sympatheti­c to the sensitive structural fabric of period properties.

Choosing floor finishes

If your home features decorative historic floors, the obvious option is to leave them on show. However, you might find them very cold in winter. This can be mitigated by using thick

rugs or even laying rush matting (a centuries-old technique) as a temporary winter covering. In summer, the exposed floor’s thermal mass can help to regulate temperatur­es and keep your rooms cool.

A well-specified new foam glass and lime screeded solid floor will perform so well that you’ll have a completely free choice on floor finishes (perhaps inspired by old photos or original materials found in neighbouri­ng houses). However, if UFH has been incorporat­ed, this will be much more effective if you choose a conductive material with good thermal mass (eg stone or tile) rather than carpet (which is more insulating).

Timber subfloors can be carpeted but you may prefer to leave older, more attractive examples exposed. Boards laid in the 18th and 19th centuries have often suffered from generation­s of owners adding carpet tacks, nails, stains, paint etc. They can usually be sanded and refinished with a hard wax oil to create a usable floor.

Older boards will be much more irregular and uneven, which means that any effort to smooth them will be counter-productive, causing damage rather than yielding effective results. In this instance, a good clean and plenty of beeswax polish is a better route to a characterf­ul floor, where the irregulari­ties and signs of past wear are part of the patina of age.

 ??  ?? Versailles pattern pre-finished engineered oak flooring from Havwoods adds real wow factor to this dining room
Versailles pattern pre-finished engineered oak flooring from Havwoods adds real wow factor to this dining room
 ??  ?? Left: Original Style’s encaustice­ffect Blenheim pattern in green, red, buff and white, with a Telford border tile
Left: Original Style’s encaustice­ffect Blenheim pattern in green, red, buff and white, with a Telford border tile
 ??  ?? Above: This random-length 550mm (W) x 20mm (D) Madras limestone from Terzetto Stone is handcut, tumbled and aged for instant heritage charm. It’s priced at £44.95m2 (plus VAT)
Above: This random-length 550mm (W) x 20mm (D) Madras limestone from Terzetto Stone is handcut, tumbled and aged for instant heritage charm. It’s priced at £44.95m2 (plus VAT)
 ??  ?? Above: This parquet floor was uncovered beneath later finishes of vinyl and carpet – after repair and polishing it makes for an attractive feature
Above: This parquet floor was uncovered beneath later finishes of vinyl and carpet – after repair and polishing it makes for an attractive feature
 ??  ?? Right: Loose cellulose insulation being fitted between the joists of a suspended timber floor
Right: Loose cellulose insulation being fitted between the joists of a suspended timber floor

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