Campaign UK

CANNES-DO ATTITUDE

Godaddy and Campaign send six women from the creative technology sector to their first Cannes Lions

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Diversity may have been one of the biggest themes at this year’s Cannes Lions but the lack of it remained noticeable on the Croisette, with one delegate complainin­g that the festival looked like “a stag do”.

Meanwhile, research unveiled at Cannes by J Walter Thompson New York and the Geena Davis Institute on Gender in Media, which analysed more than 2,000 ads from the Lions archive, suggests a link between the lack of women in creative department­s and continued gender stereotypi­ng in advertisin­g.

The study found that there were twice as many male characters in ads than female ones. Women were 48% more likely to be shown in the kitchen, while men were 50% more likely to be shown at a sporting event.

In a bid to better bridge the gap between rhetoric and reality, Campaign teamed up with Godaddy to create the Godaddy Scholarshi­p for Women in Technology, which provided the funds for six women in the creative technology sector to attend Cannes. It is part of Campaign’s #Campaignfo­requality initiative, which urges the industry to move from talk to action when it comes to addressing diversity.

Kate Cox, vice-president and EMEA chief marketing officer at Godaddy, says that all too often women in technology are under-represente­d and underpaid. She explains: “Cannes Lions will play a role in effecting change. By partnering Campaign’s #Campaignfo­requality, Godaddy has been able to shine a light on some truly outstandin­g women working in the creative technology sector.

“Godaddy is passionate about helping doers, makers and idea generators, from start-ups and home businesses to tech entreprene­urs with ambitions to become the next big thing.” Cox adds that Godaddy will keep in touch with the winners to offer them advice and mentoring.

Here, the six winners share their insights, experience­s and hopes for the future.

NO BOX-TICKING NATASHA LYTTON HEAD OF MARKETING AND COMMUNICAT­IONS, SEEDCAMP

It feels bloody obvious but why is a lack of diversity still such a massive issue in creative industries, tech companies and business in general?

I sat through a number of talks on this issue and found myself nodding along in agreement. Of course it makes sense that diverse teams create more compelling and inclusive work.

There is a reason why Always “#Likeagirl”, Ariel “Share the load” and Dove “Campaign for real beauty” struck a chord around the globe – and not just with women. They tapped into very real experience­s and establishe­d an emotional connection with the public, which allowed the brands to transcend a flash-in-the-pan campaign and create a movement.

I also went to an awards ceremony and sat fuming while group after group of male-dominated teams went on stage to receive awards handed out by male presenters and jurors (even though I was assured by many that I’d just picked a bad night for my first experience of the awards).

In one talk I attended, a female chief creative officer stated that we have to “look for the right people, not the people with the right experience”. I have never been in favour of rules in how companies hire, but something needs to change. And not just in the workplace.

I went to the University of Oxford as one of the “quota state-schoolers”, as many liked to joke – “quota girl” and Eliza (as in Doolittle) were just a couple of my nicknames. These names put doubt in my mind that I had less right to be there than others. I fear for what forced hiring rules do to women in the workplace. We shouldn’t have to question whether we deserve to be there or if we’re just there to tick a box.

I remain convinced that the best way to encourage diversity is through collaborat­ion, not isolation. Womenonly events will only ever preach to the converted. Let’s push for diversity because it creates opportunit­y and inclusivit­y and produces great results.

BE A POSITIVE FORCE AMY WILLIAMS FOUNDER AND MANAGING DIRECTOR, GOOD-LOOP

After a week of meeting amazing people over a glass or five of rosé, I realised I had more in common with Cannes attendees than I first thought. Like me, the people who attend the festival are ambitious and passionate about the industry. Like me, they are eager to discuss how we can improve what we’re doing and how we can make advertisin­g more positive and impactful. And, actually, people who attend Cannes also tend to be incredibly humble: they want to learn from their peers and draw inspiratio­n from the amazing work of others.

I think the main thing the festival has taught me is that senior, inf luential people within the industry are just people. I learned to appreciate what their experience has to offer rather than being intimidate­d. Because, at the end of the day, whether you’re a ten-month-old start-up like Goodloop or a ten-year-young establishe­d player, we’re all united by a belief that advertisin­g is important and we all have a responsibi­lity to make it a positive force in the world.

SAY YES LOLLY MORRIS DIGITAL DESIGN DIRECTOR, IRIS

I have learned so much. I have met Kathyrn, Tess, Tash, Ina and Amy – five women who are shaping the future for other women in the creative tech industry. We have shared an experience that I will remember for the rest of my life. And the world of women in digital doesn’t seem like such a lonely place any more.

I have realised that Cannes is not about the seminars; it is about talking to influentia­l people and creating a network of allies. So how can you find exciting opportunit­ies like the one I have experience­d?

Say yes. If you’re faced with an opportunit­y and not sure whether you should say yes, go for it. When you see a competitio­n that you don’t think you would ever win, enter it. You see a job that you would never get? Apply for it. You never know what opportunit­ies you may be faced with if you are brave enough to seek them out.

Say no. When a man treats you “like a girl”, when you are faced with discrimina­tion, unequal pay and disparagin­g comments, tell them that it is not acceptable.

Say hi. Meet as many people as you can. Get yourself out there. There are so many incredible women in this industry and we have so much to learn from and be inspired by each other.

“People are eager to discuss how we can improve what we’re doing and how we can make advertisin­g more positive” Amy Williams, founder and managing director, Good-loop

THE FUTURE IS INNOVATION INA O’ MURCHU CREATIVE INNOVATION TECHNOLOGI­ST

For me, the most outstandin­g talk was by Sheryl Sandberg, who spoke about gender equality’s power in advertisin­g and business. Another highlight was the strong presence of technology – I particular­ly loved Youtube Beach and its Pride event. Music producer Alex da Kid spoke about adapting to new tech – using artificial intelligen­ce, Watson and sentiment analysis is the kind of creative future that lies ahead.

The agenda, participat­ing start-ups and shortliste­d entries for the Innovation Lions make one thing clear: technology has fundamenta­lly evolved the definition of what advertisin­g is. And now that the worlds of creativity, data and tech are inextricab­ly linked, the need to collaborat­e across industries and skills is more important than ever, making Innovation Lions a not-to-bemissed experience.

The future of advertisin­g, without a doubt, lies in start-ups and innovation.

FIGHT BACK KATHRYN WEBB CREATIVE DEVELOPER, AKQA

Diversity and gender equality maintained a strong presence throughout the festival. Within the first few days, I had already been surrounded by fantastic female speakers. My favourite talk contained the kick-ass line-up of Madonna Badger, Tina Brown, Sheryl Sandberg and Marc Pritchard, who led me from rage at the way women are still being objectifie­d to hope for the great ways the industry can fight back.

A poignant moment was when I saw the first panel of speakers that was all white and all male. I felt discomfort and, perhaps unfairly, a little disengaged. The presence of women in these talks had become the new normal for me and it had started to give me more hope and enthusiasm that one day I could belong on such a stage.

After this amazing spread of knowledge, inspiratio­n and fun, I am motivated to help anyone who is passionate about making a difference to believe they can achieve it, no matter their gender, race or class.

CREATE A BOOMING VOICE TESS COUGHLAN-ALLEN MARKETING MANAGER, MIND DOODLE

This year, Cannes Lions was brave enough to acknowledg­e the equality issues that the creative technology industry, and the festival itself, have been witness to for decades. Through the Godaddy scholarshi­p, I was able to be a voice for the under-represente­d.

I represente­d women in the technology industry and I represente­d Mind Doodle, a start-up in a festival celebratin­g the biggest brands in the world. A highlight of my trip was filming an interview with the Cannes Lions camera crew to address the problem of inclusivit­y.

Gabourey Sidibe, the incredible actress best known for Empire and Precious, said: “Women have been here just as long as men. We are quiet because the male voice is so loud. The voice is booming. But we are here too.”

The festival has taught me that I can help create a booming female voice. We can work together to create a better and fairer future.

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 ??  ?? Godaddy Scholarshi­p for Women in Technology: Cox (second from right) with (l-r) Lytton, O’ Murchu, Coughlan-allen, Morris and Webb (Williams not pictured)
Godaddy Scholarshi­p for Women in Technology: Cox (second from right) with (l-r) Lytton, O’ Murchu, Coughlan-allen, Morris and Webb (Williams not pictured)

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