Carrick Herald

Things that changed my life

Scottish comedian Larry Dean

- Interviewe­d by Adam Robertson

1

THE MASK

I WAS sent a videotape years ago in the post and it was a videotape of The Mask. I think when I watched that movie, it made me adore Jim Carrey films and the daftness of it all.

I think that probably inspired quite a lot of my comedy. It’s funny when you look back on things you watched as a kid, you wonder what your personalit­y would be like if you hadn’t watched that.

It got me really into watching comedy films and stuff like that – I don’t think before that I’d watched any comedy. I was probably about 10 years old at the time. I haven’t watched them recently but I watched Me, Myself And Irene and Bruce Almighty so I’m making my way through Jim Carrey films. I know I’ll end on The Mask soon because in my opinion, it’s the best one.

What’s really cute is my nephew has it on his TV and he’s doing the same thing I did of just quoting The Mask all the time. It’s not really an appropriat­e film for a kid probably.

2

NEARLY GETTING EXPELLED

A PROBLEM I had in school was I thought they all hated me. But then one of my teachers, Miss McDonald, took me aside and said I would be expelled if I kept acting up.

I was already on a behaviour timetable and stuff like that which is a blast from the past. She took me aside and told me I was really good at drama and music so just make sure you behave in other classes, fail them all if you want, but get to next year and do the subjects that you want to do.

A lot of kids maybe don’t get the thing of somebody literally saying they believe you’re good at something so that was a good moment. As soon as I thought all the teachers hated me, I thought, “well, fuck you” but I realised I was just annoying and making their job difficult.

I definitely wouldn’t have been able to go to university or pretty much anything, to be fair, without that education.

3

SEEING EDWARD ACZEL

WHEN I was in Southampto­n, which was where I was at university, there was a comedian called Ed Aczel.

He was down doing a gig and somebody else asked him how many times he had to gig in order to be a profession­al.

He said it was at least four or five times a week. I’d done one or two over the course of six months to a year. It made me realise I had to give it a full try.

I thought if I just gig as much as humanly possible, then I can’t be that bad – although there were a lot of really, really bad gigs – but it made me give up drinking at university because I had to afford the train to get to these places.

Hearing that from Ed made me have the drive to get off my arse and do something about it.

4

COMING FROM A FUNNY FAMILY

EVERYONE at my dinner table was trying to be the funniest person. I do stand up and I’m not even the funniest member of my own family. It means they all think they know better than me when it comes to stand-up.

My mum and dad’s side are daft with their sense of humour. Hanging out with my gran made me funny. Even in the past couple of years, hearing some of her lines – they were just so good.

After she died, the nurses were saying it won’t be as funny around here because she always had such good putdowns for everybody.

So probably she helped me more with hecklers than anybody else

ELVIS PRESLEY

I USED to do Elvis impersonat­ions and make poor family members have to sit through all that they weren’t bothered with. It’s a thing that made me perform. Weirdly, I don’t know anybody who is a performer and who didn’t do stuff like that as a kid.

I suppose it’s a good indication that you’re really into it. But watching Elvis and just how cool he was, I love the idea of being dressed up as him. As a comedian, it’s hard to pull looking cool off well.

In the UK – especially Scotland – if you go on and look flashy and cool, we’re just thinking you’re a prat. It’s an odd thing of being the lowest in the room rather than the highest.

A lot of comedians have the same interest in Elvis – there is probably some weird link between Elvis and stand-up. Elvis was an image and that’s so important in comedy.

If I’m asked to describe a musician or their music, you can categorise it, but as a stand-up there’s more to it than just saying they’re a physical comedian or they do an accent, or they’re Scottish. There’s probably a jealousy thing as well – he just looked amazing when doing what he did.

6

DEALING WITH HECKLERS

IF I watched myself back THERE was such a fear when I started, I would of not being understood. have thought all my shows were I’ve noticed I’m better at not bad. I didn’t know how bad I being scared of it because I used was until my pal this year said to slow down so much. When

I was the joke of this group of I watch old videos of myself, I comedians for the first few years. cringe.

I thought I was alright at the I think 2014 was the first time I beginning. I remember the first came out here. That whole month, death I had was at the Stratford I noticed how different you have

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Theatre in the café area and I to play it but it’s come in really learned a valuable lesson. If handy because I can do three someone heckles you, you have to different versions of a show. put it out of 10 in terms of how I was in Sydney and I kept the harsh it is and just go one above. word “munter” which is a funny

Say they give you a 5/10, don’t old word but I had an Aussie hit back with a 10/10 because asking me what it means. Luckily, that’s a bit unfair or cruel. I’m at a position now where Somebody said they were talking people know they’re coming to to their partner and I see a Scottish comedian. used the c-word and the whole But having to go on completely audience was shocked. unknown, to them not even

Another person said, “we don’t knowing if you’ll be Scottish, use that round here”, and I told definitely made me a better them they’d probably heard it a comic. I hope, anyway – either few times before. I got booed off. I that or my standards are just lower.cameoffand­thecomedia­nMatt

Price basically taught me what to do with heckles. It’s the most valuable advice I’ve ever had.

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7

BILLY CONNOLLY

HE was the only standup I watched on TV until Live At The Apollo came out when I was about 13 or 14. You would never meet a single Scottish comedian who hasn’t been influenced by him.

The problem with watching him is you learn exactly what the Scottish sense of humour is and you go to other places and you realise it’s not as universal – and certainly not the accent.

But Connolly would be the one where I don’t think I’d have been interested in stand-up if I hadn’t watched one of his video tapes.

8

FIRST TIME IN AUSTRALIA HAVING A STAND-UP DIRECTOR

SOME people don’t realise this, but some stand-ups have directors. It’s somebody who will work on your material and your performanc­e with you and they give you advice. It’s the same way a director would work with an actor.

When I started working with my mate Paul, it made a huge difference because Paul had worked with loads of amazing comics like Andrew Maxwell and Sarah Keyworth.

He made the biggest difference to me because making someone laugh is fun but there’s certain types of people it’s amazing to do that to and he was one of them.

When I first did Live At The Apollo, round the back there is a TV and a couch where the comedians sit before going on.

Paul was sat watching the TV and I was so scared before I went on, I thought, “I’m just going to try to make you laugh”.

I just looked down the barrel of the camera so my eyes were just facing Paul.

Having somebody like that in a job like this is indispensa­ble because you’re trying to get acceptance every night on stage but you have someone who has your back.

10

FIRST SOLO SHOW AT THE FRINGE

THE first time I did a solo show at the Fringe was 2015, and before that, I’d done 20 minutes or 10 minutes or whatever but doing an hour and getting reviews etc was big.

I got nominated for best newcomer which at that point was a career highlight, but it was also about dealing with criticism. It’s horrible if you don’t know how to handle criticism and you get a shit review.

Even if you do something great, people will criticise it and the Fringe was great for dealing with that. You’re doing hours of material and dealing with so many different audiences.

Tickets are available now for Larry Dean’s upcoming Fringe show, Dodger

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