Chichester Observer

Will returns to Chichester for Lenten concert series

- Phil Hewitt Group Arts Editor ents@chiobserve­r.co.uk

Music Nos Miseri Homines vocal ensemble join forces with three parts vied for

Reflection­s, a series of concerts for Lent in the Chichester area.

William Waine revived NMH while he was working as a lay vicar at Chichester Cathedral, spending two and a half years in the city. He moved on a couple of years ago and is now predominan­tly based in London, but he is delighted to be bringing the group back to Chichester, after an inspiring performanc­e of Bach’s

Magnificat in Chichester Cathedral late last year.

The series of concerts includes Lamento on Wednesday, March 27 at 7.15pm in The Guildhall, Priory Park, Chichester. three parts vied is a flexible collective of chamber musicians who sing and play the music of the 17th and 18th centuries. Lamento weaves trio sonatas by Buxtehude with meditation­s by Rosenmülle­r and Biber for counterten­or, culminatin­g in Schmelzer’s celebratio­n of the life of Ferdinand III. Edward Edgcumbe, counterten­or, will perform with Ellen Bundy, violin; Carina Drury, cello; Chris Terepin, viola da gamba; and Alexander Pott, chamber organ.

Purcell and Britten will be on Wednesday, April 3 at 7.15pm in the Millennium Hall, Westbourne House School, PO20 2BH – an evening of music by two of Britain’s most evocative composers. Frances Gregory, mezzo-soprano; Paul Grant, baritone; and Andrew Hayman, piano, will perform.

Concluding the series will be Buxtehude Membra Jesu Nostri on Wednesday, April 10 at 7.15pm in Boxgrove Priory – a night which sees NMH and three parts vied combine for the final concert: Buxtehude’s cycle of seven cantatas written in adoration of the crucified Jesus. Each work focuses on a different part of his wounded body: the feet, the knees, the hands, the sides, the breast, the heart and the face. The concert features: Helena Thomson, Helena Moore, Fleur Smith, Natasha Page, soprano; Edward Edgcumbe, William Waine, alto; Thomas Perkins, Edward Woodhouse, tenor; and Michael Hickman, Piers Kennedy, bass.

“The venues all offer something different for the type of concert we are doing,” William said. “Things have gone well. We have done quite a few concerts in Chichester and we have done a few further afield. We have been to Wales and also Essex where I grew up and also Winchester. And we did our most ambitious concert yet in Chichester just before Christmas. But with this, we wanted to put on a project. We wanted to do something that would move people through a weekly concert, different concerts but all with reflective qualities that would take people on a bit of a journey. There is a discount to encourage people to book all the way through.

“These are all performers of a very high calibre, and it is not often that you get a series that you can follow all the way through rather than just individual concerts. It feels like a good idea to be able to offer people something that can be taken as a whole.

“We have gone for a Lentthemed concert series. Lots of the music is sacred or religious, but there is a lot that isn’t. The real quality is the music itself which is optimistic and hopeful and meditative and reflective.”

Will teaches in Petersfiel­d and is also involved with Havant Choral Society. He retains strong links with the area: “I did two and a half years in Chichester Cathedral choir, and it was a brilliant choir in a beautiful cathedral. It was a great opportunit­y to perform in that environmen­t and to be a significan­t part of the choir.

“With six lay clerks, there is little place to hide. I think it gives you a good idea of what it means to be such an important part of a choir. You have got to be on top form to deliver all the time. There is no space to relax or sit back and take it easy. It was a great training ground.”

Tickets on www.thenovium. org/nmh.

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