Classic Rock

The Pretty Things

London Putney Half Moon

- Ian Fortnam

Things are what they used to be...

After 55 years, The Pretty Things have decided to call it a day. Tonight marks their final London club show, come December they’ll be hosting an Indigo last stand. Considerin­g this decision dispassion­ately armed with all the evidence, not least that their surviving core of vocalist Phil May and guitarist Dick Taylor are 73 and 75 respective­ly, it seems almost logical, but faced with the passion and power of the band’s enduringly vital performanc­e and it seems only nonsensica­l.

The Things are entities for whom the epithet ‘legendary’ fetches up short. Bowie listed May under ‘God’ in his address book; Dick Taylor left the Rolling Stones in ‘62 to study art; and despite a profound inability to transcend cult status, their R&B was filthier than the Stones’, their psych mind-blowing and their SF Sorrow concept work, the first. These elements still provide their set’s core and are undiminish­ed in their raw, unfettered brilliance.

Taylor looks professori­al, slight, aged, yet he kicks up a whirlwind of lightning licks and feral solos across a set that’s every fan’s dream (Honey, I Need, Deflecting Grey, Don’t Bring Me Down, LSD, Rosalyn), there’s an acoustic insert with stinging Robert Johnson-style slide guitar, Phil May displays tangible remains of the deity, and their supporting cast are on fire.

Miss this exceptiona­l swansong at your peril.

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