Classic Rock

Killing Joke

London Chalk Farm The Roundhouse

- Julian Marszalek

Post-punk veterans end their 40th anniversar­y tour in style.

Jaz Coleman, his eyes wide open and teeth gritted behind a hideous grimace on a face painted deathly white, is shuddering to such a degree that you’d be forgiven for thinking he was plugged into the mains. All at once there’s drama, tension and menace, and scenes of pandemoniu­m breaking out in front of him… It’s business as usual at the climax of Killing Joke’s 40th anniversar­y tour.

Despite the rare moments of sentimenta­lity by Coleman or bassist Youth’s heartfelt praise of his bandmates, there’s little tonight that feels like a band performing a victory lap or a roll of honour. Instead this is a continuati­on of Killing Joke’s 40-year journey into the heart of darkness and the worst aspects of human nature. And with the band having made some of their best music since the turn of the decade, the spread of material tonight covers a satisfying­ly amount of ground.

Delivered at a substantia­l and punishing volume, Wardance has lost none of its ability to thrill and terrify in equal measure. Geordie’s scything guitars drive the brutality of Eighties, while the mutant techno of European Super State pumps with a hideous relevance.

Unless the apocalypse hits any time soon – and it might – only a fool would bet against Killing Joke making their half-century.

 ??  ?? Killing Joke’s Jaz Coleman:electrifyi­ng – and seemingly electrifie­d.
Killing Joke’s Jaz Coleman:electrifyi­ng – and seemingly electrifie­d.

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