Classic Rock

Jack J Hutchinson

The British blueser-turned-rock’n’roller on Brazilian adventures and bucking the odds.

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We meet Jack J Hutchinson in a quiet Central London pub, just round the corner from the blues bar where he had a popular gig for years. Lately, though, he’s found fans further afield. Fresh from the release of new album Who Feeds The Wolf? – a warm, rugged fusion of grungy southern rock, Zakk Wylde-esque weight and bluesy strains – the singer/guitarist has just returned from a tour of Brazil.

“People knew my songs!” he says, beaming, all Blackberry Smoke-rivalling threads and beard. “We did a blues festival in the UK at the weekend where everyone was sitting down, and in Brazil everyone’s just going apeshit during your set. My bass player said: ‘I like it when people sit down and listen.’ I was like, ‘I fucking don’t, I want them to go ballistic!’”

It’s a long way from Hutchinson’s formative years in Burnley, where Led Zeppelin lured him into rock’n’roll while his classmates listened to Oasis. But when he first moved to London his initial motive was to study art. There he spent late nights painting giant canvases and playing southern rock and covers gigs. Then, at 25, he was diagnosed with reactive arthritis and left unable to play guitar. At one point he was told he might not walk again. Confidence and strength shattered, he moved back in with his parents. And then one day: “My dad came in and said: ‘I want you to take this letter and post it.’ So I hobbled down to the post office, and hobbled back. I think it was the first step to me walking again.”

Back on his feet, he played in varying blues band line-ups – including the Boom Boom Brotherhoo­d. But as his songwritin­g began to lean in a rockier, more ambitious direction, things had to change. “The Boom Boom Brotherhoo­d guys were unavailabl­e to do a tour of Spain, so I had to find a band really quickly,” he explains, “so I hired Felipe [Amorim, drums] and Laz [Michaelide­s, bass] as session musicians.”

Raucous shows of heavier, rockier material for singing-along crowds in Brazil, Russia and the UK ensued, capitalisi­ng on Hutchinson’s longtime fondness for Zakk Wylde, The Black Crowes and Black Sabbath. By the time they got home it made sense for Who Feeds The Wolf? to reflect this.

In a cruel twist of fate, this has all coincided with family heartbreak after Hutchinson’s father – and his earliest champion – was diagnosed with Alzheimer’s disease. “But my mum has said: ‘You’ve got to go and do your own thing and try and enjoy it.’ I think she has the opinion that he’d be really proud of it.”

Indeed, judging by Hutchinson Snr’s response to rock’n’roll, she may have a point. “I’ll put on an AC/DC DVD or something and his eyes light up, and he’s able to talk a little bit,” Jack says with a smile. “Most of the time now you can’t get anything out of him. But put on Sweet Child O’ Mine and he’s straight there.”

For album and tour info, visit jack jhutchinso­nmusic.com

“I hobbled down to the post office. It was the first step to me walking again.”

As predicted last issue, Mötley Crüe have signed up for a North American tour this summer, having torn up their 2014 “cessation of touring” contract. They join Def Leppard, Poison and Joan Jett & The Blackheart­s for 22 shows between July 7 and September 5. Leppard’s Joe Elliott says he always knew the Crüe would break their vow. “Five years ago I sniggered into my cup of coffee, like, ‘Yeah, right’,” he says. “They’re just Bowie, Sinatra and Cher all rolled into one.”

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Saxon have been confirmed as special guests at the Bloodstock Festival on August 9.

Nightwish bassist and singer Marko Hietala releases his debut solo album on January 24 through Nuclear Blast. The Finn describes the sound on it as “hard prog”.

Pete Townshend (pictured) has apologised for comments he made about his late Who colleagues Keith Moon and John Entwistle. Townshend had told Rolling Stone: “It’s not going to make Who fans very happy, but thank God they’re gone.” He says he meant to say the pair “were fucking difficult to play with”.

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“I think that’s probably my favourite album of all time. I jam along to Custard Pie a lot as a warm-up. And Bron-Y-Aur, which is an incredible piece of acoustic music. And Ten Years Gone, that might be my favourite song of all time, it takes you on this journey, it made me cry. And Kashmir, The Rover… What an album. It’s just incredible.”
FOR FANS OF... “I think that’s probably my favourite album of all time. I jam along to Custard Pie a lot as a warm-up. And Bron-Y-Aur, which is an incredible piece of acoustic music. And Ten Years Gone, that might be my favourite song of all time, it takes you on this journey, it made me cry. And Kashmir, The Rover… What an album. It’s just incredible.”
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