Pink Floyd
The Later Years
The post-Waters era collated, with the odd gaping gap.
Aquite clever forgery,” Roger Waters said of 1987’s A Momentary Lapse Of Reason, the first Pink Floyd album following his 1985 departure. His comment showed a possessive arrogance, Waters believing himself to be the heart, soul and spirit of the band. And certainly those fans hooked on the oppressive autobiographical dramatics of The Wall and The Final Cut were best advised to follow him into his dark conceptual solo world. The Floyd that reconvened without him – David Gilmour, Nick Mason and a returning Richard Wright – were a brighter, more weightless proposition. And although they would produce only two proper albums (Reason and 1994’s The Division Bell) and the ambient reworking of studio offcuts that was 2014’s The Endless River over almost 30 years, their tenure is still respected enough to warrant an 18-disc retrospective box set.
Big it is, comprehensive it ain’t. The Endless River isn’t in it, and fans of The Division Bell might already own the 2014 reissue mix and the Pulse live DVD, slightly tweaked here but still most notable for the full, stadium-sized run through The Dark Side Of The Moon. Mostly, we’re encouraged to revisit Reason, where Gilmour solo material was repurposed to throwback to his wonderfully airy influence on Wish You Were Here and his spectacular riffs on The Wall: Signs Of Life could be Shine On You Crazy Diamond Part X, One Slip a stumbling sequel to Run Like Hell and The Dogs Of War a more actionpacked Welcome To The Machine.
Set alone, and with some drums and keyboards re-recorded for added punch here, Reason makes for an impressive rebalancing of the Floyd canon to honour Gilmour’s contributions, but when its draggier second half is pitted against the deathless classics of Waters’s prime period on the live album Delicate Sound Of Thunder (here in audio and video forms), it comes up noticeably short. The second half of immaculate 70s Floyd has virtually no slack, even when an eight-minute Money drifts off into jazz and reggae segments.
Among the videos, documentaries, memorabilia and live footage from Knebworth and their floating Venice show, of greatest interest to completists will be the seven unreleased tracks from The Division Bell sessions, largely listless and insubstantial prog and blues workouts but involving a charming church-bell flamenco version of High Hopes and a half-written riff rock piece called Nervana with some fiery Gilmour weight behind it. A few more fresh gems like that would’ve pushed this beast of a box towards being essential. ■■■■■■■■■■