Classic Rock

BEST OF THE REST

Other reissues out this month.

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Pylon

Pylon Box NEW WEST

Dealing in stripped, dissonant mutant dance music, Pylon recall early Joy Division, PiL and an edgier B-52’s. These four coloured vinyls boast 18 unreleased gems and come boxed with a handsome hardback. 7/10

Various

Southend Punk Rock History 1976-1986 ANGELS IN EXILE

With echoes of Canvey R&B in their bones, Sarfend stalwart Steve Hooker and Alison Moyet (Sioux-ing it up with The Vicars) shine brightest here, before successive Punk ‘n’ Disorderly also-rans offer diminishin­g returns. 6/10

Iggy And The Stooges

You Think You’re Bad, Man? The Road Tapes ’73-’74

CHERRY RED

Five feral, bootleg-quality live shows from the post-Raw Power Stooges’ final touring throes boxed for hard-core fans. That said, rock scholars need to hear disc five’s final Michigan Palace Metallic KO set. 7/10

Specials

More Specials CHRYSALIS

A distinct broadening of the band’s original ska template (due to internal power struggles) maintains the influence and appeal of this ‘difficult’ second album, now remastered for its 40th on four sides of vinyl. 8/10

Toyah

Sheep Farming In Barnet CHERRY RED

Those who dismissed Toyah’s debut as ‘drama school punk’ didn’t pay attention. There’s no cynical identi-thrash on this three-disc expansion, just committed vocal gymnastics over artful progressio­n. 7/10

Various

Rick Wakeman’s 70s Rock Down XPLODED TV/UNIVERSAL

Rick allegedly compiled this 60-track compendium to “help rock our way through lockdown”. Often via route one (School’s Out), with occasional diversions (City Boy’s 5-7-0-5), it surely does the job. 8/10

Black Sabbath

The End EAGLE ROCK

This triple blue vinyl souvenir of the final show of Sabbath’s 2017 farewell tour was always going to deliver a hefty emotional punch. Featuring every Sabs classic that it ought, it’s a fan essential. 8/10

Kiss

Rocks Vegas EAGLE ROCK

Kiss’s 2014 Vegas residency captured in all its unedifying pyrotechni­c glory. Two yellow vinyls, one eye-watering DVD, eight big shoes, and more old-man tongue than you’ll ever need. Or want, to be fair. 7/10

Menswe@r

The Menswe@r Collection EDSEL

Singled out back in the day as “all that was wrong with Britpop”, this four-disc set demonstrat­es that while their contrived style probably had the edge, their ennui-laced of-its-time content wasn’t bad either. 7/10

Racing Cars

The Albums 1976-1978 7TS

Classic bad timing. Despite their best efforts, it turned out that, aside from their irresistib­ly miserable They Shoot Horses, Don’t They? single, 1977’s zeitgeist simply didn’t require a Rhondda Valley Free. 7/10

Medicine Head

New Bottles Old Medicine 50th Anniversar­y CHERRY RED

The raw minimalism of John Fiddler and Peter Hope-Evans’s debut album, first released on John Peel’s Dandelion label in 1970, is lo-fi blues-rock incarnate. Laden with charm, lovingly expanded, but it still makes Baby Jump sound like Pet Sounds. 7/10

Swans

Children Of God MUTE/YOUNG GOD

The fifth Swans album retains its delicious grinding bleakness even at 33 years distance. Mighty, oppressive, it wears you down until you succumb to its innate beauty. Subterrane­an doom almighty. 8/10

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