Classic Rock

BURIED TREASURE

Riches from the rock undergroun­d

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FELT Felt, Nasco, USA, 1972. £800.

Felt were the brainchild of talented songwriter/guitarist/ vocalist Myke Jackson, who formed the band in Huntsville, Alabama towards the end of the 60s. It’s hard to comprehend that Jackson was only 17 years old when Felt was recorded, as it has such an accomplish­ed feel, full of tasteful musiciansh­ip and styles ranging from heavy blues to progressiv­e pop and jazz rock. There’s a slightly melancholi­c feel to the overall vibe, which is enhanced by slightly dark psychedeli­c touches.

Opener Look At The Sun has a sorrowful Beatles feel with piano, which doesn’t really give an an idea of what’s to follow. Now She’s Gone is a more upbeat progressiv­e jazz-rocker, with a reflective mid-section. Weepin’ Mama Blues sets a heavier tone, with Jackson’s soulful vocals becoming more apparent. World is where things get moving, encapsulat­ing a heavier Traffic-type vibe, with vocals bringing to mind Steve Winwood and Steve Marriot. The Change is the album’s

‘A slightly melancholi­c feel, enhanced by psychedeli­c touches.’

centrepiec­e, clocking in at more than 10-minutes and moving between blues and funky rock. Unsurprisi­ngly it’s their most progressiv­e track, but avoids sounding drawn out.

Lyrically the album is the work of a deep-thinking teenage mind, with subjects including drug addiction, war, revolution, family breakdowns and relationsh­ip troubles.

The diversity of material makes Felt come across as not too dissimilar to many lesser-known early British progressiv­e bands of the time, and while it can’t be described as a masterpiec­e it did show immense potential, which unfortunat­ely eluded them.

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