Classic Rock

BEST OF THE REST

Other new releases out this month.

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Ruts DC

ElectrAcou­stiC

Astutely re-imagined for the trio’s acoustic live sets, The Ruts’ cannily constructe­d chart hits (Babylon’s Burning et al) take on new life when stripped back and allowed breathing space thanks to a clean Pat Collier production. 8/10

Jaded Hearts Club

Live At The 100 Club BMG

Unlikely supergroup featuring Matt Bellamy, Graham Coxon and Miles Kane brutally, brilliantl­y and enthusiast­ically assault the classics (Gloria, Paint It, Black) in irresistib­ly raucous Pebbles-era garage-band style. 8/10

Birdpen

All Function One JAR

An album about ‘living a cyber life’ that covers isolation, sadness, loneliness and paranoia: the full post-millennial package, but in a good way. Superb electro alt.prog with lashings of en-vogue existentia­l misery. 7/10

Starmen

By The Grace Of Rock ’N’ Roll MELODIC PASSION

Coming on like a Swedish Paul Stanley-based cheese dream, this slick if image-hobbled quartet have raided vintage melodic rock’s songwritin­g style guide (and its make-up bag) to surprising­ly satisfying effect. 7/10

iDestroy

We Are Girls CD BABY

A gloriously hook-driven mash-up of sparky pop-punk, surly attitudedr­enched alt.rock and Huggy riot grrrl bite from a Bristol trio with Bowery swagger and similar crossover potential to vintage Elastica. 8/10

Reflection Club

Still Thick As A Brick MADVEDGE

Unlikely German Canterbury scenester Lutz Meinert (Margin) delivers a double concept work (complete with newspaper) that’s such a precise, loving homage to Tull’s Thick As A Brick that any committed Tull fan would be a fool not to seek it out. 8/10

Cobra Cult GMR

Second Gear

Eight winning tracks on which relentless Motörhead blazing collides head-on with punk pace and Johanna Lindhult’s distinctly Swedish take on strident Runaways-era Cherie Currie vocals. Unashamedl­y trad, but not at all bad. 7/10

Ed Cosens

Fortunes Favour DISTILLER

The Reverend & The Makers guitarist’s command of classic songwritin­g tropes, en-vogue blend of modern indie-folk manners with orchestral scope and Sheffield origins all invite comparison­s to Richard Hawley. Engaging and assured. 7/10

Tomahawk

Tonic Immobility IPECAC

An unnerving but relentless­ly rewarding fifth album from Mike Patton (Faith No More) and Duane Dennison (Jesus Lizard) reflecting lockdown intensity with brink-dwelling vox and gloriously agitated riffs. Prime uneasy listening. 8/10

The Members ANGLOCENTR­IC

Bedsitland

There’s a vast breadth of ambition here from the Camberley postpunk vets (now led by JC Carroll). Additional hands – Guy Pratt, John Perry, brass, pipes etc – do what they can, but it’s not enough. Clumsily produced, surprising­ly shambolic. 4/10

Goodbye Mr MacKenzie

A Night In The Windy City

Having re-formed in 2019 without Shirley Manson, Edinburgh’s Martin Metcalfe-led, genre-nonspecifi­c MacKenzies took their majorlabel-friendly pre-grunge indie rock to Glasgow’s Barrowland­s, where they clearly triumphed. 6/10

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