Classic Rock

The Hold Steady

NYC Brooklyn Bowl Annual four-day Weekender, condensed to two nights.

- Mark Beaumont

Perhaps the strangest eventualit­y of the pandemic is watching hundreds of Americana bar-rock fans from exotic locales around the globe gathering virtually in a Brooklyn bowling alley to dream of being at London’s Electric Ballroom. In a normal year

The Hold Steady would be holding their annual four-day Weekender there. This virtual replacemen­t – performed over two days to a bank of screens showing kids, grandparen­ts, drunks and scary clowns dancing along at home – is as misty-eyed and celebrator­y as Craig

Finn’s mile-a-minute beer gossip lyricism.

Opening on the Floyd-like atmospheri­cs of The Feelers from their brilliant album Open Door Policy, they construct a set showcasing the moves they’ve made far beyond the charging blue-collar rock of their 00s breakthrou­gh records. Magazines is pure drama rock, Blackout Sam urbane country, T-Shirt Tux a drug-dirty swing, and in Stevie Nix street poetry is drenched in Zep riffage and downbeat jazz segments. They really fly, though, when finding majesty in sawdust; when a brass section joins them for canyon roof choruses on Spices, Sequestere­d In Memphis or Your Little Hoodrat Friend. In this vein they have showstoppe­rs aplenty. Stuck Between Stations and glorious gambling anthem Chips Ahoy! are so transporti­ve that we could be standing on Camden’s stickiest floor once more.

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