Classic Rock

Tom Petty And The Heartbreak­ers

Live At The Fillmore, 1997

- Mark Beaumont

WARNERS The Heartbreak­ers’ 20-date San Fran residency distilled.

“We’re the house band here at the Fillmore,” Tom Petty semijokes, during his 20-date residency at the legendary San Francisco venue in 1997. And on this 72-track collection compiled from the final six shows, he and the Heartbreak­ers certainly live up to the job descriptio­n.

Mostly playing covers of songs that inspired them, they revel in classic rock’n’roll boogies (Lucille, Around And Around), blues workouts (I’d Love To Love You Baby, Crazy Mama) and psychedeli­c Americana (The Zombies’ I Want You Back Again), and even have a surf country crack at Goldfinger. Roger

McGuinn and John Lee Hooker arrive to front sections devoted to their songs, and the Heartbreak­ers themselves tribute the likes of the Stones, Bo Diddley, JJ Cale, The Kinks, Patti Smith and (unsurprisi­ngly faithfully) Bob Dylan.

The band’s evident love for the material floods the performanc­es, even though they can overdo the jamming when they get a groove going, and reverence dampens Hooker’s guest spot. But Petty’s own songs, deployed sparingly, sound infinitely fresher and tighter: American

Girl and I Won’t Back Down are stripped back to harmonysmo­thered acoustic singalongs; Runnin’ Down A Dream and You Wreck Me are speedster rock high points; Free Fallin’ feels like a glider ride over a gleaming LA. Songs like California, Angel

Dream and Walls (Circus) from 1996 soundtrack album She’s

The One represent Petty’s lustrous country folk reaching sublime heights.

As Petty and the Heartbreak­ers fulfil a fan’s shout-out for Heartbreak­er’s Beach Party and revisit their first ever recording, On The Street – essentiall­y a hyped-up pop Dylan – you get the sense of an inclusive month of warm indulgence, a band coasting on 20 years of accumulate­d powers.

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