Classic Rock

BURIED TREASURE

Riches from the rock undergroun­d

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FOREVER AMBER

The Love Cycle, Advance Records, UK, 1969. £4,500,

Formed in Cambridge (initially as the Country Cousins) in 1967, Forever Amber lasted only until 1969, but with The Love Cycle they left behind a definite Holy Grail of late-60s UK psychedeli­a and one of the most sought-after ‘private pressings’ of the era.

It’s a concept album that follows a relationsh­ip from its beginning to its end. It has been described as a lowbudget caricature of The Zombies’ masterpiec­e Odessey & Oracle. While that might be a vaguely indicative reference point, the album doesn’t really sound like that at all. Yes, it was recorded cheaply and pressed as a miniscule edition of just 99 copies, but it has a unique, alluring character of its own.

The first five tracks are charming, wellexecut­ed, vibrant pop, with shared and often harmonious lead vocals. The ambience is enhanced by some tasteful keyboard licks from future Strawbs member Chris Parren. Things take an almost schizophre­nic turn with The Dreamer Flies Back: distorted guitars, wah-wah pedals, effected dreamy vocals and violent phasing takes over, as psychedeli­c minds are instantly blown.

Better Things Are Bound To Come is another monster psych track, with spooky backing vocals and menacing lead guitar, churning bass growls and a groovy beat. All The Colours Of My

Book is an unusually upbeat rocker with frantic drumming and a wild guitar break.

I See You As You Used To Be is a gentle baroque-pop ballad, and On Top Of My Own Special Mountain is a jazzy groover. Beautiful closer My Friend is Love Cycle’s most memorable moment.

‘The album is a definite Holy Grail of late-60s UK psychedeli­a.’

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