Classic Rock

Thin Lizzy

Live And Dangerous – Eight-CD Super Deluxe edition

- Neil Jeffries

The Greatest Live Album Of All Time – along with the seven gigs recorded to make it.

Since June 1978 we’ve debated whether Deep Purple, UFO, Status Quo or even Kiss released a better double live album than Live And Dangerous. We’ve also fretted about the impact of studio overdubs. Now we can answer the second conundrum.

Like UFO’s 2020’s box set containing all six gigs recorded to create Strangers In The Night, this Super Deluxe version of Live And Dangerous delivers again Lizzy’s original masterpiec­e, plus seven live sets. There are three Johnny The Fox tour nights at Hammersmit­h Odeon in November ’76; two from Philadelph­ia and one in Toronto in October ’77 when Bad Reputation was new, plus the Rainbow Theatre set of March ’78 (taped after work on LAD had begun, sticking close to the album’s running order).

This amount of material, arguably, muddied the waters. The band and producer Tony Visconti could have released a brilliant LAD a year earlier using only Hammersmit­h recordings (the third night’s disc is mind-blowing), but that would have meant a document without

Southbound, Dancing In The Moonlight and

Are You Ready (from the Rainbow).

Playing these seven bonus discs begins as an exercise in nitpicking, looking for mistakes repaired. Abandon that, it’s too hard. Besides, no change was as dramatic – not even snippets so subtly removed from

Rosalie, Dancing In The Moonlight, Baby

Drives Me Crazy etc – as the re-sequencing necessary to make the 17 songs fit across four sides of vinyl. Instead enjoy those left off: Johnny, It’s Only Money, Soldier Of Fortune, Opium Trail and Bad Reputation. Rejoice too in the spontaneou­s variations between performanc­es while noting (despite what the original gatefold might have implied) that most come from the second night in Philadelph­ia (where Southbound was recorded at sound-check).

In 2023 we get unpreceden­ted access to the legendary Lynott-Downey-GorhamRobe­rtson line-up in full flight, opening their sets with show-stoppers (Jailbreak and

Emerald often in the first three), delivering favourites Still In Love With You and The Boys Are Back In Town before halfway, and climaxing with songs they hadn’t yet released: Baby Drives Me Crazy, Me And The Boys…, Are You Ready).

Visconti spent weeks polishing the original Live And Dangerous into a masterpiec­e. This box set suggests that all we ever needed was around 80 minutes, including encores. Seven additional, yet equally dazzling, versions prove that and give us Thin Lizzy in their prime: live, raw

and dangerous.

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