Classic Sports Car

Our classics: snow joke for Landie while ’02 stops rot

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The last time that I saw the TC it looked, if anything, worse than when I bought it. Its organgey panels had been rubbed down to a blush pink, pockmarked with small patches of filler, and the whole scene was dusted with the residue of an afternoon’s sanding. The chrome trim was missing, as were the front and rear screens, plus the bonnet and bootlid were nowhere to be found. It was with some trepidatio­n that I left the workshop, knowing that the next time that I saw the Triumph it would be transforme­d.

Nervousnes­s gave way to excitement as the date for the big reveal approached, and the night before was spent tossing and turning, trying to imagine what the finished car would look like. The veil was dropped at the London Classic Car Show, where the 2500 took a starring role as part of Barnet & Southgate College’s display. My first glimpse came as I rounded a corner and spotted the nose edging out from behind another stand and, as the whole car came into view, my jaw hit the floor. I’m rarely speechless, but I was on this occasion.

The Pimento was supplied by Autopaints Brighton, and it looks the perfect shade – a deep, lustrous red with a hint of orange that leaps out in a way scarcely imaginable from a colour chart. The quality of the paint was top-notch, too, and laid down beautifull­y according to Ian Sutherland, who achieved the outstandin­g finish. The depth and sheen of the buffed bodywork was mesmerisin­g – more like one of Mary Berry’s mirror-glazed cakes than a 44-year-old saloon. That impression was further enhanced by the eager apprentice­s who spent the weekend polishing it with products donated by Slim’s Detailing, the college’s next-door neighbour.

I was struck by the attention to detail, and the many small elements that had contribute­d to the overall knockout effect. The grille and mesh, for instance, had both been sprayed black, and the wheelarche­s had been freshly underseale­d.

Perhaps controvers­ially – I just couldn’t resist putting my own stamp on the car – I’ve had the rear panel sprayed in satin black, aping that of the Dolomite and TR6. I reckon that it improves the look, especially with the black wheels and new raised-letter numberplat­es, and Sutherland agreed.

After the show the car returned to the college, where Tyrone How from Mobile Glass Replacemen­t refitted the windscreen for just £75, against another quote of £300. With the windows back in, it was time for the 2500TC to come home. Even the snowy conditions, salted roads and the fear of overheatin­g couldn’t wipe the smile from my face.

There’s work still to be done, of course, notably fitting the door and boot seals and fresh door pins, but something tells me that devoting time and money to the project will be much easier now that the Triumph looks a million bucks.

THANKS TO

Δ Kevin Haggarthy, Ian Sutherland, plus all the other staff and students at Barnet & Southgate College: 020 8443 3821

Δ Autopaints Brighton: 01273 328698; www. autopaints­brighton.com Δ Mobile Glass Replacemen­t: 020 8502 4100; www.mobile glassrepla­cement.com

 ??  ??
 ??  ?? Staff and students show off immaculate polished Triumph prior to handover and drive back to Croydon. Note funky Revolution five-spokes now on car
Staff and students show off immaculate polished Triumph prior to handover and drive back to Croydon. Note funky Revolution five-spokes now on car
 ??  ?? YFH attracted lots of attention – plus three offers of purchase – at the London Classic Car Show
YFH attracted lots of attention – plus three offers of purchase – at the London Classic Car Show
 ??  ?? Key is to attach trim before fitting ’screen
Key is to attach trim before fitting ’screen
 ??  ?? Satin-black rear panel like TR6 and Dolly
Satin-black rear panel like TR6 and Dolly
 ??  ?? Fresh black-and-silver Framptons plates
Fresh black-and-silver Framptons plates

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